For almost any idol group that debuted last year, during a great-enough-to-be-noteworthy glut of new projects, to stand out after the fact was going to require unique efforts and angles. Some of them, like we saw from Toricago the other day, are all in on creative updates on familiar tropes. Others looked to up any of a series of antes — to be more something than thei r peers — while others did enough to catch the eye and now face a long road ahead.
Arguably the greatest move that anything in idol could have done last year, then, would be to be in fact the creative side project of a modern musical legend who would lend credence, gravitas and much-needed artistic credibility to the whole in addition to that all-important name recognition. Yes, of course I speak of ZOC, who may have had the most enthusiastically received debut I’ve ever seen despite being more notable for instant member drama than anything they did musically. Basically, it was super idol.
A few months in, though, ZOC has been active and working and stable, and now with a single on the way next week, it was time to really show us what they have to offer. The MV for “family name” tells the tale:
All right! Continue reading
We’ve gone through quite a bit as loudol fans in these early months of 2019. Hell, being even passingly familiar with the idol scene in general has been an invitation to a shitshow lately. It’s wild, and a lot of the established names and faces that helped to form our community’s sense of stability have been through a brutal wringer.
Things do have a silver lining, though, and maybe this year’s apocalypse of loss and sadness and rage can be laid next to the ongoing emergence of a new generation of talents who are stepping up in all kinds of interesting ways. And in that group we can include Toricago, who I would be remiss to not point out as being just barely over a year from their debut but are operating on such a professional and well-executed and sort of nouveau-fresh level that I’m shocked that they haven’t completely conquered all before them yet.
Folks absolutely went off on Saturday when the group dropped this latest MV, which isn’t connected to their most recent (excellent) album, but is a limited single (until the next album, obvs) that necessitated heading to Hong Kong to shoot apparently. I had to skip it for two straight days because I was going in too many directions at once to try to put real attention on something, but now I’m here and brother am I ever glad I am:
Now, it took me almost 48 hours from the first hyperventilating accolades bursting through my feed to actually get to watch this, and goodness knows that I have a mess of hype-worthy things to deal with right now in like all media, so one must as a matter of simple psychological survival temper all that hype with a strong dose of counter-hype. “Oh how good could it be” is one such coping tactic! Continue reading
Good morning! You’ll have to forgive me, gang, but I am wrapping up this Weekender via cell phone while traipsing about the international capital of hipsterdom. Will you miss the intro? Unlikely!
Week good? Week good. Stressors? Sure. Idols alleviate? That’s how I spell R-O-L-A-I-D-S. Let’s get to it, and you all have a good time!
If you want to read SU-METAL and MOAMETAL’s first interviews in over a year and don’t Japanese, here’s a translation:
PMC vol. 13 BABYMETAL feature translated
All over Japan there are young women doing idol performances for enthusiastic local wota, however we here in the wider world rarely get to hear of the acts outside of the Tokyo and Osaka scenes. Unless they decide to make an MV to show the world what they are all about.
So welcome Sapporo’s AYEAYE (Website | Twitter), a thirteen (or possibly even seventeen?) strong idol group whose Twitter has been around since 2014 but have only just released their first single. It may disappoint some to know that they are not a pirate-themed unit performing sea-shanty influenced metal or something – my guess is that they are named after the perpetually surprised-looking lemur species – but there’s a lot to love about this catchy little tune, driven by dark, brooding guitar with alternately smiling and glowering young ladies chanting over the top of it.
Aye aye aye my life until I die.
Shihatsu-machi Underground has been on absolute fire these last few months. This is relative, of course, given that 2019 will already be remembered for its rash of stunning and terrible graduations and has been short on great releases so far, but let’s not take anything away from this delicious project and the work they’ve put in and one of my favorite pieces ever written for this site being about them.
Anyway, on top of all of the little promo clips that they’ve spent literal months trickling out in an attempt to get you to notice them senpai, today was the drop of an MV that absolutely nobody in my tiny sample size has had anything to say about yet because they’ve been too busy hyperventilating:
And that right there, friends, is one of your early contenders for a whole mess of awards! Continue reading
Well, maybe it’s going to be 2016 Week here at Homicidols Dot Com, what with the C-Style yesterday and today the reappearance of an old favorite that I’d all but given up on. Of course I’m talking about Osaka Shunkashuto!
What I’m about to show you is shocking. On the one hand, it’s by-the-gods Osaka Shunkashuto doing their bread and butter, a by-the-gods rock song with a delicious hook; on the other hand, it’s … well, it’s the theme song for an anime called FAIRY TAIL, aka SSFW’s new single, which is itself actually called “NO-LIMIT”:
There are also versions with subs in English and Chinese; also go listen to the whole thing
There’s this subset of idol groups that I don’t so much follow as I do try to maintain a general awareness of, and at that almost entirely just because of deep-set personal loyalties going back to when I was first digging in. Some of them are fairly active; some of them are only active in the sense that they haven’t been officially disbanded yet. And then there are the groups that are actually extremely active but are idols in the very traditional sense, not musically or behaviorally, but in the sense that their activities are localized and/or community-focused, such that putting out records is less the point than being at lots of events and doing tons of gigs and slapping their fans in the face.
Yes, of course then I refer to C-Style! These gumby-spined veterans of the loudol scene are always a joy to come across in so far as a person who isn’t at their many gigs truly can come across them. Every so often, sometimes to promote a release and sometimes just because they had the money and felt like it, they release some video that makes their discography a little bit more accessible, and it’s usually a pretty good time. That’s what they did the other day, and I’m happy to get a chance to share it:
When the Idol Known in English as Not Secured, Loose Ends But Still at Home as Yukueshirezutsurezure Yeah I Can Still Type It teased out a noontime Sunday something yesterday, one could have been forgiven for thinking the worst. In a year’s time, two of the group’s most stalwart members had departed, a ton of previous momentum lost, and while fans have embraced the new order no matter how bitter their tears, I think disappointment is something that we’ve just come to expect from this powerfully underrated outfit.
And instead, thank heavens, it was the MV for their latest “Odd eye” single and not only is that a huge relief, but what a showing out of the new lineup:
Man, you wake up on a Sunday all hoping for goodness and light and clarity and hope, and not only is it raining buckets outside, but NECRONOMIDOL up and dropped the second installment of their short film, and of course I’m immediately going to watch it despite being unable to follow the story in all but the most cursory of ways!
Welcome back to the weekend, gang! Yours truly had a week for the record books, and not totally in a good way. Went to a show that was 2/3 really great, had a meal that should have been far greater than it was, had a little sick, accomplished some things and … did nothing idol-wise, it seemed! It’s not like there was all that much to talk about, though, you know? And I do have some things that I’ve been meaning to cover and just haven’t. It’s kind of annoying!
And yet this turned out to be a pretty okay Weekender. Not the most robust ever, but I hope you dig it. We did have a little error yesterday, so the Fun, which I normally admonish you to play at about this point of the intro, I’m instead telling you to play today, because it’s going to publish in a little while and be a weekend thing.
And why not? Spring is in the air, life is returned to us — let’s just have fun with it.
What a Philosophy
BILLIE IDLE finally released the “BULLY IDOL” single: