These Tears of Joy Are for the Desu.Rabbits

Man, looking back, Wednesday was absolutely jam-packed, wasn’t it? And I usually consider it to be the second weakest day of the week, after Sunday, hence I wasn’t anticipating that there’d be this big newsworthy churning glut of MV releases in the span of a few hours, and hence was caught flat-footed and had to scramble to try to cover everything. Alas, “everything” is a metaphysical impossibility, so “something” was going to get left out until considerations could open up later, and in this case that something turned out to be the thing that I might have, on the aggregate, been the most excited about. Luck of the draw!

What was that thing? The title gives it away, but please let me contextualize for the new amount us: See, back when ol’ Homicidols Dot Com got started, I had particular negative tendencies that my stuffed-shirt editorial attitudes for the most part could ignore when called upon to do so, but always failed in the case of OG Ladybaby and the Idol Formerly Known as Deathrabbits. Looking back on it, there’s more of a logical through-line to it, especially seeing as how they’re the only two groups that I ever saw use the “death pop” attribution for themselves and both employed the girls+adult man lineup in extremely similar ways. Without getting too much into it, my general disinterest in both groups showed, and people were happy to call me out for it.

This didn’t really start to change until I was forwarded this Deathrabbits album by their international fan club president, and forcing myself to look at it objectively pointed out that, hey, there are some neat things going on here. It’s not all for me, but it’s also definitely not a bad thing. And so began a gradual thaw toward the group, through their re-brand as Desu.Rabbits and various releases and even that Road to Budokan that– Are they still doing that? I hope so. Don’t give up!

Anyway, to put a bow on this intro, I’d been hoping for a while that the day would come when Desu.Rabbits would show a really mature side of themselves. And when they dropped this MV the other day, there it was:

If it weren’t for the name and the hyper-random inclusion of Bucho, I’d never know that this was the same group that may have had “pyon” as its most common lyric over several years’ worth of releases — between the more metalcore heaviness away from the verses and the much more grown-up vocals from the girls, this is one that a lot of people around the idolsphere should probably be talking about. It’s worth noticing. Even the Bucho interjection, while unnecessary, can be played off more as a random guest spot than anything and given some believability. The group’s overall visual makeover is a welcome change as well, and I hope it’s a trend that they can keep working with as actual by-god adulthood creeps up on Emi, Karin and Yuzu.

This is just one half of a double A-side on its way next month. You may want to check it out!

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