Read that in your best Goldblum voice
Well, I had a nice and happy and upbeat piece to get out this morning, but what to my awakening eyes did appear but absolutely the last tweet in the world that I ever wanted to see:
If you’ve done this whole idol thing for very long, you know what those messages mean: Nothing good. And in this case, click through and read to your heart’s content the short version of how Minna no Kodomo-chan, two-time Corenament champions, a project of epic and astounding vision, is being brought low and, goodness knows, possibly all the way out by the ongoing health concerns of Honoka. Continue reading
It ain’t exactly new anymore, folks, but various proto-iterations of “Babymetal Does X” have been sitting in the drafts queue and just teasing our itchy trigger fingers for the past couple of days, and the whole reason that neither Daemon nor I had hit Publish yet was because we were waiting on a dang MV that still isn’t out so TO HELL WITH IT, LET’S JUST DO THE DANG BABYMETAL POST!
So if you Weekender, you saw my brief reference to the weird feeling of seeing Babymetal making kind of a triumphant return in the same week that BiS was disbanded. That is, the two very loud, expectation-subverting idol-related things that got me into this, the first two (and I believe only in toto) to be granted the Legends tag in this WordPress configuration, easily the two biggest influences on the whole basis for this website and everything it cares about coming into existence in the first place, are going their separate ways not so much like a Journey song but more like Lyft’s and Uber’s respective IPOs, if you know what I’m saying.
Anyway, Babymetal is roaring back into your life (as if they ever really left!) with, on top of that album “soon,” the first single from it released digitally a couple of days ago and frustratingly difficult to access at first, actually, but now all hunky dory!
Obviously go buy the thing (that album’s still somewhere off in the future!), but you can also listen to it right here:
The last time the Inquisition came to Europe, thousands were killed, thousands more forced to convert or driven into exile, nascent nation-states reformed by fire and blood. The aftermath of its quest for infidels and heretics extended far beyond the realm of the spirit and deep into the temporal affairs of emperors and kings. The reverberations of its impact can be felt through the centuries even to today.
And that was even before NECRONOMIDOL showed up!
Yes, the Darkness Girls will be returning once again to terrorize the European continent, bringing with them endless plagues and excellent music. It’s a long-ass tour with big events and extended stops and why am I doing my traveling in the wrong hemisphere this year? The choices we make …
Anyway, the important stuff, like where and when: Continue reading
The NECRONOMIDOL EUROPEAN INQUISITION 2019 announcement has dropped, short on dates but full of intriguing details. For those of you within affordable travel distance of London, the one date you will certainly want to save is the mid-July weekend of HYPER JAPAN.
NECROMA will be joining the distinguished ranks of former HYPER JAPAN alumni including Yoshiki and Toshi (X Japan), Dempagumi.inc, friends of Homicidols Mutant Monster and Charisma.com, and site favorite LADYBABY.
In all, Necroma confirmed eight summer gigs in six European countries, including a couple of out-of-the-way spots with some rather esoteric connections. Continue reading
Being a Fancy Idol Blogger in the year 10 AB* means keeping up with the latest technologies to follow an ever-moving industry. This is fine. Notifications via various media are the only way to keep it all together. Where this becomes a problem is when you’re clearing up said notifications in a hurry and see certain phrases and OMG WHAT’S THAT! happens.
Such was the case on Sunday morning, as I cleared out a round of various performance schedules and RTs of fans’ effusive praise and the like and saw “Starting Over” dead center on a new tweet from Wagamama Rakia. I of course panicked (who wouldn’t?) and assumed the worst (the only rational reaction) and wondered aloud which of the current three members would be part of the new regime and all.
Then I bothered to actually look up the message in question and saw that, Oh, that was actually just the name of their one-man with the kind-of-new lineup, and it’s like their new theme: Continue reading
After several days of puzzling over tweets and off-handedly remarking things like “oh, I should remember to put that in the Weekender” and “wow, they’ve really come a long way in a short time,” ol’ Maniac here finally pieced together some stuff about everybody’s favorite Idol Formerly Known as Alloy Which Ah Forget It and, oh look, it’s kind of a big deal for them!
So last month, WILL-O’ released some “new” music, which was in fact an old petit pas! song re-updated with the most recent membership of the group that’s as close to a direct descendant of that group as it gets without having the same name, and it was cool and good. They stayed busy, though, as it was just the next round in a series (I love these) of monthly releases that incorporate not just new music, but sort of a soft reboot of the group, still called WILL-O’ but in this guise known as “O’currence”, which was rolled out yesterday at their company’s (Perfect Music) PERFECT SUMMIT.
Whew. You can get most of that from this tweet! Continue reading
How conveniently named then!
Yes friends, the thing that you should be incredibly hype for if you’re able to go, and at least somewhat hype for just because it exists, is now something that you can officially purchase a ticket for, which you should undoubtedly do, and soon:
The good folks at ORIONlive UK have been busy! Hot off the heels of announcing Metal Matsuri, they’re dipping into the idol well again from last year’s (what I gather must have been quite) successful Black Winds Over Albion tour and bringing 2& back to English shores, and this time with a couple of other (deeply disturbing!) friends:
Good. Lord. Continue reading
Well this should have been done yesterday, but curses be upon those who clog up our weekends with tasks instead of having fun.* In this case, super fun, as PassCode, undeniably one of the funnest things in idol but one that we’re altogether too deprived of over the past 18 months or so, is pretty much announcing that they’re back to full strength and ready to kick your stupid teeth in. Bless them.
For the uninitiated, it’s important to note that it was only a couple of years ago that Osaka’s flagship loudol unit was still very much a chika thing, playing larger clubs but overall a normal, completely accessible idol group that just so happened to be loud as all hell and fairly obvious to all with eyes and ears that they had a bright future ahead. They were one of the big breakout stars from the (epic in retrospects) 2015 Tokyo Idol Festival, which got them their major debut and kick-started what looked like an unstoppable growth phase — nobody else sounded like them, nobody else had a Yuna, and few could compete with the raw intensity of their lives. That they even hit a speed bump was just dumb, terrible circumstance. Anyway, I bring this up to point out that, at this sort-of new starting line, this is what their tour final looks like:
And what’s next? Continue reading
Like having two different sets of relatives to visit on Christmas, many of us who have been drawn to the harder side of idol now find ourselves with established relationships to two very different worlds. While we have current obligations to chika idol, we still have strong affections for our original punk and metal families and are compelled to visit on a regular basis.
Our friends at ORIONlive, who in 2018 brought us NECRONOMIDOL, 2& and the Screaming60s in the Black Winds Over Albion Tour, must have been feeling a similar obligation when they decided to blow the roof off of 2019 early.