Please allow me to apologize to one of my low-key favorite things in idol, going all the way back to when random YouTube dives were all you really had to compare to the handful of English-language resources for chika idol: UNDER BEASTY, I done you wrong, and I’m here today to make it right. We need to catch up!
Gah, where to begin. Well, probably with the fact that they’re about to release their … fifth? Fifth single:
Well look what the cat dragged in! It’s not every day that the chika wrecking crew that is AIBECK treats us with even so much as a pro-cut live video, let alone something that’s been storyboarded and shot with things like “takes” and “dubs” and “editing,” but lo and behold it’s 2019 and yes they did it; here’s the short version (because why not) of the MV for “ANTHEM”:
What’s the occasion? New single? New album?
Nope! They just needed a promo ahead of their expedition to Osaka and aspirations beyond, I guess. I can appreciate that moxie. AIBECK’s just lousy with chika, a unit with a baseline setting of “loud” that frankly runs the gamut but tends to do their more interesting work at the metal end of the scale but does just fine at, see above, in more comfortable rock spaces. As a regular glance at the Weekender will tell you, they thrive in the live show, where their big personalities and addictively participatory style can really take over. Should you find yourself both in Japan and intrigued at what you’ve seen, go to an AIBECK live and tell ’em — especially An’z! — that ol’ Maniac sent you.
And in keeping that stupid narrative thread together (don’t worry, it ends here unless I get bored again), because I’m apparently a chump and did the whole “oh right, Daichi” thing as my Christmas was being ruined by other loud idols, it took no time at all to venture toward for-a-hot-minute former sister group of Guso Drop and never sister group of BURST GIRL but definitely a group that also managed to try to ruin my Christmas except it was actually just their manager HIMEGOTO ZETTAICHI, because that’s how curiosity works, and of course there was something there, that’s how having Christmas ruined works.
What was it? A new song, one that will be Himegoto’s:
Since I’m going to hell anyway with this title, I hope I can run some marathons with Watanabe. This is this website’s version of a recipe blog, because I need padding for this article and I hope Maniac will edit this, but he likely won’t because we love a good trainwreck.
Heya! Are you tired of Seireki13ya being the least agressive act of Codomomental? I’m not! Clearly on a sugar high and can’t stop, won’t stop. Continue reading →
Game gotta respect game, and who else in idol, period, maybe ever, brings quite the same level of total creative vision as Soze and Melon Batake a go go? The answer is pretty much nobody! It is right and good to worry about the state of that vision anytime anybody from the depths of chikadom gets picked up by a major label, because of course said label is going to want to direct the show to an extent, but if anybody can brute-force their way through some meddling producer’s insistence on being right, it’s these girls.
And think of the benefits! Like, it’s possible that Melon will, after demonstrating a strong business case and projecting a viable ROI through omnichannel (zzzzzzzzzzzzz) DOING A REALLY GOOD JOB AND MAKING MONEY, get some extra lucre to do neat things with. I am, of course, in this case electing to be an optimist.
But hey! There’s been new Melon stuff lately, in preparation for that move out of the indies, and there’s more of it now! Continue reading →
Whee! It’s that time again, friends — Zenbu Kimi no Sei Da, who’ve been uncommonly quiet over the last few months on account of relentless touring and stuff, would really like it if you’d take their newest song for a spin. Of course the usual two-hour rules officially apply, and of course we shall relentlessly disregard both the letter and spirit of those rules.
Ah, mishmash, the kind of pun-ready, merry-marking idol group that I’d have to invent from the innate substance of the universe if they didn’t already exist, so perfectly they fit into their niche as they do. Yes, one of 2018’s top debutantes, and one yet to fail to make good on that reputation with any release. Bully on them, then, to keep clips of tracks flowing onto Soundcloud, which has inexplicably emerged as the best resource for new idol stuff short of an international CD service. The latest entry:
You know that it’s a tough time for the team when a Trash-Up!! affiliated act puts out two selections in a week’s time and nobody brought it up. So it has been! I’ve been busy in ways that would scandalous a worker bee, and chats with others quickly devolved into “no, we’re getting killed at work right now.” And also, a Trash-Up!! act has been dropping material all over YouTube!
In this case, it’s SAKA-SAMA, who plural of the people you see write ’round these parts are absolutely in love with, and for obvious reasons: They not only can do it all — all styles, all genres, all times — they do do it all, and with aplomb. Not everything that they do “rocks” per se, but everything that they do is, usually, worth the time you spend with it. This is why, after their exquisite (and weird!) single, their forthcoming album is going to be something to embrace with fervor:
Man, catching up on stuff has been hard! We’re now fully into idol’s busy season, in case you couldn’t tell, so every time that I think I’m going to be be able to catch up on several older items at once, nope, not happening, too much else going on. I’m not going to complain — in fact, I’m embracing it, because it makes things that I do try to catch up on either faster or in-geological-terms immediately that much more special.
One area for catch-up? New units. There are a lot of them! Many of them pretty good in fact! I must have a couple of dozen that I could be posting up and don’t just because there isn’t time for it all. In some cases, though, I’m making exceptions. Like, for instance, Marionet, who actually haven’t debuted yet, but for whom I’ll make an exception to the usual semi-rule because they’ve at least had the good sense to preview some of their music:
It’s time for another Kaqiryo Terror Architect song preview! The last one had me so hype that I wanted to break — they already had one stupid-good album release on the year, and an EP on the same level had the potential to shatter reality as we know it. These tweets from the boss are always so good-way ominous: