PassCode Duel! A Very Short Preview vs. a Very Short Review

The other night, despite my desktop notifications being very quiet, my phone blew up with: ZOMG PASSCODE UPLOADED A NEW ALBUM ON SOUNDCLOUD!!eleven! I had gawdawful network, so I waited to get home and a chance to possibly even snag some code from the app to share with you lovely people, only for Soundcloud to be all “ha ha ha, you live in the wrong country like a big dork!”

So in response:

It took a few days, but senpai came through, and — if you’re one of the roughly 22 people who are aware of PassCode and haven’t yet downloaded Locus because you’re in a coma — you can get that preview that you so badly need: Continue reading

I’m Actually Totally Okay with the Archaeology of PassCode

Yes, I goofed on PassCode for re-recording a bunch of their earlier works and calling that their new album. Goofing was required! That doesn’t mean that I didn’t get all kid-on-Christmas-morning when I saw that there was a trailer — already! — for “Locus”:

“Toxic”! Holy crap, that’s one of my favorite things! What else? Continue reading

PassCode to Release Things, Bury History, Jog in Place

I kid a great deal, of course; I’m just sore that the sudden flurry of excitement that broke out yesterday wasn’t because there was a new single or !gasp! album on the way, but because it’s not technically for anything new at all, and, as I put it:

But that whole flurry was, as speculated, a re-issue. And not just any re-issue, but a re-recording of the ALL is VANITY and VIRTUAL albums, the big releases from the pre-Universal days. (Via) Continue reading

ICYMI Because I Sure Did: ‘World End Crisis’ Re-recording

So Zenkimi’s going to keep doing these late-night releases, huh? On the weekend. Why, it’s almost as if they’re prioritizing their domestic fanbase to maximize media impact in their largest market! And why not — their “Wagamama Shinsei Hominina” video is well on its way to being their most viewed ever.

Anyway, Zenkimi dropped their two-hour restricted window onto an updated version of “World End Crisis,” and you might dig that and so might the poor souls who find their way to idols through Google. I was very literally asleep when that happened, so John:

Well, here we are once again, ぜんぶ君のせいだ。 (Zenbu Kimi no Sei da.) is tossing us another bone. Here is the track World End Crisis re-recorded with the current lineup. I believe this is just a demo track due to the rawness of the mix. Anyway, it is a two hour window. Enjoy. Also, it seems that […]

via Zenkimi: World End Crisis 2017 — Straight From Japan