So after XTEEN finally got some material out there for the world, they followed up with the release of their debut single and, naturally, an MV to accompany it. This is all about as surprising as rain falling in Seattle. You may have noticed that I’ve been a little distracted lately, so rather than make a big thing of it, I’ll just lean on John’s heavy lifting. Continue reading →
I had hoped that PassCode would continue to do a very smart thing and have a fresh release ready for their series of shows with rock bands, and it looks like smart things continue to be decided, as a new single, “Ray”, will be hitting stores on May 23:
I like this. I like the cover art that reminds me of crossing up Massive Attack with Matthew Barney’s The Cremaster Cycle (enjoy). I like that it’s being timely without trying to be exclusive about it. I even like how they were apparently so pressed to make a press deadline that they couldn’t even decide on the titles of the B-sides for each version! Continue reading →
I had referred to a big glut of material that Pure Idol Heart shared the other day, and this is I think the last thing to feature from it. Remember KissBeeWEST? You should, because they’re significantly good and also from Osaka, and idol things from the Kansai region are at least 20 percent better, on average, than idol things from other regions. Something in the water, I guess.
KissBeeWEST, currently sitting at I think five regular members and three “researcher” members, are doing what many an idol does this time of year, which is to release a single, and in this case are actually doubling down on the good and letting it rip:
Here are the details and lyrics (and a reminder that Japan can turn even so macabre an image as a girl cradling a skull into a kawaiidol experience): Continue reading →
There’s a subtly significant amount of stuff coming out of the Idolverse right now, I’m finding — more on the edge of the Western wota’s attention span, I think, than might be expected or appreciated — and that includes things that I missed before and nonetheless get a chance to come back to for the edification of all!
Remember PapiRosier? Perhaps! Probably not! Despite being included in that approximate first generation of new idols who were debuting just as a lot of folks currently in the community were, like, joining the community, they haven’t exactly emphasized releases as PapiRosier, so they get lost in the shuffle. Based on past work, though, I knew that anything new that was to come would be worth checking out, and dutifully started to follow them closely when they announced the release of their second single. The result?
The single actually went on sale yesterday, but, as you can see, the video’s from the first of the month … which was two full days before I put their Twitter on blast in anticipation of a video release. Circumstance can be dumb! Continue reading →
From the ashes of PIIIIIIIN, QUEENS (Twitter) have entered into the world. This is known! I had been on the fence about whether to feature them outright, given that, obvious advancing maturity aside, this was a unit that was going to be emphatic less on the rock and more on the cool. And they are! The sound and style are described as “dance rock,” which is totally fine and in fact connects directly to one of my very favorite idol things, but it can’t always be about the Maniac behind the site, you know?
The simplest of things, man
“Dance rock” is right, though; it’s like a defused version of OG Osaka Shunkashuto, or if somebody paid a vocaloid composer* to write something a little funkier. Those instrumentals are absolutely killing me.
I’ve been keyed in on QUEENS ever since I found out about them — ex-PIIIIIIIN will do that to you — so you may have seen some of this stuff in the Weekender, but I figure that it’s worth adding here for that fuller Queens experience:
I had the slightest twinge of guilt at seeing this new thing come across the copy desk here at Homicidols.com — did I even know there was a new GANG PARADE single? I did! — but I am more than happy to share the “GANG 2” MV:
I want to know who tried to banish Saki to the temporal world, only to learn that her Ganpare spirit was strong enough to at least finish up her dance number. Continue reading →
It was in diving into the info around the thing that I most want this year that I saw some (late) info on another release that should get people who are into good music excited — amiinA, the dynamic duo of epic fantasy dream pop art rock idols, are also putting out a new single. And while I’ll allow that amiinA, because normal reasons, are typically a Weekender holdover (not always), they were just brought up, and it is also a day on which I feel like elevating something a little bit different via highly attenuated mechanisms, so bear with me and behold:
I’ve already given away to whom I’m referring here, but let me just say that some casual what-are-they-doing Twitter cruising a little while back turned out a result that for one sweet second made me think that Hauptharmonie still lived, and that I might know true joy again.
Alas! It was Candy GO!GO! and the short-version PV for their new single!
I mean, it’s called “HONEY TRAP” ffs
This is their umpteenth single, releasing the day before this live DVD celebrating the group’s seventh(!) anniversary:
Tell me if there’s something that I’m missing as to why it’s called “equilateral triangle”
I swear it, Himegoto exists just to force people into those uncomfortable moments. Unless, of course, four minutes of unbroken eye contact with a complete stranger is something that you’re into. I don’t judge! Continue reading →