Kamen Joshi, Alice Project, PARMS, whatever have you — not the best reputation in the business. While I do indeed (because it is my website and HTML is unlimited) have the space to expound on every negative thing ever alleged about the entity, I will not, for I am lazy and will instead encourage you to do your own research into such matters. That being said, the perception in no way plays out in the idol production, which is always so earnestly idol that it makes your teeth ache. And when the world faces unprecedented crises, who or what could possibly be better to show us a way forward?
Yes! Can this promotional video for the sustainable sourcing of electrical power, especially wind, help to turn the tide against unrelenting climate change? Or is it simply a sinister greenwashing ploy to cover for the unsavory side of the business? You decide!*
This is the best thing today.
Why did C-Style release this MV? Because they could, apparently. Why is the video the way it is? Because that’s how C-Style likes it, and when you have more a Twizzler holding your skeleton together rather than a normal human spine, the world caters to you. It’s why you can have a song that makes no sense be completely awesome while you dance around dressed as a bee, but like how a high schooler who needs to do something for Halloween would do it.
C-Style is great and everybody who doesn’t think that can eat farts.
Wake up! Grab a brush and put a little KAQRIYOTERROR in your face! Yes gang, now that things over at Codomomental HQ seem to have calmed down, they’re all a-flutter with the two-hour track previews again, this one KAQRIYOTERROR’s new(ish) regime taking on arguably the best song that the group’s ever done:
You know the Codomodrill. Continue reading
Well kick me in the neck and call me a bozo! I’d like to thank Cal for bringing this up in the Team chat and then starting a short conversation on vocaloid, which enabled me to surreptitiously make off with the song and be the one to tell you all about it, in so far as there’s really anything to say about it! But! Zsasz, who did not win Best Debut (Groups) in the Homicidols Best of 2019 but did get an okay number of votes, have a new track, so let’s listen to it.
Neat! And okay, it turns out that it’s “just” a cover of a previously existing Utsu-P number, but that’s fine, it was new to me and I’m sure many of you as recently as the moment that you read that phrase, so it’s all good. And it is good! And in scrolling through Zsasz’s feed I’m glad to see that they’re playing so many gigs but kind of wish they had more photos or something! Oh well!
Well, okay, maybe it’s not quite as over-the-top as all that, but I was brought into all of the update-y stuff for this post by a Soundcloud notification, and the first thing I saw from it was the song title and my mind did all of the requisite stuff from there, actual facts on the ground that were to be subsequently discovered be damned.
PIIIIIIIN, who technically can only exist when they have seven members, have yet another new regime of seven members, and to commemorate the latest changeover dropped this new number that, correct, did scare me on their behalf, but just turns out to be a nice homage rather than what the past 16 months in idol have us so conditioned for: Continue reading
The waning days of 2019 and opening week of 2020 have been a special time. Some of the greatest legacy acts and personalities of our time hang ’em up at last — the literal goddess of earth and sky herself even revealing that she’s been secretly married all this time — and with that saw the retirement from idol and return to solo work by the grand dame herself, Pour Lui, twice founder of BiS, mature member of BILLIE IDLE, from whose fecund mind sprang the cultural movement that created not just modern chika idol but about 95% of what we like to cover here. That Lui was going back to her roots as a solo musician (though still connected to the Watanabe/Matsukuma machine) felt like a nice coda, something natural. She was done with idol, and idol — graciously — was done with her.
Or so we thought!
New group with a familiar-sounding name. New auditions. New music. “It’s complicated” with WACK. Somebody stage an intervention for this woman! Continue reading
We did it! Despite the very best efforts of the world to destroy humanity before the new decade was more than a few hours old, we got to the day when the full album of the fully rebooted BiS came to fruition with the MV that will lead it into the sales wars. And what an MV! Maybe you saw it during yesterday’s aborted leak. Maybe you saw enough that, when combined with the title, you had no choice but to think of certain late-90s punk touchstones and tributes to an aesthetic that never should have died. I don’t want to say that every little thing in it is completely deliberate, but come on. Just look at this:
Yep, that definitely hit all of the right notes. Maybe the only thing truly missing is one of the actors suddenly having their face twist into a horrifying hell rictus, or a lo-def shot inexplicably shaking and turning to convey wackiness or something. Otherwise, from colors to setting to styling to the exploitative use of little people in the guise of show business icons, I’m back in the waning years of rock music’s last best decade.
And the music? Well yeah, that’s good too. I think we all figured that’d be the case, right? Like, they got the less saucy stuff out of the way on the last album preview — given all the rest of their body of work so far, for BiS3 to drop anything less than an all-out punk barrage would be the biggest surprise of all. And yeah, all in all I do think that this album has shaped up to be the best by a group named BiS in quite a while, though we should wait for the official release just in case Watanabe decides to pull some shenanigans.
It’s 2020 now, and all of this is firmly in the past, but I think it’s worth mentioning the wild ride that WILL-O’ went on over the course of the previous year. A lot has changed in the now three-plus years since Alloy was originally formed, and though WILL-O’ as WILL-O’ is fairly well-established at this point, I think it’s fair to say that change is the most consistent thing about the group. Well, change and doing great rock-related idol work, that is, and I mean that literally because you’ll remember that I held up “POP’N” as my personal favorite song of 2019.
And as that was going on, they were also releasing a new EP to close the year! I kind of forgot about it (it was sitting in my wait-until-an-MV-drops pile), then the MV finally did come a little on the late side, so here I go rhetorically returning the favor! But also they did some interesting stuff in the meantime, so waiting turned out to be smart. Anyway, the MV: Continue reading
Happy new year! Japan have already rang in the new decade and with it, a menagerie of new music.
Rock and alternative style idols are no stranger to unexpected collaborations, from BiS and Hijokaidan to You’ll Melt More and… also Hijokaidan. But in this subculture, mainstream breakthroughs are the real sucker punch to longtime fans of girls dancing to alt rock with a crowd of about 30 people.
So, fresh off their major label debut, GANG PARADE have dropped an announcement that their second digital single will be a joint composition between Scrambles’ very own Matsukuma Kenta with a very special guest…
Mastermind behind Momoiro Clover Z: Hyadain! Continue reading
Ah, and now we reach the point in the promotional machine when a new release (specifically, a WACK release) is laid almost completely bare before the world and all of its details are known and we get to speculate wildly about what might fill the otherwise-empty informational crevices. Behold, the new BiS album, now more than just a bunch of stuff on Soundcloud:
A title! A track list! A … a cover that looks a lot like it’s really playing up an appropriate punk rock association while also trying very hard to avoid being sued by Green Day! Good lord, after these tracks, there’s just the one left to show off, and it could also be a Green Day reference if you’re willing to stretch a little, and I’m guessing that’s where the MV will come from, the only question really being when, it being a real shame that we’re still more than a month from the release date, I say again.
But let’s listen to the new songs, which you can also still download for a hot minute (I’m sorry!): Continue reading