Did I know that former gas station attendant Ayuni D was being hooked up with a solo project? And, unlike Chitti and Aina, it’s a standalone EP? (/checks notes) I did not! It’s a total surprise! And yet, here we are, and the dang record drops tomorrow and oh my goodness where the hell has this song been?
Also, I didn’t know that she could play the bass better than me
You know, I spent all this time thinking that Aina’s various solo projects, and then Chitti’s getting one of the most legitimately nice songs that I’ve heard in a while, that these were harbingers of big changes. Hell, when Ayuni D joined BiSH two years ago, I said in some conversation elsewhere that those two were probably going to be the next to go, to seek greener pastures than idol stages, and that BiSH would be “Atsuko and Ayuni D’s group in a couple of years.” (Yeah, I remember that but I can’t remember … Anyway.) Continue reading →
Lo and behold, the first MV from that double A-side split solo single by (captain) Chitti and (center) Aina from BiSH has arrived! I felt good from the preview; the whole song and nice narrative video kind of makes me feel like I should be doing more with my life:
Does anybody else ever watch these moments in films and the like and think, there’s no way that’s real, nobody actually does that, also be careful because those sparks could probably burn a hole in your head, while also thinking, man, I’d really like to be doing that too? Asking for a friend. Continue reading →
In case it hasn’t been obvious, I’ve become a little bit of a BiSH skeptic over the past year or so — even my original support for the last single waned in retrospect. It grieves me, actually; my all-time idol top 10, regardless of whether it’s song-album-video-person-whatever, has BiSH all over it, and I remain an ardent supporter of the idea of BiSH and the incredible barrier-breaking potential that I think they have. This is why, even almost two years into a long run of mostly being disappointed by them, I get the giddies when they spin off new stuff, especially new stuff that appeals directly to my own biases!
The BLACK WINDS OVER ALBION tour wasn’t all wotagei and sudden friend-betraying crown theft; it was also a chance for Homicidols.com to get a little bit closer to some of the idols we’ve been covering since the very beginning. Official WACK Meme and UK Idol Tour Interview Correspondent Kerrie was at the show in Manchester and got to connect with everybody. Here’s the first installment.
Saki’s set was the first and the shortest of the night, much like how she was also the shortest idol of the night. (I’m sorry!) But what she lacked in height she more than made up for with her intense stage presence.
This woman is a powerhouse. Even backstage, while I was in the middle of interviewing Necroma, I spotted her out of the corner of my eye jumping up and down on the spot. She is a bundle of energy, both on-stage and off.
She did seem a little nervous once it came to the actual interview part, as she read her answers for me in English from her notebook, but to be honest, I was probably even more so. I’ve strongly admired Saki ever since discovering Guso Drop (one of my top three favourite units up until they disbanded last year), and now we were stood in a hallway (the quietest place we could find) speaking in English. But like the other idols I spoke to that night, she was really sweet in person, and an incredible performer on-stage.
Her set was wild! At one point I thought my ribs would get crushed by the Japanese wota who were behind me! She knows how to fire up an audience, that’s for sure! 100 percent worth the injury scare, would highly recommend, but maybe wear armour if you’re small and easily-breakable, she’s a powerful girl. Continue reading →
“I Feel Torn Between The Desire To Create And The Desire To Destroy.”
Lucy Van Pelt
Previously I covered the charming idol unit for the garage-rock set, Melon Batake A Go Go, and while I most certainly think they’re totally awesome, fun and terrific, there’s another facet connected to the group that I’m even more intrigued by. Melon-leader Nakamura Soze also has an up-and-coming solo career going on under the stage name SOZELICA.
How does one describe this project? I took my sweet time writing this piece because I wanted to try and figure that how to answer that. After watching a bunch of her videos several times, a few thoughts entered my mind: Experimental DJ? Oddball idol upstart? Performance artist? Chaotic destroyer of stuffed animals and train sets? The best answer I can offer is….yes.
I just looked at the ol’ drafts queue and thought, you know, I only have about 100 things that I could make EXCEPTIONAL WEB CONTENT about, but I think instead I’ll just go ahead and default to something easy and, frankly, a series that hasn’t been getting much attention lately, which I’m using as an excuse because I’m feeling ever so lazy at the moment.
The other day! I believe it was Saturday. Am I Bored? hit me up on Twitter to reference a wonderful juxtaposition of talent and celebration of why you should never, ever pigeonhole an idol: Continue reading →
Hey, a couple of days late never hurt anybody. Folks have spilled a ton of tears and ink and whatnot over the WACK solo debut election results, which could not have been less surprising overall (my girl Chitti taking #1, just a tiny bit off expectation). For me, though, it was the awarding of a solo debut to the #16 finisher, Yui Ga Dokuson, that took the cake.
John with the overall details:
Well, WACK had their vote to determine who gets a solo debut release. The show was about two hours long on niconico. A couple twists and turns, pretty uneventful…… almost.