Since their inception in 2014 NECRONOMIDOL has been extremely productive, feeding their fan base six EPs, a single and now a two full albums. Despite serving up new material on a regular basis, the current quintet has cultivated a fan base with a very vocal appetite for more. Underneath the striking imagery and Cthulhu mythos is a premier group of vocalists who perform tirelessly in Japan, have brought their intensely joyous brand of darkness to Europe twice and are soon returning to the United States for a third time.
On September 29th, NECROMA will be releasing VOIDHYMN, their third full album in three years. The new ten-track offering consists of six entirely new songs and four re-recordings of previously released tracks.
We at Homicidols were lucky enough to be offered an early listen to VOIDHYMN and will be presenting a track-by-track review in reverse order because:
It’s more Satanic that way, and
To first answer the key question in most everyone’s mind: “Why did they re-record ‘Skulls in the Stars’ when the Deathless version already had Himari’s vocals?”
I mean it, I have absolutely no idea. I’m very literally asking because I know that some of you guys follow them pretty closely, and while I happily take a professional passing interest in them, I am only one person and all it takes to go from In The Know to Confused As Hell is to miss a few tweets.
All I know is that the membership is all over the place. Graduations! Promotions? Something! It’s apparently all in here:
Yesterday afternoon was annoying. I had seen this MV release in my feed, I had set up this post as a shell, and I was just waiting for a chance to do something with it. The time, it did not come, not until late as all heck and it wasn’t worth forcing out something to publish so late in the day, and instead I moped around it. That the thing wasn’t written in full until pretty much right now, though, that was a deliberate, had-alternatives choice, because I wanted to come back and give it a few more spins and soak in it. Enjoy, friends:
You know that good things are afoot, and differences are being made, when folks start to excitedly ping you about a new thing before that thing has even actually happened. I’d been stoked about what was to come from the new Yajima Mai album going back to when I was still just traipsing after her and hoping that she’d get a good, solid break, there being clear and indisputable evidence that this young woman had all of the This and That that a performer needs to excel, needing only some good fortune.
Mai’s first full album, Vampiress, is just a month away, and today came the MV that validates all of that waiting and hoping:
It’s time, it’s time! Kaqriyo Terror Architect, befoulers of decency and soon-to-be queens of the underground if there’s an ounce of justice in the world, have previously made it known that their first EP was coming, and that we should prepare. Today, we get our first taste, and I don’t know if anybody could have prepared enough for it.
True story, or true to my knowledge: An old friend of mine had spent the majority of his young adult years in the military, posted abroad in that era when the United States wasn’t at war with like eight countries at once. He was bored a lot, and so tended to get into local drug cultures wherever he was. By the time I met him, there was very little in this world that he hadn’t tried; or, more accurately, probably more that he was actively avoiding for the rest of his life than he hadn’t tried previously, if that makes sense, and his brain was somewhat addled. Think of a literal man-child — he had the body and intelligence of an adult, but the personality of a wound-up adolescent. Kind of amazing.
Anyway, the one thing that my friend avoided more than any other was red wine. Why? I’ll never understand the hows and whys, but his attested reason was that he’d spent the better part of an extended stop in Spain taking a lifetime’s worth of acid and drinking Spanish reds, and though he also vowed to never do acid again, he’d found that even the crappy pink box wine that sometimes showed up at parties was enough to give him acid flashbacks. And just specifically red wine! He had no trouble with white, fruit wines, stuff like that. Just red.
What does this have to do with IVOLVE? Absolutely nothing, save for the fact that I heard “Wannabe” here and got back a feeling that I used to get — and love — in an earlier era of idol coverage, and enjoyed it, and decided to write about feeling flashbacks and was reminded of my friend. This is why you shouldn’t let people like me have websites! Continue reading →
Just like there are “dog people” and “cat people”, there is a binary in the alternative idol fandom: Those who think Maison Book Girl’s sound is homogenous enough to believe it’s the same track on loop, and those who think “wow, this is such a new direction for them, I’m impressed” every time they have released a song since their major debut.
Obviously, this author is part of the second category and was once again in awe upon listening to “Okaeri Sayonara”. The music video was released today, along with the announcement of a new album, Yume, coming on November 21.
I have always associated Maison Book Girl with rain, and this MV validates that feeling. While the group has returned to light-colored costumes, the ominous feeling of the lyrics is reflected in the clear inspiration from hospital gowns. Continue reading →
Don’t take the title as flippant, friends: I was very limply trying to figure out what the heck was going on with this release because, you know, Ladybaby hasn’t announced a new record or anything, and nothing in the dang announcement suggests that it’s a digital single or anything. It took me a minute to realize, hey, this is from that single they released a little while back, the one with the Ladybeard collaboration, and they’re just now getting around to releasing video for it.
As a chronic procrastinator, I can relate. And as a person who can do math, I can see one thing from Oomori Seiko and then another and see a light bulb, you know? It makes its own kind of sense.
Did I know that former gas station attendant Ayuni D was being hooked up with a solo project? And, unlike Chitti and Aina, it’s a standalone EP? (/checks notes) I did not! It’s a total surprise! And yet, here we are, and the dang record drops tomorrow and oh my goodness where the hell has this song been?
Also, I didn’t know that she could play the bass better than me
You know, I spent all this time thinking that Aina’s various solo projects, and then Chitti’s getting one of the most legitimately nice songs that I’ve heard in a while, that these were harbingers of big changes. Hell, when Ayuni D joined BiSH two years ago, I said in some conversation elsewhere that those two were probably going to be the next to go, to seek greener pastures than idol stages, and that BiSH would be “Atsuko and Ayuni D’s group in a couple of years.” (Yeah, I remember that but I can’t remember … Anyway.) Continue reading →
Anyway, I kinda-sorta knew this video was gonna happen, cause Ashley and myself are both unabashedly devoted Avandoned fans, and a while back I dropped a not very subtle hint that I’d love to see them do this song. (Actually, I think I said “PLEASE DO THIS SONG!”) It turned out Ashley was already intending to do it anyway, cause she’s cool like that, so this video is something I’ve been looking forward to for quite a bit. So without further ado, here’s Ashley and Bekah saying “Hello”!!!