Kamen Joshi, Alice Project, PARMS, whatever have you — not the best reputation in the business. While I do indeed (because it is my website and HTML is unlimited) have the space to expound on every negative thing ever alleged about the entity, I will not, for I am lazy and will instead encourage you to do your own research into such matters. That being said, the perception in no way plays out in the idol production, which is always so earnestly idol that it makes your teeth ache. And when the world faces unprecedented crises, who or what could possibly be better to show us a way forward?
Yes! Can this promotional video for the sustainable sourcing of electrical power, especially wind, help to turn the tide against unrelenting climate change? Or is it simply a sinister greenwashing ploy to cover for the unsavory side of the business? You decide!*
This is the best thing today.
Why did C-Style release this MV? Because they could, apparently. Why is the video the way it is? Because that’s how C-Style likes it, and when you have more a Twizzler holding your skeleton together rather than a normal human spine, the world caters to you. It’s why you can have a song that makes no sense be completely awesome while you dance around dressed as a bee, but like how a high schooler who needs to do something for Halloween would do it.
C-Style is great and everybody who doesn’t think that can eat farts.
Aside from being one of the all-time great free agent pickups in idol blogging history, I’ve always been able to rely on one Chris Winsall, Mr. Toxic Breakfast himself, for adroit plucking of otherwise obscure excellence from the idol heap and shaking it in my face until I embrace it with all the enthusiasm required. And now that he’s on Team, it even happens quietly! The note the other day was one of the weirdest shots out of the dark that I’ve had in a while, and I’m completely here for it.
Friends. You guys. AND CRAZY is back.
The other night, as you know unless you do in fact currently live under a rock or perhaps spend your energies elsewhere, LADYBABY had their final live. Folks have been responding to it and reacting to it and writing about it and doing that whole thing, as is appropriate, but I felt like the whole thing really was best summed up in a few official photos:
It wasn’t enough to just go out with a farewell one-man, though; they gave us one final parting MV, and while it’s usually trite to even think the phrase “saving the best for last,” you’ll be hard-pressed to convince me that it isn’t exactly the case here: Continue reading
Well kick me in the neck and call me a bozo! I’d like to thank Cal for bringing this up in the Team chat and then starting a short conversation on vocaloid, which enabled me to surreptitiously make off with the song and be the one to tell you all about it, in so far as there’s really anything to say about it! But! Zsasz, who did not win Best Debut (Groups) in the Homicidols Best of 2019 but did get an okay number of votes, have a new track, so let’s listen to it.
Neat! And okay, it turns out that it’s “just” a cover of a previously existing Utsu-P number, but that’s fine, it was new to me and I’m sure many of you as recently as the moment that you read that phrase, so it’s all good. And it is good! And in scrolling through Zsasz’s feed I’m glad to see that they’re playing so many gigs but kind of wish they had more photos or something! Oh well!
Good morning! It’s a little late! That’s okay! I was actually about as out of the idol loop this week as could be possible to be and still be able to cobble something like this together, but my hunt for content in review turned up a pretty empty week, to be honest. I mean, I’m sure that there are some crannies in the scene that were quite explosive and interesting and filled with developments, and yes there have been some things that we haven’t posted about at all, but it was kind of a dull week overall. And put into context, this January vs. last January? Frankly, I’ll take it.
Neil Peart’s dead, and of the same cancer that a friend of mine is battling about as hard as a person can. Neil was an important musical icon — if you grew up where I did when I did, chances are very good that you listened to a lot of Rush — but my friend is both my friend and also a mentor, an artist in several media who always translated her own underprivileged upbringing into building opportunities for others. I consider her and Neil together because of their shared illness and because of their shared gifts, and how they share them. So I think about people and what they mean to you and why they mean the things they do, and wonder why it is that genius and generosity are so often taken from us too early but the worst people possible seem to live forever.
You’d think that it doesn’t have to do with idol, but it does in an indirect sense. A lot of the people active in the scene are just kind of there, here today and gone tomorrow and maybe they inspired or excited some people and maybe they didn’t. This isn’t to slight them at all, but instead to juxtapose the ones who really do make a positive difference through their art or personality or sheer ornery will, and to note that we’re lucky to have them as long as we do, even if in some cases it’s a blink of an eye.
Anyway, strive to do good things and put a stamp on the world around you. That’s the lesson. We ain’t all gonna be Neil Peart or the like, but we can all be like my friend. Create. Share. Help.
The undeserved gift to humanity that is Mayumura Chiaki is headed to the USA, presumably will single-handedly double Kansas’s tourism revenue for the year:
Oh, and this goddess is on her way as well:
Good morning! Sweet holy crap, what a week in idol. New releases! Final lives! Lots of live action because now’s a great time to schedule things! It hasn’t all been great stuff, obviously, but it’s certainly a … highly typical way(?) to start the new year.
Did you have a good New Year’s Eve? I don’t mean to sound boastful or anything, but sweet holy crap was I at a good party. You need that sometimes, whether it’s because of lots of work or stress or personal obligations or just the world doesn’t seem like a very nice place. And if you’ve read more than a single Weekender, you’ve probably picked up on that narrative — even if right now isn’t the time when you can take it easy and just enjoy yourself somehow, you deserve to have that time at some point, and this disjointed collection of video and news and reactions is hopefully something that you can put to use during those times. Have fun with it!
And with that, friends, I am once again off on a little more adventure than I’d like, but it’s in the doing that sausage gets made. Just do me a favor and play the Fun for the sake of everybody’s burr-headed soon-to-be-ex idol.
That Was a Weird Metaphor
Looks like that’s it for monogatari:
We did it! Despite the very best efforts of the world to destroy humanity before the new decade was more than a few hours old, we got to the day when the full album of the fully rebooted BiS came to fruition with the MV that will lead it into the sales wars. And what an MV! Maybe you saw it during yesterday’s aborted leak. Maybe you saw enough that, when combined with the title, you had no choice but to think of certain late-90s punk touchstones and tributes to an aesthetic that never should have died. I don’t want to say that every little thing in it is completely deliberate, but come on. Just look at this:
Yep, that definitely hit all of the right notes. Maybe the only thing truly missing is one of the actors suddenly having their face twist into a horrifying hell rictus, or a lo-def shot inexplicably shaking and turning to convey wackiness or something. Otherwise, from colors to setting to styling to the exploitative use of little people in the guise of show business icons, I’m back in the waning years of rock music’s last best decade.
And the music? Well yeah, that’s good too. I think we all figured that’d be the case, right? Like, they got the less saucy stuff out of the way on the last album preview — given all the rest of their body of work so far, for BiS3 to drop anything less than an all-out punk barrage would be the biggest surprise of all. And yeah, all in all I do think that this album has shaped up to be the best by a group named BiS in quite a while, though we should wait for the official release just in case Watanabe decides to pull some shenanigans.
It’s 2020 now, and all of this is firmly in the past, but I think it’s worth mentioning the wild ride that WILL-O’ went on over the course of the previous year. A lot has changed in the now three-plus years since Alloy was originally formed, and though WILL-O’ as WILL-O’ is fairly well-established at this point, I think it’s fair to say that change is the most consistent thing about the group. Well, change and doing great rock-related idol work, that is, and I mean that literally because you’ll remember that I held up “POP’N” as my personal favorite song of 2019.
And as that was going on, they were also releasing a new EP to close the year! I kind of forgot about it (it was sitting in my wait-until-an-MV-drops pile), then the MV finally did come a little on the late side, so here I go rhetorically returning the favor! But also they did some interesting stuff in the meantime, so waiting turned out to be smart. Anyway, the MV: Continue reading
Happy new year! Japan have already rang in the new decade and with it, a menagerie of new music.
Rock and alternative style idols are no stranger to unexpected collaborations, from BiS and Hijokaidan to You’ll Melt More and… also Hijokaidan. But in this subculture, mainstream breakthroughs are the real sucker punch to longtime fans of girls dancing to alt rock with a crowd of about 30 people.
So, fresh off their major label debut, GANG PARADE have dropped an announcement that their second digital single will be a joint composition between Scrambles’ very own Matsukuma Kenta with a very special guest…
Mastermind behind Momoiro Clover Z: Hyadain! Continue reading