Happy Monday morning, everybody! Thanks to everybody who’s been adding their voice to the Best of 2017 cut-down. As you can imagine, there’s a lot of work to get down to just the tippy-top best … and then we complicate it by allowing anything that makes it in by the end of November to qualify. It’s like re-undoing your own work!
Speaking of late entrants, perhaps you’ll be moved by this latest piece from Diamondollfy, who only continue to improve:
Anybody else remember a little while ago when I put out a bounty for video of Sola Sound, who’ve spent at least a year being some kind of unreachable, inaccessible idol object who nonetheless are on like every bill in the greater Tokyo metro area at once? Well, it turns out that they earned that bounty themselves, because their official YouTube channel sprang to life this morning and gifted the world with a live clip of “no doubt”:
So for the handful of individuals other than John and me who pay attention to poor, benighted REGiNA KiSS, you may be aware that they’re simul-releasing their third and fourth singles literally right now (or, rather, have already, because Sunday is now over in Japan because spheres). Other than all of the times when I definitely tell you what you should be doing, I’m not going to tell you what to do (on the presumption that you’re an adult and have agency), but I will tell you that you need to at least give this multi-preview a listen. REGiNA KiSS tends to surprise people who put in the effort!
As you might imagine, I’m endorsing the fourth single, “Ikenai xxx” for the sole reason that the B-side (of course it’s the B-side) cranks. I’m sure that its actual subject matter makes sense with the title, but there ain’t a single 50/50 thing about that — it’s just loud and going for it.
Thank you for humoring me and for giving REGiNA KiSS a chance. You may all go back to whatever it is that you like to do on your Sundays.
All right, at this point, I don’t think that I need to set up the MV for Maison Book Girl’s “cotoeri,” but it’s kind of essential to the point of this whole thing, and perpetuity is as good a reason as anything to post stuff even after the fact, so:
We made it back to the weekend! Gah, what a hi-lo week in idol. I did think it was funny how hard the idol news cycle bit on the Ladybaby thing, though. For some reason, anything that happens with that projects has always been like chum in seawater.
There’s a lot coming up today. Like, volume-wise. Like, Best of 2017-wise, from whose process Kerrie already smartly knocked off a week but still feels like an interminable slog just to allow you, the fans, a chance to vote. Remember: DEMOCRACY DOESN’T WORK.
That’s still a little while away yet — gotta fix some mistakes that I made last night. In the meanwhile, go read about the Poppy experience, or familiarize yourself with the WACK Election (which we all complained about and then immediately rushed to participate in), play the Fun, etc. It’s gonna be great!
Well, today’s been a fairly heavy one (though I think I’m going to stay on the DEADLIFT LOLITA thing for a while yet), but some of the best and simultaneously most unsung work in idol is still happening, and now would be a great time to crank it up to 11 and rock out.
I’d like to apologize to SPARK SPEAKER, their bestest fans, their management and principles of good practice for even publishing this damn post, which is now more than a week overdue and has been taunting me about it for days. What a jerk!