I know we Weekendered it a while back, but it’s entirely possible that people — silly, fallible lumps of loosely organized flesh that they are — either have forgotten or are somehow not at all aware of the fact that DAIDAIDAI, one of the most unique and exciting acts in this entire scene, has an album coming out in basically no time at all now. I’ve been excited about since the day I heard about it! Imagine being aware of what this group brings and not being excited.
And so there was the move by producer-san, it seems, for DEMON TAPES decided to drop the first proper promo for the album on Valentine’s Day, and I’d have missed it completely if not for a bit of research last week. The thinking is sound, right, like of course a Sunday in the middle of winter when people are much more worried about their SOs is the best time to slide out new music that will gin up interest in your album. I am in absolutely no way being sarcastic! But anyway, this is awesome and exciting: Continue reading
NECRONOMIDOL’s new album — first full-length with the new lineup — is just days away, and you know what that means: IT’S LEAD SINGLE TIME. I know we were all kind of shocked when The Breakup happened, and then intrigued as the new group took form, and then everybody had their own opinions about “santa sangre” but this particular development, this new album, has felt like the part that we’re all most eager for. You like when Necroma dominates your soul and grants you immortality just to inflict as much agony as possible for all time, in song form!
If vämjelseriter can deliver on even a fraction of the promise in here, it’s going to be a hell of a lot of pain: Continue reading
Well by now you’ve likely seen that Malcolm Mask McLaren dropped their new single and gave you an MV, and if you’re the kind of smart person that you no doubt are as a reader of Homicidols Dot Com, you’ve seen it already because my long promotional missive on MMM’s behalf either eased any remaining doubts OR reconfirmed the exceptionally astute biases you have for them, and you were aware of this release the second it happened. This post isn’t for you. It’s for that mere scattering of random humans who have somehow both heard MMM before and read my awesome celebration of them and still isn’t convinced.
Had to do it to ’em!
So you all likely saw on Wednesday that the re-done OG of OGs — and therefore not OG at all, but somehow one of the best representatives of the OG’s brand since the OG was still the OG — BiS dropped the official lead track from their brand, shiny new upcoming second EP, and I don’t want to put more time into it because this is going to be a “song good” post and I’m running out of ways to pad the word count! Continue reading
Is it okay to call Zenbu Kimi no Sei Da “living legends” when the group may be closing in on a sixthiversary but there’s only one of the originals left? Yes it is because I want it to be? Fantastic.
Living legends Zenbu Kimi no Sei Da, fresh off of a year of causing their many longtime fans to soil themselves in fear that the group may be on the outs, or at least all but completely redefined, dropped their 12th single the other day. That’s a lot of singles! But it’s the first new material from the all-but-completely-redone group, and it’s a great opportunity for a “came out swinging” cliche, not least because saying it would not make me a liar, just an unimaginative nincompoop who couldn’t think of a better way to describe one of Zenkimi’s most ambitious works:
One of the highest-quality new acts of 2020 is showing that they’re grabbing 2021 by the horns, too.
At their first one-man the other day, they announced a new EP that’ll be along before we know it:
Sounds great even as a snip! And naturally it’s easy to infer what we can expect as far as an MV will go; apparently you can see it early if you download this app and win a lottery or something?
This is a very short blog post for something that is very exciting!
Ed. note: This post has dispensed with the familiar convention of only using M-alliteration in the title of a Malcolm Mask McLaren post; Homicidols Dot Com regrets this immediately.
I listen to a lot of music, as should be obvious. One of my favorite things about Fiancee is that we both consider “good chill time” to include alcoholic spirits and putting a record on the turntable. We sing karaoke, just the two of us, or on those rare occasions when we allow somebody to come over, we invite them to join us. We have a small pile of musical instruments that we’re not any good at but still like to pretend with. We argue about the satellite radio station on car rides of longer than a few miles. We listen to music while we create and often as a wind-down before bed. It’s really nice. Fiancee’s time to break from that is during work hours because she’s the kind of person who needs quiet to concentrate; I, on the other hand, need some kind of background noise to concentrate, as otherwise my brain’s trying to drive in several directions at once, I get antsy in my pantsy, sometimes even aggressive, etc. So what’s pretty much the first thing I do when I sit down at the desk in the morning? Pop open Spotify and/or one of my YouTube home pages (yes, I have several), and find something — preferably new — to listen to while I settle in.
Yesterday, that something new was from Malcolm Mask McLaren. The thing said it was called “ORANGE EP” which I got extraordinarily excited about, only to find that it is in fact only two songs, which is not really an EP unless it’s by like Bell Witch or something, but did I bite the bullet and take one for the team anyway? Yes. Which was easy — Malcolm Mask McLaren owns — and, I will spoil it for you, completely and totally rewarding: Continue reading
NELN, as expected, dropped yet another single in their 12-month-long series of releases, and did so right at the end of the month per usual. I want to get all of the reax out of the way first because, I swear to you, if you haven’t already watched this video and/or listened to this song, you’re going to be more than a little impressed, and you’re going to be like, oh wow, didn’t they do nine of these during 2020? And why didn’t we make them the debut of the year? And the answer is that I don’t know, but seriously it’s like NELN is just upping the ante every month, and I’m almost afraid of the beauty they’ll spring on us when the series ends in March and then they’ll do something during their big gig in April that might break reality. We’ll see. In the meantime: “snow light”:
Everything about that is wonderful.
Well oops. Not-quite-the-latest Codomomental project, akugi, who is currently in the lead for Group Most Likely To Fill The Komachi-Shaped Hole In Your Heart, officially dropped their second single and MV and … well, this is really different from the last one! In fact, my above description is way more apt than I would’ve expected. Team, predictably, adores the track and had a brief chat about the video, and then we all had other things to do and holy hell it’s Saturday, let’s real quick do something with akugi before the boss thinks we don’t like their things anymore.
It’s actually a really easy thing to do. Frankly, I’ve had the refrain in my head for days and have been completely happy about it. So, on the off chance that you’re in this community and you like sequester yourself from Codomomental for some reason and aren’t hip to akugi, let’s take this brief step back into, uh, mid-week to enjoy it all again:
BURST GIRL, who it should not surprise you at all are a resident favorite here at Homicidols Dot Com, fairly quietly dropped themselves a new song the other day via MV and streamers, and we all had ourselves a nice react in Team chat and even talked about timing it to come on the heels of the ATARASHII GAKKOU post to take advantage of the (measurable and noticeable!) influx of traffic based on that group’s engineered international breakout. Why we didn’t do it yet is, uh, I’m pretty sure my fault, so get the hell out of my face.
Anyway, “Saiteihen Romance”: