One of the highest-quality new acts of 2020 is showing that they’re grabbing 2021 by the horns, too.
At their first one-man the other day, they announced a new EP that’ll be along before we know it:
Sounds great even as a snip! And naturally it’s easy to infer what we can expect as far as an MV will go; apparently you can see it early if you download this app and win a lottery or something?
This is a very short blog post for something that is very exciting!
Really felt necessary to get this one out of the way as a standalone thing — we here at Homicidols Dot Com aren’t all huge PIGGS people, but I feel like we all support PIGGS in principle on the grounds of their being oriented toward audiences outside of Japan and all. Plus Cal’s like secretly best friends with everybody in the bigger, broader WACK family and usually has fun anecdotes that we can’t ethically publish, and that includes at least one meaningful conversation with PIGGS’s Ryan B. I personally missed the actual debut of this, Pour Lui’s latest attempt to make good on her own personal vision, but I’ve been fortunate enough for them to release stuff during my time back to paying attention, including this MV and the implications thereof but more importantly the upcoming release of a new EP, 5 Kill Stars, from which they released some additional music the other day: Continue reading
Thank the gods for some down time! I’ve been dying to get a few minutes to really catch up on some of the excellent things that happened in idol this week, the latest couple of pre-album track releases by BiS among them. Friends, they do not disappoint.
First things first, if you know what’s good for you, take advantage of the fact that you can download these things and have them:
Should you need additional convincing (like, if the last one of these pre-releases didn’t have you absolutely twitterpated), just listen to these suckers. I will warn you, though, that this is music of excellent quality, one of which will threaten to put you in the hospital. Continue reading
Ah yes, another week is upon us, and BiS3 hasn’t formally debuted yet, nor has an official release hit record store shelves, so that can only mean one thing — probably! they’ll tease at least one more new song and give an update on when the suddenly-a-lot-more-interesting-than-most-people-I-think-expected-they’d-be group debuts.
This was a safe assumption! And between the teaser strategy and the soundscapes at play, among other things, it feels less like a BiS debut and more like, well, their original namesakes’ rise four years ago. I find this business decision smart and good because, efforts made to the contrary, the most BiS-like thing to debut from WACK since 2015 has been pre-major BiSH, so really, emulating that whole move is a-okay in my book. The evidence? As if it hasn’t been abundantly clear, this debut is coming with some really cool musical choices (ah, those liberal pinches of heaviness), including these two new ones, which include what for me is one of the most interesting tracks that any notable in idol has done this year:
So I don’t know where all of the good idol stuff went over the past several days*, you guys, but I’m kind of thankful for the moment’s peace. I told myself even yesterday that maybe I should just let the week ride itself out and only feel like I need to respond at all if something genuinely cool and big happens.**
Well, the best thing happened, and we finally got a look at the post-HAMIDASYSTEM project of the former members of HAMIDASYSTEM, who are not at all the new and current HAMIDASYSTEM, but are veterans of maybe the coolest, most creative, impossible-to-overrate multimedia art project to have ever struck idol. Specifically, we get music and some light visuals!
That was the fastest smashing of the Subscribe button in my over-enthusiastic history
You know you’ve been asleep at the wheel for a little while when you see something in your feed and then spend several minutes trying to figure out if it’s new, but if it’s new to you if it’s not new, period, and then if it’s not new to you but you were actually functionally aware of it. That was me as of about four minutes ago, staring at Twitter and trying like hell to remember if BURST GIRL, now into their second year as a self-managed chika idol bomb squad, had made the fact that they have a June album in the works known, and if the meme-producing website that’s endlessly supportive of them had made use of this information, and if so what next.
Well, we did know, thank goodness, but heck go read that and clear out your own personal cobwebs*, too, because RIOT could well wind up being the release that you need to make life go boom in that loud, satisfying kind of way:
Well that’s certainly a fun ride! I’ll admit that, seeing the video still, I had hoped for a full digest or even just a more substantive teaser. That’s okay, though. It’s not like we aren’t all fairly familiar with the material, or one of last year’s favorites at the very least.
It’s out already, right? Shihatsu-machi Underground’s album? I feel like that’s right. I tend to base these things off of when MVs are released for a whole host of reasons ranging from laziness to shortcuts. But anyway! All of those previews that they teased out over the early course of the year, they were pretty slick, weren’t they?
Shihatsu-machi P apparently wants you to have a little bit more, so get to it:
I want to meet the people for whom that isn’t super enticing. I want to learn about how much they hate puppies and fun, and I want to show them my pity for them to their faces. There are a lot of things to read into that snip, and every single one of them is capable of inspiring happiness.
Some bonus photos because I’m excited for the members:
If you haven’t discovered Bed-In yet, now would be a pretty good time to look into them. I wrote a bit about them last year, but 2018 was a fairly quiet year for the duo, as they spent more time touring and being best friends with First Summer Uika than they did releasing any new material.
Thankfully, next month they’re finally releasing their third album, and what better concept for an 80s-themed idol duo to come out with than a whole album of 80s J-Pop covers!
We haven’t got any full-length music videos yet, but some of the songs have already been made available on digital platforms. And if you’re not sure if you’re ready to open Spotify yet, well, Bed In also uploaded some not-quite-MVs-but-not-quite-commercials (teasers?) for said songs on their YouTube:
Hey, it’s only been a few days since Not Secured, Loose Ends treated us to the B-side of their upcoming single “Odd eye”, and today we get the title track because somebody at Codomomental HQ must still be seething over last year’s Corenament upset and aiming to set things right. The only logical explanation, in fact! So like click through, understanding that the official link is only good for slightly less than two hours from the second that this publishes:
But you know that things live forever after the flip! Continue reading
I periodically lament the amount of change that the idol scene has undergone since I first picked up it, and certainly since I started this goofy ol’ website. So many of the groups that were effective backbones are dead and gone, and even many that have managed to keep it together are very different entities than they were in the day. What’s worse is that I outright miss some of them to the point that, during duller times of the year, I get a little too nostalgic and pull that old-man-yells-at-cloud-get-off-my-lawn thing. I miss my idols, is all!
Fortunately, HimeKyunFruitCan (which I believe is now the preferred romaji nomenclature!) may have gotten a reboot, but they’re still at it, and still repping Ehime, and still releasing new things. Just learning about this new one filled me with happiness — one of my favorite old mainstay groups, or an approximation thereof, remains to remind me of the best of it all!