As if to double down on the blasts from the past today, a little twinkle caught my eye on Twitter, and within a few clicks I had something that I absolutely had to share with you all, but … wait a second, I know this group, and … once upon a time actually wrote them up. How interesting! That’s right — we did like Li-V-RAVE (Twitter) back multiple years ago now. What happened?
Really, I don’t know, and if you do please tell me. Did anything happen? There’s like this massive gap in their media. I don’t like when singles like this get released and I don’t know about them:
Well if this particular conceit didn’t run right into a particular failure on ol’ Maniac’s part … see, despite nothing on your computer screen being a real thing that you can hold in your hand, and basically everything on the Internet only “existing” in the sense that there is energy stored in a device somewhere and that energy is organized in a particular way that other devices know how to render into things that you might recognize (but, again, can’t touch), this exact post that I’m typing in right has existed since autumn 2019, when I first put down a draft placeholder for a BOY MEETS HARU post. Interesting project! Cool times. But I didn’t get back to it, things happened with the group (near as I can tell, during my personal hiatus), and here we are, five days since BOY MEETS HARU “debuted” again, so … let’s discover these idols! Continue reading
Well this is embarrassing. You see, the other day, I’m doing my idol homework and doop-dee-doop, hey look a POPPiNG EMO thing, let’s do something with it! From which descended a few quickie takes that happen when I’m scouting but don’t intend to write a thing yet, which is to say that I was mostly just skipping through isolated 2-3 second clips of the video to make a snap decision about what to do with it. And friends, let me tell you, every one of those takes was the wrong take.
The dominant one was “oh hey what the heck POPPiNG EMO,” more cogently expressed as “this is not what I expected from POPPiNG EMO and a song called ‘NIGHTMARE’.” Which is dumb. So here: Continue reading
Please take a few moments today, friends, to feast your eyes and ears on the below, if for no greater reason than it will make me happy to think that you did so. As it often feels being one of the few gaijin wota to genuinely dig on Payrin’s — I was the only member of Team to put their exceptional Vinculum album on my personal Best Of short list, like — it’s like revealing a pure, perfect secret every time they deign to add to their limited multimedia collection, an inexplicable phenomenon as all actual Payrin’s releases are a true pleasure to experience, and I want to make sure to share that least a few other people get converted on this release. It’s really great!
I got to tease it in the Weekender; now we get to hear the latest from idorock uber-veterans Candy GO!GO!. Any and all commentary saved for after the:
I learned an important thing about NELN this morning: The reason they’ve been so prolific since their debut back in the spring has been because they debuted with the intention of releasing a new MV every month for their first 12 months of existence. That really puts it all in context! And explains that here we are, on the final day of November, and yet another NELN MV has arrived. It may not be the rip-roaringest thing they’ve ever done, but it is a lovely little bit of idorock with a clever MV and you know what? You should just be doing this yourself:
So yesterday, to coincide with the release of their Propaganda to PROPAGANDA fan-voted best-of album, BiS dropped a new MV (for the lone original cut on the record, IIRC). How exciting! Given the track record of the group since being re-rebooted sans any formal relationship to its past save for name, logo and producer, it deservedly warranted some real buzz and a lot of eager clicks. Maybe we didn’t quite get what we expected, and I’ll come right out and say that I didn’t even understand (at first) what I did get, but it’s very nice and you should spend some time with it if you haven’t already, including a repeat view or two if you know what’s good for you:
Of all the happy announcements to see on a Friday, very few can get me as insta-hype on the inside as seeing that my girl Mai is releasing a new record in due time, and of course has an MV for it, and of course it’s big-time vampire-ass symphonic metal and I don’t even care if there are other distinctions to be drawn here, this is as close to the music that seduced me to the Japanese dark side in the first place as it gets, I need regular doses and they better be potent:
The EP is out on Dec. 2. It’s apparently the second in a trilogy, which suddenly contextualizes Daemon adding a particular item of Mai’s that I’d never heard of before to our Best Of tracker!* But yeah, hold on to your butts.
* Hell on Earth, which was released in the spring — I’m listening to it now to catch up!
“Awesome, new BURST GIRL MV!” went the general refrain through Team chat on Wednesday. Yours truly didn’t have the time or mental space or general wherewithal to do anything with that, not then, but I did know: a) BURST GIRL! and b) I was going to want to do something with it, and even went so far as to make sure that nobody else was working on a piece. And, finally, the day winding down, I tracked down the link and figured I’d give it a spin while I finished up some work.
If I tell you that I promptly got annoyed because stupid YouTube played something else from my queue and not the awesome throat-stomping BURST GIRL song that it was supposed to play, how much of my ass am I showing you?
Man, there’s a lot of stuff happening suddenly! I hope we get a chance to address at least most of it!
But cutting right to the chase, look ^ at that headline, get the picture, and then prepare yourself for our first true return visit to EIMIE in more than a year. I feel like we should all have more love for this wonderfully rocking unit, who (the occasion for this post) finally got around to releasing another MV from an EP that they … released all the way back in the spring? Sure, why not. It’s 2020, people. But anyway this bangs and you should play it for every person you both like and dislike in equal measure:
What can you even realistically add to that? It’s awesome hard idol rock (or some suitable combination of those three words), borders appropriately on perfectly acceptable -core kinds of stuff, weaves the idol vocals in perfectly, has a killer hook … that’s a really good job, EIMIE!