Malcolm Mask McLaren Makes Multiple Magnificent Moves

Go ahead, tell me all about how much you missed the alliterative wonders that are Malcolm Mask McLaren, who are perpetually too good to not get talked about more but also don’t do enough stuff to warrant talking too much about say la vee. When we last saw our intrepid formerly masked punk rock idols, they were doing legitimately great work and also preparing to say goodbye to the last two of their original members, which … well, they made my list of saddest departures, but nobody else’s apparently. Since then, it’s been the two newbies added last year setting out as their own version of the dynamic duo that Ai and Mone had kept up for a while, keeping the coals burning for another big move.

Hence today, what better way to signal your next steps than in video form? It’s not a new thing, but from their months-old second album My Life, My Way, but obviously a slightly different version for reasons that will become clear in a few seconds:


Hey, who’s that!

I’m sorry, since when does easycore go all-in on a breakdown? That was something else. Hell, with those percussion and keyboard moves, I thought maybe I’d run into a PassCode rendition for a second. I really like this song you guys! Dare I say that this might be the best song that they’ve ever put out? I didn’t pick up My Life, My Way because I bought very little idol music this year, period, but I can say with confidence that I’m having a tough time finding anything from prior releases that would compete with it.

Whew. Anyway, yes, there’s now a third member to round out the group, bringing them back to a trio that has no members in common with any of the previous trio lineups:

Welcome to the club, Shino, and maybe being new will let you be the one to ask the impertinent question: Why are we still called Malcolm Mask McLaren if we don’t wear masks at all anymore?

Do Maison book girls Dream Of Electric Sheep?

It’s just like me to offer to write a quick-take on a topic that really has a lot more going on than just a simplified quick-take!

The MV for Maison book girl‘s recent album’s closing track “Yumea” (Dream) entered public consciousness over the weekend, and it’s a beautiful piece of visual art. If you watched it on a pure surface level with no backstory about it’s intent, it’s still a gorgeous experience in the arena of sound and vision. I’m thinking it’s reasonably safe that the highly loyal Bukuga fans out there have already seen it, but I recommend a rewatch anyway, and if you haven’t, please take a moment. There won’t be a quiz or anything, but it’s important to understand what we’re discussing, and also, it’s a great song and you just really should…

The opening scenes are a questionnaire session leading into a sleep test in a medical facility. It’s then followed with a series of dreamy visuals of girls in headphones looking all introspective. Okay fine, so girls in headphones looking introspective on bus rides isn’t terribly groundbreaking, I’ll cede you that point, but those surreal images that pulsate in time with the odd flickering sound in the song, what’s that about? Well, the end of the video is kind enough to help explain that, and that’s where one realizes the true beauty of this MV. Continue reading

KTA, NSFW, DGAF

It’s finally here, friends. Yes, I refer to the MV to promote the Identity Crisis EP from Kaqriyo Terror Architect, a record that was released in October and somehow feels like it’s still trying to earn the respect it deserves. The title of this post refers to a message that Papermaiden sent to the Team in the wee hours, in which it was suggested that perhaps one view this production not at work, for which it may be neither suitable nor safe, a qualifier that could be extended to public transit, school, where baby Jesus can see and judge you, etc. It also refers to lyrics! So keep this context in mind for a second, as you’re no doubt itching to press play and finally get to dig in.

But don’t let the various stuffs distract you too much, as you should focus on the song, because it’s a pretty good song!


Raise your hand when you see it!

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Them’s Fightin’ Idols: Meet SKIRMISH

2018 has been a banner year for idol debuts, at least in the chika scene and among those whose sound could best be described as “rock-inspired.” At one point near the end of the spring debut season, it was like new units doing cool things were falling out of the trees. I could not have approved more. The only problem, especially now as the year draws to a close and especially as the Homicidols Best Of 2018 timeline shuts the door literally tomorrow, is that I’m terrified of missing out of somebody who warrants real-deal attention.

Take for example SKIRMISH, who are the entire point of this post! They debuted less than a month ago and are already responsible for one of my favorite tracks of the last couple of months: Continue reading

Schools Old and New Having Themselves a Nice Collaboration

Good gods, this song:

So that’s Atarashii Gakkou no Leaders — Leaders of the New School — “dancing” for URBANGARDE’s latest, which just so happens to be coinciding with their announced transition to the “Shoujo Era” (the kind of thing that comes up when you’re in a group chat with officially all-over-the-place Japanese music hobbyists!) (this also makes so much sense in context!). It’s not URBANGARDE’s first mix-up with idols that we’ve even covered here in the venerable HTML margins of Homicidols Dot Com, nor is it the first pass at Leaders, though it’s obnoxiously removed from previous connections with them because they used to be region-blocked to death.

Anyway, that’s a wild-ass song! Depending on your tastes, possibly the best (or at least most interesting) idol-related collaboration this year. Certainly memorable! I feel like Suzuka (leader of Leaders!) needs to have her face cast in pliable bronze or something, the better that those expressions are preserved for posterity.

This Is a Good Opportunity to Get into Re:LAYz

No! I’m a living and breathing “Life comes at your fast” meme now. Though I’ll give myself a little bit of credit: I was vaguely aware that something Re:LAYz-related was afoot! Man, I miss being able to blithely cruise through Twitter like in the good ol’ days.

Anyway! Let’s get down to business, which is now officially a week late and so doesn’t qualify as “news” except in the most oblique of John Oliver-esque senses, which is to say not at all! Except that, like, records indicate that this unit has never been Homicidoled before! Continue reading

NO MARK’s Closing the Year Strong

This is one of those things that I mentioned in the Weekender, a too-good-for-passing-mention from earlier in the week that I nonetheless didn’t get a chance to do anything with because fml anymore, yet here we are with a dreary Saturday and me sans other obligations for a hot minute. New post! And it’s about NO MARK!

Who, if you’ll recall, are fun and good, so this note about their releasing an album soon is worth getting hype over:

But all the more so because it comes complete with its own promo MV! Continue reading

You’ll Melt More! Never Gives Up!

I love a lot of things about You’ll Melt More!, and one of those things is their sheer prolificness. While other groups take months to release a single with two songs on it, YLMM! release singles and EPs like a 24-hour factory of goodness, hardly even slowing down to catch a breath. But what’s important to mention here, is that this continuing flow of output is consistently high-quality and always a sure-fire crowd pleaser.

And then there’s the music videos! The group has gone through the effort to make MVs for practically every song on their recent EP releases. I like the way they’ll produce a couple of videos that show off a somewhat considerable (but still fairly modest) budget, and then knock out some quick ones with hardly any money spent at all, relying strictly on lo-fi charm and hooks to get the point across. The videos often present themselves as labors of love by a group of girls who are clearly enjoying what they do, and that’s far more valuable than a lavish budget shot at some fancy location.

So right now we’re basking in the hangover left behind after the rollicking fun of “Never Give Up Drunk Monkeys” with a follow-up video for their song “Dahlia”. The song itself is a nice, upbeat number giving off a positive glow, accompanied by a kinda dark, but also kinda hopeful MV with idol-zombies, existential late-night wandering, gardening, and Younapi behind the wheel of an early model Ford T-Bird: Continue reading

Oh Dang, the Latest Batten Show Jo Tai Rocks

Batten Show Jo Tai! But-Show! Man, have I missed these girls. I mean, I’d have never really picked up on them at all if it weren’t for commenters being all, hey, you need to listen to Batten Show Jo Tai! And that’s fine; I am a reactor to and finder of things, neither the source nor the reliquary of the same. And as such, it’s perfectly reasonable that I might be able to go a very long time without hearing or seeing a thing and thereby temporarily forget about that thing, only to trip over it while fumbling in the dark (aka, YouTube) and get to have a moment like Batten Show Jo Tai!

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Nothing’s Ever Normal or Easy with Banamon

If I could compare THE BANANA MONKEYS to anything at all, it wouldn’t be a banana, nor a monkey. It would be a bottle of Diet Coke. A bottle of Diet Coke that some jackass decided to do the Mentos prank with, then also shook it a few times just to make absolutely sure it would explode in just the right way, once opened. Because, much like a shaken-up Mentos-implanted bottle of Diet Coke, the person/s responsible for THE BANANA MONKEYS is likely a huge jackass. Also, when THE BANANA MONKEYS open up with some news, a whole damn bottle’s worth of eye-raising mess just comes exploding and pouring out and it feels like its never going to stop, until, in the end, we’re left with just a big uncomfortable mess that’s going to be a pain to clean up.

So, first things first. As mentioned in the last Weekender, Karin has decided to jump ship, citing that the general insanity that comes with being a Banana Monkey was just too much for her to deal with. But wait! There’s more!

So, remember that time when newbie Miru left for unexplained reasons, only it turned out she was a “licensed chiropractor”? This is basically a more minor repeat. Minmin (who lasted far longer than Miru ever did) suddenly stopped showing up to events, eventually announcing her withdrawal effective immediately. She claimed it was due to studying getting in the way of idoling, but apparently, it was because she was a cabaret worker? Unlike Miru, whose profile was right there, I couldn’t find anything about it other than the news article talking about the next thing, so let’s just take that one at face value.

So, now Banamon are now three members down, will they keep going as a duo? Of course not, what if they jump ship due to secret side-jobs too? They’re holding a quickie audition! Continue reading