There’s an editorial choice to be made by the owner for a fancy idol website every time an idol group worth following does a thing. That calculation used to be simple — back when life was simpler and everything idol felt fresh and exciting just by dint of existing, I’d blog a post and all 35 readers would either marvel at it with me or correct me like the heinous scene-crashing joke I was. What’s changed in the past four years is that now I have two other choices — I can also stick the item in the Weekender as a toss-off, or I can elect to ignore it because it’s impossible to gaf about every little thing, as made evident by the fact that now it’s a few orders of magnitude on from those original 35 readers and I can still expect that certain topics register, at best, a couple of dozen views.
So now, while I catch up on a very busy week when I was deliberately out of pocket, I’m already past the point of deciding if something is Weekendery, as that ship sailed yesterday. I can however still opt to just not post about whatever, on the premise that it isn’t so interesting. And that adds a fun twist to what I do hold for a full post, doesn’t it? Yes, every new post is a tacit endorsement, one way or another, of whatever the What is, but that feels amplified now. And, as a result, I feel a certain amount of responsibility. I’m saying that the subject of the post is important and notable!
Therefore I give you without reservation the latest wild-ass ride from SHINGEKI since their last most recent effort to offend the brains of boring people. Continue reading
Look, does anybody here really think that I’d deliberately miss out of one of my favorite groups?
Come on! Toricago was part of the reason why I felt like I should try to catch up on the week as opposed to just nod at it and move on with my life. Let’s look at it together! Continue reading
All right, let’s get the first couple of these suckers out of the way. I pre-warn you — I’m not even going to pretend to be contributing meaningful thoughts to any of these posts, just quick observations; the important thing is the music.
So, IVOLVE! It’s been a while, and probably for a good reason, as they were also hewing closer to normal idol fare even in their more interesting options, but they’re part of idol’s enduring it’s-actually-like-half-a-degree-of-separation legacy, and I have a legit soft spot for them. There are two new tracks from them in my Soundcloud feed, and this first one had me thinking Weekender —
Well, it’s upon us, people. What I was shocked to realize is the re-christened KAQRIYOTERROR’s first single (or first official single? I dunno), and first release under the new regime, is out in a week’s time, and that means one thing: An MV that almost nobody else in chikadom would even try to pull off!
Yeah, I’m late to this party, so what. Hiatuses will do that to a person. But on the off chance that you weren’t yet aware that BURST GIRL — who I post in protest because what worth does this world have left in it anymore — made available a pair of previously unreleased tracks a couple of weeks ago, and I’m personally just now catching up and more than happy to drag you along with me:
I can understand why! These tracks are deliciously random by BURST standards, but also at the same time like peak BURST, a neat trick that only the truest masters of we-do-what-we-feel-like can accomplish, and so this is all okay by me. Continue reading
Ah, wyenra, increasingly one of the most interesting legacies in idol. For the uninitiated, picture this: An idol group rises to mid-range prominence over a decent duration together, then does the idol thing and disbands, but immediately rising from that is a cooler, smarter and altogether more earnest self-produced indie project that does what it whats, presumably how it wants, and improves on the whole package. It’s like a fairytale!
That’s the nutshell version of how wyenra came to be, you see. I’ve enjoyed them going back to the very beginning, but in a hit-or-miss way, given that whole “do what they want” thing doesn’t always align with “what Maniac likes” or even “what the virtual persona of Homicidol Maniac likes.” And that’s fine! Artists do not exist to please me. This one from the other day, though? I love it as much as I’ve ever loved anything from wyenra, and there’s no way that I was going to do anything but hold it up and demand that you love it, too. Continue reading
Such philosophical quandaries are not for the faint of heart, nor for the enterprising fancy idol blogger to contemplate too dang hard because these Codomomental previews blink back out of existence just as soon as they appear. We can deal with existential questions later!
For now, this morning brings us a preview track from Yukueshirezutsurezure’s upcoming album of remixes and re-recordings and all that jazz. Which I think I didn’t know about! That’ll happen when you disappear for a couple of weeks. But fun, I’m glad that’s happening. Take a good cue from a good Zenkimi thing. Anyway, your song:
Two hours are fake, yada yada. Continue reading
So Minna no Kodomo-chan are tottering into an uncertain future. This has been a savage year for graduations and disbandments, so it follows that we could toss a few more heartbreaks onto the proverbial woodchipper of our emotions and further dilute a scene that, in what feels like the blink of an eye, went from astonishingly diverse to increasingly monochromatic. Sucks.
But yes, we did lose HAMIDASYSTEM, only to gain a new HAMIDASYSTEM, and I’m going to put it out there that “Kizu no Oto” here is probably exactly the track that I needed to hear this morning:
Once upon a time, C-Style held this almost mythic quality for me. They were “out there” in the sense that you’d see their name associated with all of these events, they were known for slapping their fans after gigs, they had this weird samurai thing going on, etc., but they were also kind of inaccessible in that they were a tough group to find in a music-and-or-video sense. I eventually got all of that sorted out, and they were one of my “performance” favorites — I liked the idea of them and what they did far more than was warranted by the limited musical media I could get to — and I made what felt like good-faith efforts to promote them.
That was a long time ago! Like literal years! Since then, reality and the impositions of life have made ol’ C-Style part of the Post If You Can cohort of idol notables. In other words, if they ain’t releasing, I’m a terrible follower and not posting, and this being well-established chika idol, it usually means maybe two posts a year, at best. But this time, friends? We’re breaking a record since the last one.
That’s right! There’s a new single (out when? who knows!), and that begets a new MV, and this is Monday and it’ll put you in a good mood, so watch it: Continue reading
Holy smokes, you guys, remember when literally a year ago I frantically posted about this new thing called Poison Rat? I enjoyed that a good bit, they got some good play, I wound up making a draft for a thing of theirs that I wound up not actually doing because I was on vacation, fun times had by many. In continuing to prove that Nagoya has arguably the most intense(ly loud) chika scene, while Poison Rat hasn’t been the most prolific project on the planet, they do have video for us, and it’s an excellent trip into what they do and how they do it: