It’s been a while since I did one of these — let’s see if I remember the formula.
I mentioned these upcoming solo songs from the … I was going to say “newbies” in Not Secured, Loose Ends, but it is now quite true that nobody is “new” anymore, per se, and that really only Komachi is truly a group veteran, so I say instead members of Not Secured, Loose Ends, which they’ll be employing in their nationwide one-man tour, and which had better include the recently-mysteriously absent Komachi, but that’s a topic for a post we hope to never have to write, so instead let’s listen to one of those songs, which is now available under the terms of what I like to call the Codomomental Special!
I love the mood that Best Of season puts me in — everything has just a little bit more shine to it because it’s all a contender months and months from now, when if it really holds up it’ll be seriously special, and if it doesn’t, well, it’s probably because either it never really deserved it, or it’s still special to me and damn you all for not liking it as much as me.
So here we are then a little while post the re-emergence of ex-969er Chirimen and the revelation that her solo career is imminent, with flair. In fact, there are a couple of examples and I was just sleeping on the first one because, you see, things are kind of busy around the Homicidols Dot Com offices these days. But! She dropped this one this morning, and with it I found more:
And this one is actually from last week, oops:
I like the first one more
Her first “self-destruction” is still a few weeks off, but Chirimen’s shaping things nicely to formally launch her solo career with nice momentum and a solid body of work. Really well and truly good for her — and maybe we’ll be adding her debut as a 2020 Best Of next year!
Doop-dee-doop, scrolling through the Twitters. Hello, what’s this?
Why, it’s a new single-plus from long-time underground solo idol Ishido Natsumi, in MV form, and oh man it’s really just the beginning! Like, in less than a minute of looking into that, we find her suddenly going off on a whole new trajectory. But first — here’s the trailer for the whole thing: Continue reading →
Did I know that former gas station attendant Ayuni D was being hooked up with a solo project? And, unlike Chitti and Aina, it’s a standalone EP? (/checks notes) I did not! It’s a total surprise! And yet, here we are, and the dang record drops tomorrow and oh my goodness where the hell has this song been?
Also, I didn’t know that she could play the bass better than me
You know, I spent all this time thinking that Aina’s various solo projects, and then Chitti’s getting one of the most legitimately nice songs that I’ve heard in a while, that these were harbingers of big changes. Hell, when Ayuni D joined BiSH two years ago, I said in some conversation elsewhere that those two were probably going to be the next to go, to seek greener pastures than idol stages, and that BiSH would be “Atsuko and Ayuni D’s group in a couple of years.” (Yeah, I remember that but I can’t remember … Anyway.) Continue reading →
Lo and behold, the first MV from that double A-side split solo single by (captain) Chitti and (center) Aina from BiSH has arrived! I felt good from the preview; the whole song and nice narrative video kind of makes me feel like I should be doing more with my life:
Does anybody else ever watch these moments in films and the like and think, there’s no way that’s real, nobody actually does that, also be careful because those sparks could probably burn a hole in your head, while also thinking, man, I’d really like to be doing that too? Asking for a friend. Continue reading →
In case it hasn’t been obvious, I’ve become a little bit of a BiSH skeptic over the past year or so — even my original support for the last single waned in retrospect. It grieves me, actually; my all-time idol top 10, regardless of whether it’s song-album-video-person-whatever, has BiSH all over it, and I remain an ardent supporter of the idea of BiSH and the incredible barrier-breaking potential that I think they have. This is why, even almost two years into a long run of mostly being disappointed by them, I get the giddies when they spin off new stuff, especially new stuff that appeals directly to my own biases!
The BLACK WINDS OVER ALBION tour wasn’t all wotagei and sudden friend-betraying crown theft; it was also a chance for Homicidols.com to get a little bit closer to some of the idols we’ve been covering since the very beginning. Official WACK Meme and UK Idol Tour Interview Correspondent Kerrie was at the show in Manchester and got to connect with everybody. Here’s the first installment.
Saki’s set was the first and the shortest of the night, much like how she was also the shortest idol of the night. (I’m sorry!) But what she lacked in height she more than made up for with her intense stage presence.
This woman is a powerhouse. Even backstage, while I was in the middle of interviewing Necroma, I spotted her out of the corner of my eye jumping up and down on the spot. She is a bundle of energy, both on-stage and off.
She did seem a little nervous once it came to the actual interview part, as she read her answers for me in English from her notebook, but to be honest, I was probably even more so. I’ve strongly admired Saki ever since discovering Guso Drop (one of my top three favourite units up until they disbanded last year), and now we were stood in a hallway (the quietest place we could find) speaking in English. But like the other idols I spoke to that night, she was really sweet in person, and an incredible performer on-stage.
Her set was wild! At one point I thought my ribs would get crushed by the Japanese wota who were behind me! She knows how to fire up an audience, that’s for sure! 100 percent worth the injury scare, would highly recommend, but maybe wear armour if you’re small and easily-breakable, she’s a powerful girl. Continue reading →