Ages ago, back when I was planning out how I wanted to do this idiotic project, I wrote out a series of topics that I thought were worth discussing. It’s worth noting that said editorial outline ultimately turned into nothing because I had grossly underestimated the size and complexity of just this little corner of the Idolverse, and I wasn’t ever going to have time to make a lot of those pieces happen. Noting that, however, I can still say that I had wanted to do a pre-most-WACK-things post on the general career arc of one Watanabe Junnosuke, questioning whether it was skill or luck that had gotten him through (at the time) OG BiS, OG BiSH and OG Pla2POP.
So! GANG PARADE made “BREAKING THE ROAD” official today:
Well I’ll be a monkey’s uncle. Idol is gearing up for a hell of a 2018 with a bunch of teasers in the waning moments of 2017 that should do no less than to whet your appetite for an incredible year in music. In this case? Just one of Maniac’s very favorite things, Tokyo’s Dots, who have their first full-length album coming out in January — but you can get a full preview of the whole dang thing beginning right now if you know what’s good for you:
I was writing that as if there’s some kind of fake-out involved, but there’s no fake-out. Just like almost everything else AQBI related, the “There’s something behind” single” is available for free via OTOTOY for one week starting today:
I use the term “new” here a little liberally, as you may already be familiar with the material if you follow TTTs, but that’s all well and good because free studio versions muchachos! Continue reading →
Because I’ll never actually understand WACK’s business model, nor how T-Palette operates in general, I’m surprised every time this happens: If you want GANG PARADE’s new single, you can download it for free from OTOTOY (preferred site for officially free idol downloads!), or you can just get the songs straight from Soundcloud: Continue reading →
For a hot minute there, GANG PARADE had made this announcement about the availability of their “FOUL” single on OTOTOY (for free! why!) and the addition of “Close your eyes” to Soundcloud without actually having posting the track to said service, and OTOTOY keeps taking its sweet time to zip up my files, so I had to wait like 30 whole minutes for the thing to arrive.
“If Tomorrow Comes” is a pumped-up combo shot of a bunch of well-worn BiS territory; it reminds me of “ODD FUTURE” in particular, with some “FiNAL DANCE” mixed in; I say this as praise, because those are both great songs of theirs from the original final album, when they were the most mature musically, if a bit defanged.