Ages ago, back when I was planning out how I wanted to do this idiotic project, I wrote out a series of topics that I thought were worth discussing. It’s worth noting that said editorial outline ultimately turned into nothing because I had grossly underestimated the size and complexity of just this little corner of the Idolverse, and I wasn’t ever going to have time to make a lot of those pieces happen. Noting that, however, I can still say that I had wanted to do a pre-most-WACK-things post on the general career arc of one Watanabe Junnosuke, questioning whether it was skill or luck that had gotten him through (at the time) OG BiS, OG BiSH and OG Pla2POP.
So! GANG PARADE made “BREAKING THE ROAD” official today:
In a 24-hour span, the only part of WACK that hasn’t pushed out something to promote a release old or young is now EMPiRE; GANG PARADE offered up the first track from “BREAKING THE ROAD”:
Well, I’m officially done with trying to figure out what GANG PARADE is going to do at any given time. Going all the way back to POP and the group that got booted from TIF, it’s just been one swerve (or partial swerve) after another. This one’s like closing the loop on a knot that started with “pretty pretty good” and some of the subsequent down-catalog material. It’s also like being at Ultrabar for NYE 2009.
Great title, though. I’d love to get at the lyrics. Also the A-side, but I’ll take what I can get before the MV hits any minute now.
I just keep giggling about this. I really don’t know.
You tell me. Honestly. What the hell all is going on here? Idol Cannonball Run: The Motion Picture would create the single hottest holiday toy craze in history — vomit-inducing hot sauce! ill-fitting fitness wear! gratuitous bikini tops! — if it lived up to half of its potential. Like, AV vs. MV? More like Pour Lewd amirite?Continue reading →
Hey, a couple of days late never hurt anybody. Folks have spilled a ton of tears and ink and whatnot over the WACK solo debut election results, which could not have been less surprising overall (my girl Chitti taking #1, just a tiny bit off expectation). For me, though, it was the awarding of a solo debut to the #16 finisher, Yui Ga Dokuson, that took the cake.
John with the overall details:
Well, WACK had their vote to determine who gets a solo debut release. The show was about two hours long on niconico. A couple twists and turns, pretty uneventful…… almost.
Tanaka-san really has a penchant for the dramatic, doesn’t he? A year ago, 2016 closed with the death of Bellring Girls Heart and announced yet-to-be-detailed future projects for a number of the numbers; as 2017 had its too-well-earned death rattle, of course it was time for the Aqbi family to drop a few more surprises on us.
Last week, Karin announced that she was graduating, basically effective immediately. Fans did weep. Today/tonight, she graduated/s:
Well I’ll be a monkey’s uncle. Idol is gearing up for a hell of a 2018 with a bunch of teasers in the waning moments of 2017 that should do no less than to whet your appetite for an incredible year in music. In this case? Just one of Maniac’s very favorite things, Tokyo’s Dots, who have their first full-length album coming out in January — but you can get a full preview of the whole dang thing beginning right now if you know what’s good for you:
When you’re basically living media figures* the way that You’ll Melt More! is, you don’t let the usual pre-during-post-release schedule for your albums and whatnot dictate what you’re going to do to promote the thing — you do what you want, because you can, and it’s going to work.
What a treat! In addition to my nigh-week-long sojourn in the perpetual throes of Day Job nearing its merciful end, there are two great idol projects with completely free(!) new(ish!!) downloads(!!!) to snag and enjoy like the absurd indulgences that they are.
First up! Yanakoto Sotto Mute, whose one-man the other day was probably a completely epochal occurrence that I, of course, did not attend on account of being tied not just to the United States, but the National Capital Region because boring reasons. Nonetheless, the echoes show … you know? I think it’d be keen if one of you guys scored a bunch of holographic technology, and also really high-end streaming equipment, and just streamed my favorite lives to the comfort of my living room, a life-sized Nadeshiko in among the detritus of a life spent doing little of what it’d like to be doing.