The last time the Inquisition came to Europe, thousands were killed, thousands more forced to convert or driven into exile, nascent nation-states reformed by fire and blood. The aftermath of its quest for infidels and heretics extended far beyond the realm of the spirit and deep into the temporal affairs of emperors and kings. The reverberations of its impact can be felt through the centuries even to today.
The NECRONOMIDOL EUROPEAN INQUISITION 2019 announcement has dropped, short on dates but full of intriguing details. For those of you within affordable travel distance of London, the one date you will certainly want to save is the mid-July weekend of HYPER JAPAN.
NECROMA will be joining the distinguished ranks of former HYPER JAPAN alumni including Yoshiki and Toshi (X Japan), Dempagumi.inc, friends of Homicidols Mutant Monster and Charisma.com, and site favorite LADYBABY.
In all, Necroma confirmed eight summer gigs in six European countries, including a couple of out-of-the-way spots with some rather esoteric connections.Continue reading →
Being a Fancy Idol Blogger in the year 10 AB* means keeping up with the latest technologies to follow an ever-moving industry. This is fine. Notifications via various media are the only way to keep it all together. Where this becomes a problem is when you’re clearing up said notifications in a hurry and see certain phrases and OMG WHAT’S THAT! happens.
Such was the case on Sunday morning, as I cleared out a round of various performance schedules and RTs of fans’ effusive praise and the like and saw “Starting Over” dead center on a new tweet from Wagamama Rakia. I of course panicked (who wouldn’t?) and assumed the worst (the only rational reaction) and wondered aloud which of the current three members would be part of the new regime and all.
Then I bothered to actually look up the message in question and saw that, Oh, that was actually just the name of their one-man with the kind-of-new lineup, and it’s like their new theme: Continue reading →
After several days of puzzling over tweets and off-handedly remarking things like “oh, I should remember to put that in the Weekender” and “wow, they’ve really come a long way in a short time,” ol’ Maniac here finally pieced together some stuff about everybody’s favorite Idol Formerly Known as Alloy Which Ah Forget It and, oh look, it’s kind of a big deal for them!
So last month, WILL-O’ released some “new” music, which was in fact an old petit pas! song re-updated with the most recent membership of the group that’s as close to a direct descendant of that group as it gets without having the same name, and it was cool and good. They stayed busy, though, as it was just the next round in a series (I love these) of monthly releases that incorporate not just new music, but sort of a soft reboot of the group, still called WILL-O’ but in this guise known as “O’currence”, which was rolled out yesterday at their company’s (Perfect Music) PERFECT SUMMIT.
Yes friends, the thing that you should be incredibly hype for if you’re able to go, and at least somewhat hype for just because it exists, is now something that you can officially purchase a ticket for, which you should undoubtedly do, and soon:
The good folks at ORIONlive UK have been busy! Hot off the heels of announcing Metal Matsuri, they’re dipping into the idol well again from last year’s (what I gather must have been quite) successful Black Winds Over Albion tour and bringing 2& back to English shores, and this time with a couple of other (deeply disturbing!) friends:
Well this should have been done yesterday, but curses be upon those who clog up our weekends with tasks instead of having fun.* In this case, super fun, as PassCode, undeniably one of the funnest things in idol but one that we’re altogether too deprived of over the past 18 months or so, is pretty much announcing that they’re back to full strength and ready to kick your stupid teeth in. Bless them.
For the uninitiated, it’s important to note that it was only a couple of years ago that Osaka’s flagship loudol unit was still very much a chika thing, playing larger clubs but overall a normal, completely accessible idol group that just so happened to be loud as all hell and fairly obvious to all with eyes and ears that they had a bright future ahead. They were one of the big breakout stars from the (epic in retrospects) 2015 Tokyo Idol Festival, which got them their major debut and kick-started what looked like an unstoppable growth phase — nobody else sounded like them, nobody else had a Yuna, and few could compete with the raw intensity of their lives. That they even hit a speed bump was just dumb, terrible circumstance. Anyway, I bring this up to point out that, at this sort-of new starting line, this is what their tour final looks like:
Like having two different sets of relatives to visit on Christmas, many of us who have been drawn to the harder side of idol now find ourselves with established relationships to two very different worlds. While we have current obligations to chika idol, we still have strong affections for our original punk and metal families and are compelled to visit on a regular basis.
Our friends at ORIONlive, who in 2018 brought us NECRONOMIDOL, 2& and the Screaming60s in the Black Winds Over Albion Tour, must have been feeling a similar obligation when they decided to blow the roof off of 2019 early.
Prepare your ears, your families, your adult diapers, your pets and your very ability to exist on this plane of existence, friends. Yes, let’s not bury the lede — idol scream queens Broken By The Scream are coming to the USA, they’re not coming alone, and it’s gonna be awesome.
The venue? Saboten Con, who hosted Candye Syrup and Senanan last year, and this year will be bringing BBTS and visual kei band THE SOUND BEE HD to Phoenix, Aug. 30-Sept. 2, 2019, at the Grand Sheraton. Doing the honors will be Chaotic Harmony, friendly importers extraordinaire.
Are you hype? You should be hype. I want to have the flesh blasted from my bones by Io, then mocked relentlessly by Kagura’s demon routine, and then have a little dance-off with Ayame and Yae, which sounds impossible as I would be dead should the above come to pass, but come on, if you don’t get hyperbole I can’t help you. Continue reading →
While we await the announcement of whether or not our living rooms will be blessed by the presence of Honoka, Cinnamon and their hyper math-punk and doom metal drops, the objectives of their second crowdfunding campaign have now been announced.
This time, if they meet their goal, Everyone’s Children will release one new song per month for five months starting in April 2018. Then, after the release of the fifth song in August, they will embark on a nation-wide tour (“Japan” being the nation; since Oyasumi Hologram crowdfunded their U.S. tour, I guess we need to be specific).Continue reading →