That Time OYSM & Necroma Performed At a Mausoleum

The latest adventure in the USA with NECRONOMIDOL (This time accompanied by Oyasumi Hologram.) has come to a close! It’s always fun to take in the experience through the eyes of other fellow fans as these shows make their way across the tour, and get a new perspective of these events as other people see them. As circumstances would have it, Team Homicidols was unable to represent at this tour, mainly because real life is stupid and piles on it’s own commitments. Perhaps one day, idols will overthrow the wicked forces that run this world, oppressively placing demands upon us that distract from what’s really important, which is going to idol mass and paying proper respects to our deities.

Until that day happens, we thankfully have wonderful friends of Homicidols like Killer Cashew. I’ve had the pleasure of meeting the Cashew and Asto, his partner in crime, and they’re terrific people who deserve great experiences like this tour. I’m glad that they were able to enjoy the show, and I’m indebted to Mr. Cashew for taking time to contribute an account of the evening in his own words. Let’s read about the fine art and dark visions he witnessed! 

Hi, Killer Cashew here. Normally I’m a quiet follower of the Homicidol community, but due to circumstances, none of the usual contributors were able to attend the Oyasumi Hologam/NECRONOMIDOL leg of the crowdfunded world tour. I was asked if I wanted to share some details of my experience and so here we are…

Continue reading

Kerrie Reviews Things Sleepily: THE BANANA MONKEYS | “Goodbye, Hello”

Guys, I’m a dum-dum. Now, if you’ve been following this website for any period of time you’ll already know that, but seriously, I’m a dum-dum. Over an entire month since I announced this release (among other things) and still I waited, impatiently. “Aagh, when will they hurry up and start selling this EP somewhere other than their live shows? It’s not even on their website!”. Then reader and Friday Fun regular Chris dropped a bombshell on me:

“Why don’t you just get it on Ototoy you cretin?”

Ototoy. Of course.

Surprise surprise, there it was. Right there. The “September 10th” release date almost taunting me.

Well, whatever, this isn’t the first sleepy review I’ve written long after the actual release date. Actually, I don’t think any of my reviews so far have been on time. Kind of a downside of being sleepy, you see. Tiredness slows you down. And, on two days without sleep, I think now’s a better time than any to get this month-old draft out of the way. Continue reading

Kerrie Reviews Things Sleepily: Wagamama Kiite | ‘for my Dear’

Let me tell you a story, while I’m still awake and waiting for my CD to arrive in the mail. A story that starts in early 2017. It was the beginning of the first WACK audition (y’know, the one that brought us Momoland, Pan Luna Leafy and EMPiRE? Yeah, that one) and the happy (but not for long) campers were gradually being revealed on Twitter. The first girl to be shown was “Cent Chihiro Tatta”.

I thought “She’s really pretty, I wonder how well she’ll do?”, as Watanabe continued to reveal more auditionees. One of the next girls to catch my eye was Michihayashi Rio. I thought “Wow! She’s adorable in that sort-of awkward way I love! I hope we get to see more of her!”

More and more audition profiles started, a few more girls caught my eye, I was excited for what’s to come. But then everyone I was rooting for failed the audition anyway, I was bitter, yadda yadda. Eventually, I found out one of the girls I really liked had gone on to do Miss iD and I was happy again. But I was still, in the back of my mind, wondered, “Whatever came of those other audition girls I liked?”

Fast forward to July 2018, in the WACK Discord, where the subject of Wagamama Kiite?? came up. “Hey, did you know a couple of the girls from the 2017 WACK audition are in this group?”

I looked them up and there they were! Tatta (now Moe) and Shirio (now Asaka)!

I was hyped! More girls from the audition out there doing new things! I vowed, “I was rooting for Asaka in the auditions, I’ll root for her in her new career too!” and went on to order their debut EP, “for my Dear”, which only just arrived on my doorstep yesterday.

Anyway, Kiite have a new single out next month, so what better time to review their first release while horribly sleep-deprived? Other than when it actually came out, I mean. Continue reading

Kerrie Reviews Things Sleepily: O’CHAWANZ | “Episode V” or, O’CHAWANZ’s Adventures in Blackpool

I don’t know about you, but I’ve been on a real O’CHAWANZ kick as of late. It was to be expected I suppose; Sugarsugar Lala was my Koutei Camera Girl Zwei oshi, so it would have been hard for me to feel let truly down by any future endeavors she got herself into. What I had heard from O’CHAWANZ so far was pretty decent in my opinion, but then the actual masterpiece that was I.YA.DA came along and I was pulled into rice bowl oblivion so forcefully that I could almost feel myself being suffocated by carbohydrates. These girls had got me good.

Anyway, their debut album, Episode V, came out this week, and I was thrilled to learn that it had made its way to international iTunes too! (Big thanks to our own Supreme Nothing for the heads up.) Originally, I was just going to buy the album and enjoy it privately as normal, but, well, the disaster that was 3776-chan’s Wild Ride was a surprise hit for the site, so I thought I might as well take advantage of my crippling insomnia once again. Continue reading

We Review Things: The tipToe./Dots Split Single is a Concoction of Fizzy Goodness


DIY rock bands figured out a long time ago that the “split-single” is a great way for fledgling artists to achieve the milestone of getting a record out there. Two bands chip in their money, and each gets one side of a 45 rpm vinyl record, ready to share with the masses. And for music lovers, it’s a pretty nifty deal as well, cause for a low price point,

you could take a chance on hearing two new bands you might happen to dig. It’s a great punk-rock tradition that plenty of bands still carry on today. 

And now here come two darlings on the indie-idol set, tipToe. (That’s how you stylize the type.) and ········· (You know, Dots.) with a split/collaboration single entitled “Tokyo Sentimental”. The two groups have been friendly buds for a while now since they shared a bill in which the tipToe. girls surprised the audience by coming out on stage wearing the Dots’ patented visors and vintage dresses and paying a little tribute to the ethereal idols. It was a fun little moment that brought tipToe. to my attention for the first time, and thanks very much for that! 

So how’s the single? “Tokyo Sentimental” is only four songs and it’s quick listen, and the two groups make the most of the brevity.  Continue reading

We Review Things Sleepily: 3776 | “3776 wo Kikanai Riyuu ga Aru to Sureba”

Last week, I was kindly informed that 3776’s Magnum Opus album, 3776 wo Kikanai Riyuu ga Aru to Sureba, was available for free on OTOTOY temporarily. Always one for a freebie, naturally, I downloaded it, and upon listening, I was like “Damn! This is a really great album!” and so Maniac responded, “Then review it”.

Two problems here:

  1. I suck at song reviews. They’ll all painfully boring and don’t go anywhere beyond “This is a pretty good song.”
  2. The album is three years old, making any kind of review totally irrelevant.

So, I had this ridiculous idea; I always come up with the best Friday Fun ideas when I’m half-asleep! YouTube dungeons, not so much. So, what would happen if I attempted to review an album (or more accurately, liveblog the album) on an hour of sleep? It wouldn’t be hard. My sleeping habits are atrocious anyway. As for the whole “three years old” thing? I’m ashamed to say, I didn’t even know this album was from 2015 until halfway through listening. I didn’t even know 3776 existed until OTOTOY informed me of this album’s existence. But one thing I do know, is Ide Chiyono (also known as 3776-chan in this review, as I was too tired to remember her actual name) is, according to her Last.FM profile image, the disaster girl meme.

Brian was invited to provide some input on 3776 as a bona fide expert, but he refused on the grounds that the piece would be funnier if it had less context.

Long story short, consider this shitpost-in-disguise an introduction to 3776 of sorts. As much of an introduction as a shitpost can be. But hopefully, we’ll be covering 3776 more in the future, because this was one of the most fun albums I’ve listened to in a long time.

So, onward with sleep-deprived Kerrie! Continue reading

We Review Things: Melon Batake a go go Make Sick Music For Sick People

Psychobilly idols Melon Batake a go go don’t generally strike me as rule followers, but in the case of their new EP, they abide by an age-old rock n’ roll rule: Keep it short and sweet and make them beg for more. It’s a formula that’s brought us legends from Hasil Adkins to the Ramones to Guitar Wolf to a hundred other rock stars who put a pep in our step and tickled our hormones. You simply can’t beat a great garage stomper, and now, Melon Batake a go go have come to put the idol spin on the barn dance. Continue reading

I Review Things: Minna no Kodomo-chan | “A World Without Walls”

All right, let’s not do that time-wasting thing when it comes to reviews anymore; when new stuff, especially new stuff from particular featured idols and honorary community favorites of Homicidols.com. Minna no Kodomo-chan gave us Kabe no Nai Sekai (A World Without Walls) to listen to, to embrace, to punish ourselves for sins more imagined than real by driving kawaiicore grotesqueries directly into our dreams. If all we ever had to go on was the other day’s MV, one might think that this is a one-way trip to video game hell, but we also know that Everybody’s Children can get down in lots of different, weird, wonderfully loud ways. What would their first album deliver on?

On to the review! Continue reading

I Review Things: Kaqriyo Terror Architect | “Cultural Mixing”

Hey, it’s a not-NECRONOMIDOL review! Yeah, that promise to write up some things in the queue, that didn’t pan out — I’m busy! — but, as soon as I saw that it was coming to Spotify, I knew that I wanted to hit up the latest from Codomomental’s latest. It only took six full listens to get here!

I’m going to preface this with: If you like your idol safe and predictable or on-brand, stay the heck away from Kaqriyo Terror Architect. On to the review! Continue reading

PassCode Duel! A Very Short Preview vs. a Very Short Review

The other night, despite my desktop notifications being very quiet, my phone blew up with: ZOMG PASSCODE UPLOADED A NEW ALBUM ON SOUNDCLOUD!!eleven! I had gawdawful network, so I waited to get home and a chance to possibly even snag some code from the app to share with you lovely people, only for Soundcloud to be all “ha ha ha, you live in the wrong country like a big dork!”

So in response:

It took a few days, but senpai came through, and — if you’re one of the roughly 22 people who are aware of PassCode and haven’t yet downloaded Locus because you’re in a coma — you can get that preview that you so badly need: Continue reading