Though without any of the hype of NATASHA, there’s nonetheless a limited side project put together that features a favorite of us — Montero from Screaming Sixties has joined a new group called TAU that … well, it’s hard to say what they look or sound like, but “rock chicks” is probably pretty accurate.
That’s not just because Montero’s involved, btw (she could harbor secret ambitions to be a country singer for all we know, and per Jul in the comments is going to do a DJ set). It makes sense. Continue reading →
Let this be a lesson to you: I am dumb and other people are smart. The answer to the question posed in the title is “No! Gah, learn Japanese!” Scroll down to the comments for actual real true things.
“Say, what is Zekkyou up to these days?” I asked nobody in particular while scrolling through Twitter to avoid listening to my old boss make the same spiel I’ve heard her make roughly 17,000 times. A few clicks later …
So like one of those awful “legends of X” cruises!
Newer people, welcome to the wild, wonderful world of Screaming Sixties. Yes, they of the 6:00 a.m. performances, of what must be the busiest schedule in idol, decided to kick off their second anniversary celebration in style by holding a very limited show for some of their most dedicated fans.
Man, you guys are getting loaded down with awesome free concert footage lately. First glimpses at Idol 2.0’s work, and now the Sekigahara Idol Wars have been putting up an absolute ton of sets from this past weekend.
Until the tweets started to fly last week, I’d never even really heard of the Sekigahara Idol Wars, but it’s clearly a lot of fun and maybe kind of a TIF precursor (and more on TIF coming up soon!). While there were plenty of “regular” idols performing, some of our favorites joined in on the fun and showed why we care. Continue reading →
I will say this: To an idol outsider who’s used to the “we’ll get out something genuinely new every couple of years” pattern of a lot of noteworthy Western bands, if that, the way that groups just keep firing away feels almost like an arms race. The difference in this case being that, instead of MAD, everybody wins.
It’s not a driving power anthem like “Only Place We Can Cry,” but it’s a very smart song. Fans aren’t going to dislike it, but it’s very accessible — other than the almost Venom-esque intro and outro, its nearest analogue to me is PassCode’s “Axis,” which is kind of amazing but I’ll take it (nice guitar solo, too!). Good move, Screaming Sixties.
Our Japanese-capable friends can clarify, but that looks like a two-song disk on the way from Screaming Sixties on May 25. If they can get near the quality of this monster, we definitely have something to be excited about.