In the spirit of elevating more of the very smartest voices among us, I asked Babymetal megashow-attender and Corenament almost-winner DaeMetal to share his impressions. As one of the few people alive who may love YSM more than me, I’m sure that this will be a completely unbiased exercise. Take it away, Mr. 444!
One of the primary goals of my most recent trip to Japan was to witness as many Yanakoto Sotto Mute lives as possible. I was fortunate enough to catch them three times and was happy to confirm that they are, in fact, the real deal; as Maniac dubbed them, “the idol unit that was born perfect”. Not only can they pull off their vocals live (quite a feat considering the demanding range and complex harmonies of their compositions), but their performances display an emotional range in their songs that isn’t evident from just listening to BUBBLE, their first and utterly brilliant album. Yanakoto Sotto Mute are one of those rare groups whose live performances dramatically enhance the songs, giving them additional dimensions beyond the definitive perfection of a studio recording. For those of you in the Western Hemisphere who haven’t begun making plans to see their overseas debut at East Meets West Fest in August, I encourage you to do so. Seeing YSM live is a bucket-list-worthy event. Continue reading
Or, more specifically, the receipt and unboxing (so to speak) of “Personia / ISUMI,” which just barely failed to make #1 for the Mask Girls’ second consecutive chart-topper, but is still pretty good.
This is from Indonesian fan of the site Rino:
Dofphoto has another gift for you! And very well-timed, as DISDOL crept a bit into the wider homicidol consciousness over the past week, and darn it, that makes me happy. Personally, I’m dying to know if HARERUYA is any good.
My first experience with DISDOL (they were called Dissenter Dolls back then) was back in March 2015, which I’m pretty sure was their debut on stage. There were four girls and they only had two songs, which were “Jolly” and “Miraibana,” the latter being the track that caught my attention. So like anyone would do, I followed them on Twitter. A few demos of new tracks were uploaded to Youtube and it seemed it wouldn’t be long till DISDOL were in the studio. Continue reading
A few weeks ago, our pal dofphoto was like, “I can do reviews” and I was like “show me” and he was like “okay.” I’m not rescinding the
pleasure responsibility necessarily, but I also know that other folks have a tendency to get music that I don’t, and Homicidols.com is nothing if not service-oriented. And so, after some negotiating, here’s dofphoto!
I have a long fan history with Party Rockets. In particular, Yoshiki Haruka. From the dark back part of the stage, Haruka stepped out into the light and took control of what could have been an international rock/pop group. Unfortunately, the trend for graduations within the Party Rockets camp left Haruka and Fumika abandoned to the point that Fumika publicly cried, voicing uncertainty about the future of their beloved group and the fantastic songs they would leave behind. Continue reading