A good while back, I speculated that PassCode would not just join the Idol Invasion, but might be a prominent player in it. After all, between VIRTUAL and the “MISS UNLIMITED” single (and the signing with Universal), they were riding as high as anybody through 2016, including on gaijin shores. The ever-necessary English-language videos followed. It wasn’t a leap to expect them to arrive, maybe even in 2017, and possibly even put together a mini-tour.
The next year wasn’t so kind. “bite the bullet” didn’t seem to excite people the way that previous materials had, and ZENITH, despite being pretty good, seemed to be missing something. The shine had worn off, maybe, or PassCode’s fairly narrow musical range was catching up to them. Regardless, just when momentum seemed to be at its lowest ebb since 2014’s epic re-launch, it was announced that Yuna was going on hiatus for real-deal health issues.
Was PassCode going to recover? I questioned it, I’ll admit. Human beings are natural front-runners — maybe because we understand mortality in an abstract way, or maybe because we just suck, we follow the brightest and shiniest of things even if we don’t like them simply because they’re bright and shining, and that bright shininess can rub off on us one way or another. To lose shine, though, is to basically forfeit it, because we definitely do suck and will simply, as a species, move on to the next shiny bright thing.
You can be surprised that 2018 has been a pretty nice rebound for ol’ PassCode, then, especially since it seems like they’re finally getting to test those international waters. Continue reading →
It’s a slower day in idol, folks, and I neglected to work the Soundcloud clips into the Weekender, so let’s all gawk at PassCode’s splice of the tracks available on “Ray”:
I previously called the title track itself maybe my favorite piece of new music of theirs since the release of “MISS UNLIMITED”, and this frankly backs that up well. It’s even structured a lot like that (pretty legendary-like, honestly) release, with the catchy Radio PassCode lead, and the Heavy PassCode and Heavy Dance PassCode B-sides. “TRICKSTER”, just in short form, is menacingly shaking its fist at many of my past favorite Heavy PassCode tracks, and I can’t wait to hear it in full. Continue reading →
So I was saying the other day that, despite being aware of things being out there online, I didn’t want to try to soak up “Ray” at all until there was an official release by official PassCode, which finally happened this morning whee!
2018.5.23(wed) Release PassCode 3rd Single "Ray" Music Video公開❗️
Oh man! Those outfits remain pretty dang boss! And the song sounds pretty good in preview form! And it looks like they’re going for their own version of “Orchestra” on that set! Let’s do the whole thing! Continue reading →
One of the very best things about being a fancy idol blogger is that hooking yourself into different networks to find new material is cool, but being hit up by other folks who want to share is even better. And when subsets of people collectively mark the hell out at once, you know that what you’re about to experience is going to be worth it.
For instance, let’s all take a moment to welcome Kolokol (Twitter) to the world:
I had hoped that PassCode would continue to do a very smart thing and have a fresh release ready for their series of shows with rock bands, and it looks like smart things continue to be decided, as a new single, “Ray”, will be hitting stores on May 23:
I like this. I like the cover art that reminds me of crossing up Massive Attack with Matthew Barney’s The Cremaster Cycle (enjoy). I like that it’s being timely without trying to be exclusive about it. I even like how they were apparently so pressed to make a press deadline that they couldn’t even decide on the titles of the B-sides for each version! Continue reading →
I can’t remember the last time that I saw one of those “hey at X time we’re doing an announcement” tweets from PassCode, and certainly not the last time that they did one and I felt like it was a net win. In fact, when it came, my first thought was of Yuna and her abdomen and whether there would be much point in keeping up with the group. The universe, though, had other plans, and all of the news is good news.
The other night, despite my desktop notifications being very quiet, my phone blew up with: ZOMG PASSCODE UPLOADED A NEW ALBUM ON SOUNDCLOUD!!eleven! I had gawdawful network, so I waited to get home and a chance to possibly even snag some code from the app to share with you lovely people, only for Soundcloud to be all “ha ha ha, you live in the wrong country like a big dork!”
It took a few days, but senpai came through, and — if you’re one of the roughly 22 people who are aware of PassCode and haven’t yet downloaded Locus because you’re in a coma — you can get that preview that you so badly need: Continue reading →
I like to tease PassCode, mostly because I really like them, and good-natured ribbing of one’s nearest-or-at-least-dearest is a time-honored tradition. How many hours of raw enjoyment did I wring out of their first two albums and accompanying singles, and how formative were they in my more natal Maniac period? Much, is the answer. So yes, I made fun of Locus a little bit, only to reverse course and decide that yeah, it’s probably going to be hot, and … well, the fuller trailer’s here, showing off those re-recordings with far more gusto, and if you skip toward the last 30 or so seconds … Continue reading →
I am yet to win this despite twice trying in the past, though I do not suspect that it’s rigged against anybody other than me. Good luck, Hackers! Unless you live in North America, in which case you need to wait a few more days!
Another new feature that I’ve been dying to bring to ol’ Homicidols.com is another one that fellow Deadspin readers may appreciate. Just to get this out of the way: It’s meant to be funny, you guys, not to be taken deathly seriously.