Today’s a light one, gang, because life doesn’t slow down just because you’d like it to (I am listening to Darkthrone, and I’d like for things to be quite slow indeed!). BUT I’d made a point to check up on Q’ulle’s Other Side of HOPE Asian tour finale that happened tonight, seeing as how there was some uncertainty as to just what would happen with Q’ulle at this point, new album aside.
Whether they remain a living, breathing entity called Q’ulle for much longer is, I think, still in question, but Q’ulle (and its apparently cast-iron members) are plunging ahead with the release of their second album.
It is the Official Policy of Homicidols.com that many voices can and should contribute to the discovery of idols and their music. Among those voices whose contributions are good and cool is Garry MacKenzie, owner and operator of the very good Idol Is Shit. This review is his.
You all may recall the twoposts covering Q’ulle‘s most recent music videos. You may also recall that Q’ulle, who are good, are good, and you therefore like them and appreciate their music and want to buy it. And as if you needed any more convincing, Garry believes that their just-released single, “Alive,” is more than up to par. Get started here, then visit his site for the rest. Continue reading →
Didn’t see that one coming! A little over a week ago, I found that a joint media appearance by Q’ulle and BiSH would be a fun opportunity to pit their two similarly titled songs against one another. The results are in!
And I did not expect that! Like, BiSH is great and all, but I’ll cop to voting for Q’ulle on this one because the choruses and entire second half of “MONSTER” is as top-tier as it gets.
It’s from the more electropop side of their work, which is fine. It’s also a great example of the things that I like to tell people about when they make that face and say “J-pop?” like I just said that I like to listen to Nazi marching songs: “Alive” might be the closest Q’ulle has ever gotten to aping the styles more typical to Korea and Europe (and, probably still, the United States), but it still sounds distinctly Japanese, especially the chorus.