I love the mood that Best Of season puts me in — everything has just a little bit more shine to it because it’s all a contender months and months from now, when if it really holds up it’ll be seriously special, and if it doesn’t, well, it’s probably because either it never really deserved it, or it’s still special to me and damn you all for not liking it as much as me.
So here we are then a little while post the re-emergence of ex-969er Chirimen and the revelation that her solo career is imminent, with flair. In fact, there are a couple of examples and I was just sleeping on the first one because, you see, things are kind of busy around the Homicidols Dot Com offices these days. But! She dropped this one this morning, and with it I found more:
And this one is actually from last week, oops:
I like the first one more
Her first “self-destruction” is still a few weeks off, but Chirimen’s shaping things nicely to formally launch her solo career with nice momentum and a solid body of work. Really well and truly good for her — and maybe we’ll be adding her debut as a 2020 Best Of next year!
I won’t get into how this MV landing yesterday set off a wild few minutes of me only half-remembering any of the details related to LADYBABY’s upcoming dismantling except to say that it’s funny in retrospect, but also, man, their end-of-life period caught up to us pretty quickly, didn’t it? We still have a month and change until the final live and farewell re-recording album, but yeah, it’s time to start to wind things down. And what an oddly appropriate song to do it with!
If this is the last thing we ever get from Ladybaby*, isn’t it interesting how it’s the least Ladybaby thing they’ve ever done and the most conventionally idol? I kept waiting for something — anything — more in tune with how the group has all but always functioned, and ne’er was there a whiff of a growl or chant or anything. This is not to say that it’s LADYBABY going out with a whimper or anything (it’s a very nice song), just that it was not the foot forward that I expected at this point.
There’s almost no way this is the very last thing from them, though, and I expect that we’ll be treated to one more true-to-form LADYBABY video that more clearly explicates the content of that farewell record, and leaves a more conventional aftertaste.
One of my greatest regrets from the past year has been the effective abandonment of the Oshi Digest and the regular celebration of our latest Official Oshi, Saki of 2&, whose final showdown with Necroma’s Himari during Queen of the Scene last year ended in a tie. The reason that most of you don’t know that is: I never published the final post, because the 2018 QOTS was the swan song of Maniac doing Homicidols the way he always had and wishes he always could. Alas.
But yes, technically Saki is still our official Oshi, so imagine my delight in seeing that she was up to some sharable things lately, and then getting that outcome to pay off yesterday, when she released her new single and this MV to go with it:
Krv used to provide some truly great insights into Saki and the progression of 2& since she left Daichi and connected with new management. Plus: She made it to the West! Minus: I guess it depends on where you, as an older or newer fan or just benign passerby, fall re: Saki’s music now vs. her earlier work, and if you’re a “2&” person or a “DOUBLE AND” person, and things like that. I personally enjoyed the track and am effectively overjoyed that we have 2& in our lives for the foreseeable future. 2& Day is only a couple of months away now!
I was almost all the way out the door yesterday when Team began to rapidly hoot and holler their enthusiasm for a new thing from HAMIDASYSTEM, who it will not surprise you to learn will be appearing in the Homicidols Best of 2019 voting. Seeing as how I was on my way out the door, no man, no matter how much I love this impossible little art project, I wasn’t going to stop. There was pie at stake! And sweet potatoes and the like!
But now that it’s just me and the aftermath of my gluttony to deal with, I can take the time to appreciate what it was that folks were so smitten by, and–
It pleases me to be joining the Team Homicidols ELECTRIC HEARTS Hype Train, a mere couple of months since the last time one of us got all doe-eyed about the gnarliest set of punk rock idols out of Osaka since the last most exciting thing to come out of that city’s incomparable scene, which honestly was probably at some point in the past half-year, that’s how it goes, except when Nagoya vomits out another killer project that goes all CRUSH KILL DESTROY on my heart. And I have to say that I’m glad that Chris and Brian brought them to our attention, because this is basically chika idol perfection and if I’m going to have to face the loss of both Zekkyou and BILLIE IDLE in the same year, then by the gods I do demand that the universe give us back more legit punk idols in return.
Anyway! It’s Thanksgiving and I got things to do. Enjoy!
“Beautiful Thunder” indeed; I’m pretty sure that guitar solo gets people pregnant
Have a great day today. And if Thanksgiving isn’t your thing or you live in a civilized country that is simply going about its business today, eat an oversized meal and then get in an argument with somebody you ostensibly love. It’s tradition.
A thousand curses upon the idols who waited until the doors were inching closed on 2019 to start dropping the kinds of absolute bombs that we’d largely been missing from their musical landscape this year — which can be forgiven, as the Idol Membership Massacre of 2019 will go down as one of the scene’s most infamous runs — but I at least have felt like we really needed.
And so it is that, with a week to go before we stop giving out eligibility for our Best Of awards, along comes Gu-Gu LULU with their third single and frankly their best song to date dropped along with this fun little video:
BEYOOOOONDS (with five “O”s in their name”) continue to kill it with another blast of pop goodness! For me personally, this is a group that has single-handedly injected a massive fire back into HELLO! Project with their personalities, enthusiastic spirit, and just plain incredibly fun music. Their mega-workout themed update on a 400 year-old classical piece-turned gay-rights anthem-turned football stadium rocker was a humongous winner in it’s own right, and now they’ve unleashed “HOT!”, a full-on banger of a rock tune that’s a new epic for the masses.
Now if you’re somebody who’s gotten into idol through the whole Babymetal/rock idol/or this so-called “alt” thing, you might be thinking “Man, I don’t care about this H!P stuff.” and I’m here to tell you, this is the one to get on board with. No really, turn up your volume and hit that play button….
Good lord, is it Wednesday? It was Saturday morning, like, three minutes ago. What the hell happened? Oh right — friends, if you ever get the occasion to have a job that involves board meetings, do something else instead.
So this thing that I wanted to post about on, like, Monday at the absolute latest! Yes, that’s right, POPPING EMO, one of the I-kid-you-not best-sounding things in chika idol who’ve managed to only get a single post to ever mention them directly, have been on my broken radar more lately and, boom, with an excellent payoff — they’re releasing their next album (their third!) in a couple of weeks:
That’s a criminally short clip, but you get the idea — POPPING EMO’s got good things going on there. But that’s not all! Continue reading
Well, better late than never, I guess, but Malcolm Mask McLaren dropped this sucker more than a week ago now, and I’m just now getting around to it and I apologize, I really do, but trust me it’s worth the wait unless you’re ahead of me and scoffing, which is your right, but also shut up, let’s enjoy this together.
What was dropped? The official audio (in pieces) and what I presume to be MV clips (also pieces!) of the upcoming … actually, I’m not sure what you’d call this, and if it even has a title. The YouTube description calls it an EP, but it’s just the two songs and ah hell why do I bother. Two songs, effectively a digest, for a release that I don’t completely understand but seems to be coming on the 20th.
Anyway, because this is two things making one thing, but the one thing is all we have for now and this presumably will end as one thing made out of two things, and yet here we are in the present with the one thing being more like two things glued together for the sake of expedience, let’s treat the two songs as separate entities and talk about them like they don’t know each other even though they’re next to each other!
Once upon a time, I made an editorial decision that this site wouldn’t cover solo idols. The reasoning behind it, while not necessarily sound, did actually have a sensible motivation: I actually used to think that I needed to put definite rails around what was and wasn’t idol in addition to the poorly defined musical boundaries, and I considered solo artists as being too much in a grey area. But then Hanako-san and PSYBOU KANOJO broke that down, and past my own pretenses I could see plenty of unsung solo artists (mikicco, Ophelia 20mg, fucking Lein) doing cool and interesting work and idoling at the same time.
That’s a very long way of saying that I still sometimes get surprised by how much I like certain solo idols even though all logic says that I shouldn’t. And with plenty of solo idols coming out of fairly well-known groups as their relative point of origin, it only stands to reason that good would beget good, etc.
Which is a slightly less long way of saying that Chirimen, formerly of long-term Homicidols Dot Com not-secret crush 969, has in fact made good on that solid background and her own talents to strike out as a solo performer, and this is her first piece and I’m very excited about this: Continue reading