Into The Darkest Heart of The British Empire: NECRONOMIDOL in London

Pukovnik Krv and Kerrie hit up the NECRONOMIDOL show in London this past week, where an interview may have been conducted(!) and many photos taken. Here’s Krv’s take on the event, plus many of said photos. If you dig it, why not give my dude’s Bandcamp a look, too?

A few days have now passed since the convening of spirits that occurred one fateful night in The Smoke, rousing rowdy rambunctious rebels ’round the Sassenach lands to descend upon The Water Rats, a watering hole for the toffs. Therefore, I must drop my pompous tone to declaim in detail the shit that went down.

As the first underground Japanese idol group, to my knowledge, to host a one-man live in the UK, I was expecting there to be a decent turnout. In actuality, a crowd bigger than I’ve ever seen them draw in Japan turned out as Japanophiles, weebs, otaku and bangya flocked to the show as well as wota, leaving the place packed with a melting pot of young and old, Northern and Southern, upper and working class, and all races coming together for … Necroma? Continue reading

Idols Be Lewd!

John’s in the reviews game now, and I think you owe it to yourself to check out this look at … well, the fact that mistress just straight up includes (tastefully covered!) nudity in their artwork tells you pretty much all you need to know about where they’re coming from and where this is going.

As you all know, I am like a huge fan of mistress. So when I got my hands on their demo/single, 「Succubus」, a while ago I felt like the happiest boy in the park. Played it on repeat for a bit then ripped it to my hard drive so I could put my special treasure […]

via mistress – Succubus, (Now I Need A Cold Shower) — Straight From Japan

I Review Things: Yanakoto Sotto Mute | ‘BUBBLE’

I look back on when I first heard Yanakoto Sotto Mute. It was months before Bellring Girls Heart was announcing its kind-of end, and a sister unit coming into being felt like a nice move; give Bellheart a sidecar, and oh look they do grunge and stuff, that’s appropriate and … damn, that one girl there can sing like the dickens, huh? And these songs are pretty powerful!

Two EPs and about a year later, there’s a distinct feeling of change around the whole thing. BRGH took a break and got a new name and a bunch of new members, and it may be that the student has become the master. Or is the Yanamyu thing really just a bunch of hype? On to the review!
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Here’s a Cool Fan Review of Kamen Joshi’s Latest Single

Or, more specifically, the receipt and unboxing (so to speak) of “Personia / ISUMI,” which just barely failed to make #1 for the Mask Girls’ second consecutive chart-topper, but is still pretty good.

This is from Indonesian fan of the site Rino:

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I Review Things: NECRONOMIDOL | “DEATHLESS”

Bringing back the disclaimers! It’s not a secret that I’m a huge mark for NECRONOMIDOL, and that their producer, Ricky Wilson, has been a friend to Homicidols.com in what I hope is a mutually fulfilling relationship; that being said, while I never had much reason to think that DEATHLESS would be anything less than great, I made a strong effort to put the relationship behind me for this sucker; I may love idol and I may love dark idol and I may love NECRONOMIDOL, but we don’t build community trust without honesty, and we don’t make other fans by being sycophants.

So. On to the review!
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I Review Things Weirdly: BiS | “Re:STUPiD”

Cover art from the album Re:STUPiD by Japanese idolcore legends BiS

This review’s going to be more than a little different from how we usually do things, because a thought occurred to me when folks started to talk about the songs being released from Re:STUPiD as if they might be unrecorded work from Lui Frontic Akabane JAPAN (I can see arguments pro and con and have at different times supported either) — we’re thinking about BiS and their music now in the completely wrong way. See down at the end for the punchline and why I legitimately think that’s good and bad, but for now … on to the review! Continue reading

Is the New Osaka Shunkashuto Available in Your Country?

I saw that “New Me” is definitely available in the United States:

And their one other tweet from the other day says “all over the world.” Chris (in the UK) has it, listened and even gave it a review! Continue reading

You Review Things: Two Yumemiru Adolescence Singles!

Our pal dofphoto wrote a pretty nice review for Party Rockets GT’s Time of your life, and said: Maniac, nobody gets into lesser-appreciated idols like I do, I can definitely do more review things; to which I replied, knock yourself out. So here’s dofphoto with another review!

Yumeado is in my top five groups, but I won’t let that effect my feelings here.

Let’s start by talking about the single-as-a-single trend Sony has been pushing on Yumeado. This would be the third single in a row that was released with one track — what is the purpose here? Historically, different “type” singles are released with a single girl per cover so fans can purchase their favorite idol, but these are grouped shots. EP/singles runs Y1000, these were released at Y450, so there isn’t a cash grab going on here. To add, these singles are limited to 20,000 copies and, for the first time that I am aware, failed to chart at Oricon.

Yumeado is definitely going through some back end issues with the departure of Rei and sudden disappearance of Akari. My guess is Sony is trying anything possible to keep fan interest by being random/shocking (most of us are here for Yuumi anyways). I guess we will see how this plays out.

‘Koi no Effect MAGIC’

Cover of Japanese idol group Yumemiru Adolescence's Koi no effect MAGIC single
I did some research on Mr. Green Apple to see who was responsible for this little ditty (curiosity), but I feel, in idol, who writes a song isn’t as important as how it’s presented by the group. This track feels like classic Yumeado in the vein of “Candy Chan.” Very upbeat and cutesy, it helps frame the youth of Yumeados’ vocals, Karin and Yuumi in particular. The mix is solid, with no overbearing keyboards, and percussion is kept at a playful pace as well.

Yumeado for me is all about that hook and chorus, and “Effect MAGIC” delivers at every turn. I have no issues with this track in the slightest — my one gripe is that they released a MV for it so soon that now I have a theme in my head when I hear the track and that theme does nothing for the song.

‘Idol Race’

Cover of Japanese idol group Yumemiru Adolescence's Idol Race single
You could pretty much copy/paste my thoughts for “Koi no Magic Effect” here (replace cute with aggressive). I won’t waste time on the Babymetal connection here because it’s irrelevant; this song was written for Yumeado and not purchased from a drawer of leftover scores. Yumeado is no stranger to heavier tracks — they toyed with this sound on “Stealth Bukai” and, to a lesser degree, “Shomei Teenager.”

We’ve seen this before

Once again, Yumeado hits all the right notes with the hooks and chorus (love the chorus). “Idol Race” is a perfect track for Yumeado and fits nicely into their body of work.


I have been burden with the thoughts of the last few uninteresting singles (“Love for you” and “Fantastic Parade” were okay, I guess) so I am very happy with the latest tracks. Whatever is going on in the Yumeado camp, I hope it doesn’t end in disaster like a lot of groups we are seeing lately, and although I can’t imagine anyone else as a part of this group, I do hope they recruit experienced idols to replace Rei and Akari (if it comes to that).

Scores (both): One full Heartbleed, the logo of Homicidols.com, used for reviews One full Heartbleed, the logo of Homicidols.com, used for reviews One full Heartbleed, the logo of Homicidols.com, used for reviews One full Heartbleed, the logo of Homicidols.com, used for reviews

You Review Things: Party Rockets GT | “Time of Your Life”

Cover of Party Rockets GT's Time of Your Life album

A few weeks ago, our pal dofphoto was like, “I can do reviews” and I was like “show me” and he was like “okay.” I’m not rescinding the pleasure responsibility necessarily, but I also know that other folks have a tendency to get music that I don’t, and Homicidols.com is nothing if not service-oriented. And so, after some negotiating, here’s dofphoto!

I have a long fan history with Party Rockets. In particular, Yoshiki Haruka. From the dark back part of the stage, Haruka stepped out into the light and took control of what could have been an international rock/pop group. Unfortunately, the trend for graduations within the Party Rockets camp left Haruka and Fumika abandoned to the point that Fumika publicly cried, voicing uncertainty about the future of their beloved group and the fantastic songs they would leave behind. Continue reading

I Review Things: Yukueshirezutsurezure | “Post-Catastrophe”

Other than Babymetal’s Metal Resistance, I don’t know if I had more eagerly awaited an album in 2016. In absolute terms, “meteoric” isn’t a great way to describe Yukueshirezutsurezure’s rise, but in terms of awareness (at least among our kind) and rapidly defining a sound and attitude, they ran a marathon in a short while, only just failing keeping up with their equally compelling big sisters in Zenbu Kimi no Sei Da in total releases.

So yes, I anticipated that this was going to be a definitive album. I had such high expectations of it that, like a former jock parent who just can’t let go, I’m probably being a little bit unfair to the work, which should always be taken as it is rather than as I or anybody else want it to be. Nonetheless, I gotta be honest: I’ve struggled with this one. Continue reading