Confession! I feel really guilty about being kind of late on this, but fortunately being a step late meant that I could share better, and unconditional, news — in a few days, Candye Syrup will be issuing a new single (well, new.5), I think the first official physical release by the new regime. When this was first shared with me by a very helpful and friendly and no doubt fun-at-parties insider, the record was definitely venue-only, but things changed a little bit shortly thereafter.
Here’s the official announcement:
That’s Senanan’s artwork, btw; KOUICHI on the composition
Well, right here in this very spot today, gang, was supposed to be this big primer post for the Tokyo Idol Festival, who to see and where and when. You’ve seen them before if you’ve been around for a while. They’re usually fun to put together, doubly so because they inform how I’m going to be taking in the festival myself, via completely legal and legitimate means and don’t you dare suggest otherwise ha. But like so much else these past several months, that fell by the wayside for want of time. Boo.
Good thing for us that one of the very best things in all of idol this year (and frankly maybe last year too) hit the waves a couple of days ago, and while it took me a couple of days to catch up to it, what Maison book girl is doing here is one of their all-time best things, aurally on point and as perfect a visual accompaniment as you’re likely to get, period. I mean, just soak this in:
So this was going to be the Idol in Focus for the week, gang, but the more I thought about it, and the less that’s actually new and interesting and emerging in our typical idol space right now, the more I wanted to highlight it. The it is in fact Sorano Aozora (Twitter), who may have been previously mentioned in passing but hasn’t ever really been featured on this ol’ website, and that’s a shame. Yeah, her sound is more tangential to how things are supposed to work around here, but since when has that ever stopped me from highlighting something that’s cool for the sake of it being cool?
Anyway, Aozora released a new single, her sixth, a few weeks back, and my pal @F212iF on the Twitter (we share good taste in solo female performers) suggested that I look it up. He was right on!
If you Weekender, you know that I keep up with Azuma Shiori fairly often (even if I don’t really understand it), ex and current and nominal leader of metal-as-hell Ehime-based duo FRUITPOCHETTE; what I’d be doing instead in a just world is dedicating that energy to the actual project that she co-fronts, except that FRUITPOCHETTE, despite coming back to life and filling me with glee about it, has been pretty quiet since the re-launch, and I thought that they were probably taking the whole “this is part-time” thing extra seriously — maybe you could catch them playing the old hits on a weekend, or at a festival or something.
And maybe that was true until a couple of days ago, when — bam! — out comes the crowdfunding effort that you and I and everybody we know absolutely must get behind:
Basically, in honor of their first anniversary since reunification, the idea is to fund a new single, an MV for that single, and a nationwide release tour. It opens on Sunday. Let’s give them all of the money! Continue reading
Read that in your best Goldblum voice
Well, I had a nice and happy and upbeat piece to get out this morning, but what to my awakening eyes did appear but absolutely the last tweet in the world that I ever wanted to see:
If you’ve done this whole idol thing for very long, you know what those messages mean: Nothing good. And in this case, click through and read to your heart’s content the short version of how Minna no Kodomo-chan, two-time Corenament champions, a project of epic and astounding vision, is being brought low and, goodness knows, possibly all the way out by the ongoing health concerns of Honoka. Continue reading
This post, you guys, I’ll tell you: I started this the day the following MV (spoiler alert!) dropped, and wrote ~most of the~ post before being called off to something else. No big deal, I thought, I’ll wrap it up tomorrow. Days later I finally remembered what was up (such is life nowadays) and I was going to CYA and put the thing into the Weekender.
What stopped me?
It’s too damn good, that’s what.
So without too much further ado: JyuJyu, not at all still reeling from the hyper-contrived nontroversy with Chunpi, are releasing a new single, and doing so in collaboration with Tenma from URBANGARDE, which is a sentence that’s always a joy to write. Watch as styles collide less heinously than you might expect, and idols whose whole angle is being cursed and doomed rip off maybe the best song of the summer: Continue reading
I mean, MIGMA SHELTER was pretty much always awesome in the first place and you could be in some kind of time warp guessing which “new” track is so awesome, or awesome enough to warrant this kind of treatment. I’m talking about right now, though! Today! July 12, 2019! Holy crap, I’m … this many years old!
The re-formed MIGMA SHELTER has a single coming out next week. If you were wondering if it would be good, what’s wrong with you, but also wonder no more:
Few things in life as half as joyous as fun surprises from the things that aren’t your absolute favorite, but you root for anyway. So is the case with this new one from the Idols Formerly Known as Both Deathrabbits and Desu.Rabbits, DESURABBITS: My fraught history with this remarkable project needn’t be revisited except to say that I was basically not a fan but grew to be converted to an overall supporter, and so the advances that they make along the way always leave me feeling genuinely happy for them. And why not? They have a completely unique style, they’re well-regarded in the scene and they are, ultimately, clearly having a great time with what they do.
So imagine my face yesterday when this happened:
Now where have I seen that church set before?
It is the fault of nobody at all that Zenbu Kimi no Sei Da decided to flash-preview their ninth(!) single, which is coming at the end of the month, which threw me into an absolute tizzy of confusion about which release is which and when it’s happening and it didn’t actually matter because this all happened on Saturday and Team had one heck of a weekend. By the time we were able to catch up, the whole moment had passed, so I figured, hell, we missed the window, but we can still share, and let’s do it like always because if there’s one thing that Homicidols Dot Com has done consistently over these long years, it’s share Codomomental tracks on a template!
Now, ordinarily this is where we begin the whole song and dance about release windows and I do the performative routine and blah blah blah, so let’s fill in the gaps. Single:
And the track, you can still preview that (as of this writing!) … hhere.
No, man, I told you, we missed the window. In fact, because there are other Zenkimi items but this is purely for archival purposes, this post is over!
This is a little bit on the late side, you guys, but I think you can bear with me wanting to talk about the about-time first single and a few other firsts from WILL-O’ now that we’re almost three years removed from their incidental point of origin in the weirdest on-stage moment in the history of Tokyo Idol Festival and, maybe against all odds or maybe because all associated projects have always been this good or maybe because manager-san is playing the game better than you think or maybe all of it, I dunno, they’re going as strong as ever before and all signs point to an almost unconstrained future.
This is of course all predicated on the MV that they released the other day, for their new (see above) single: