Now that Q’ulle’s first major album is rapidly nearing its release date, of course it’s time for the arguable queens of idol rock to start promoting the thing like hell. And, yesterday, hell arrived:
Random outfit game: on point
I love it. Q’ulle’s always in a totally enjoyable weird place between idorock and outright rock songs (and, often, outright idol!), and this is such a great example. What a fun song. Wota will love the crap out of it.
Of course, it wouldn’t be a Q’ulle release without multiple MVs and versions; this one’s completely different territory, even for them, though: Continue reading →
Ah, Q’ulle, you and your occasionally legitimate loudness are so beloved, yet simultaneously underappreciated except at those brief moments when it’s record-release-and/or-MV time … which I guess I’m proving all too well right now, actually. Sorry about that.
Yes, Q’ulle’s first major album release, following a pair of (very good) singles in the first year of their life on an Avex subsidiary. I’m already assuming that it’s going to be about half idol, half loudol and all very enjoyable to listen to. Continue reading →
These videos were making the rounds yesterday after the former Danceroids released them and people all kind of collectively went OOOOOOHHHHHHH; I was too busy being a dumb jerk at work to share then, but I’m ready now!
So if you’ve picked up Q’ulle’s newest single, “DRY AI”, which you should have done because Q’ulle’s worth your time and money, you know “PARTY ROCK!!!!” already; if you have not, this song may be a new one for you:
That’s at least as good as I expected it to be; Q’ulle’s always had this kind of unique ability to do idol rock (as opposed to idorock!) songs that come off as completely earnest and heartfelt without also being cheesy as hell*, and “DRY AI” here is no exception — while I may not quite be buying Yakko in that new stage outfit, I can buy her walking into the surf in an emotional haze, you know? Continue reading →
I’m like popping right now, you guys. I’m publishing at a more amenable hour than when writing because, come on, but literally at this very moment I’m all OMGOMGOMG because Q’ulle put out this teaser for the MV for their second single with Avex, “DRY AI” (come on), and I might be just the tiniest bit too excited for it. And I friggin’ missed the original announcements and only have Kayseur to blame for pointing it out.
Okay, so maybe I exaggerated the title a little bit, but you go ahead and tell me who in this world has their primary advocate (in this case, a record label) basically disappear and drop your contract, leaving you homeless and possibly aimless … and then come out ahead through the storm.
If you raised your hand, good for you! And/or if you guessed Q’ulle, good for you for being able to read context clues! I of course jest, seeing as how I rarely have any other way of being, but the important thing is, hey look, a Q’ulle interview! This is from Natalie.mu at the time of the release of “DON’T STOP.”
So how did Q’ulle feel about that whole business?
Maamu: Of course we had nothing but a feeling of unease. At any rate, we had our heads full of making (last) summer’s tour a success. But even with that target, I ended up breaking a bone in the middle of the tour and had to stop participating in it. I was able to come back for the tour finale, but while I wasn’t able to get on stage I would think, like, “What should I do?”.
I was on a call with one of my project leads yesterday. This person is from a European country, and she always has these rather unique (to an American) ways of looking at the world. As we wound up yesterday’s call, she remarked, “and spring begins tomorrow, so that should be nice.” Now, the actual first day of spring is yet a few weeks away, but I liked that thinking: Winter is December-January-February, spring is March-April-May, etc.
So, to kick off this season of renewal and life and positive energy, what better thing to have than Q’ulle’s video for their new “DON’T STOP” single:
Of course, Q’ulle, now being on an Avex imprint, will make it extremely difficult to acquire this single when it drops, which is a shame, because you can pretty much guarantee that “DON’T STOP” is a fun song, but the B-side will be either gorgeous, dancehall power pop or something hard enough to shake your teeth. Continue reading →
Due to an ongoing conversation with Kerrie about some stuff that we can pull into the Friday Fun series, I’ve had idol performance on my mind a lot lately, and, while this is a music website first and foremost, dance is a pretty big part of the idol experience, and the idea of loudols doing choreographed, athletic routines being a perfectly normal thing is probably an important step toward normalizing idol for the normies.
So! Last week, the Monday Match Game featured a hip-hop beatdown of epic proportions, as the original Koutei Camera Girl flat-out smoked Girl Zwei and Gal by a cumulative 2:1 margin, thereby earning the right to face off against Drei after they debut and get out some material. Good times!
That was a question of beats; this is a question of steps. And twirls. And stuff. And while there are plenty of idols who are good-enough dancers, there are those who flat-out excel at it and have the ability to move on stage and tell a physical story to the music. And among those, there are those for whom dance is the very center of their game.
This week’s participants aren’t just at the top of the world of idol dance; they have something very important in common, too. Yes, friends, this week’s Match Game pits dance-unit-turned-idol against dance-unit-turned-idol. In the red corner, hailing from Osaka and led by the soulfullest voice in idol, a former high school dance unit that added vocals and never looked back; in the blue corner, from some posh boutique that we aren’t cool enough to enter, a former pro dance unit that added vocals, immediately became a thing and is about to make their major debut.
Similar backgrounds, similar timelines and a whole mess of muscle control. When the lords of idol dance enter, only one will survive! Continue reading →