Osaka Shunkashuto Can Definitely Still Deliver a Rock Song

Well, maybe it’s going to be 2016 Week here at Homicidols Dot Com, what with the C-Style yesterday and today the reappearance of an old favorite that I’d all but given up on. Of course I’m talking about Osaka Shunkashuto!

What I’m about to show you is shocking. On the one hand, it’s by-the-gods Osaka Shunkashuto doing their bread and butter, a by-the-gods rock song with a delicious hook; on the other hand, it’s … well, it’s the theme song for an anime called FAIRY TAIL, aka SSFW’s new single, which is itself actually called “NO-LIMIT”:

There are also versions with subs in English and Chinese; also go listen to the whole thing

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Come Listen to C-Style

There’s this subset of idol groups that I don’t so much follow as I do try to maintain a general awareness of, and at that almost entirely just because of deep-set personal loyalties going back to when I was first digging in. Some of them are fairly active; some of them are only active in the sense that they haven’t been officially disbanded yet. And then there are the groups that are actually extremely active but are idols in the very traditional sense, not musically or behaviorally, but in the sense that their activities are localized and/or community-focused, such that putting out records is less the point than being at lots of events and doing tons of gigs and slapping their fans in the face.

Yes, of course then I refer to C-Style! These gumby-spined veterans of the loudol scene are always a joy to come across in so far as a person who isn’t at their many gigs truly can come across them. Every so often, sometimes to promote a release and sometimes just because they had the money and felt like it, they release some video that makes their discography a little bit more accessible, and it’s usually a pretty good time. That’s what they did the other day, and I’m happy to get a chance to share it:

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The More Tsurezure Things Change, the More Things Tsurezure the Same

When the Idol Known in English as Not Secured, Loose Ends But Still at Home as Yukueshirezutsurezure Yeah I Can Still Type It teased out a noontime Sunday something yesterday, one could have been forgiven for thinking the worst. In a year’s time, two of the group’s most stalwart members had departed, a ton of previous momentum lost, and while fans have embraced the new order no matter how bitter their tears, I think disappointment is something that we’ve just come to expect from this powerfully underrated outfit.

And instead, thank heavens, it was the MV for their latest “Odd eye” single and not only is that a huge relief, but what a showing out of the new lineup:

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A Year This Chaotic Deserves a Corenament Final This Unexpected

Well dang, you guys. Tell me if you saw this coming: Minna no Kodomo-chan not only making a return to the Corenament final, but absolute dismantling every opponent foolish enough to step into their path along the way; opposite them, the little weirdo that could, a giantslayer if ever there was one in this event, former dog bite victim and Homicidols Dot Com interview subject YONEKO. I usually have a low-key private rooting interest when we do these things (and am often disappoint!), but this time I find myself in the position of an over-proud parent. Hell, I’ve been that way through the entire Final Four!

This one’s for all the marbles*, gang. A culmination of victories large and small can only be a perfect synthesis. New-school loud idols against an established performer doing new things, the defending champs against a sentimental upstart. It’s poetry, I tell you. Now let’s settle it for good and all: Continue reading

The Corenament Final Four Has Arrived. Hold on to Your Butts.

Well, team, we made it. As promised, today begins the Final Four, and what a final four it is — favorites and underdogs and dark horses and other metaphors all meeting to decide who this year’s Corenament champion will be. And we haven’t even had any fanfic yet! Amazing. We truly do live in wild times.

The bracket, as it now stands:

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Get Your Prog On, Says xoxo EXTREME

Pretty sure that I’ve used a version of this title before, so sue me

Man, the first part of this week was absolutely exhausting. Did you know that we set a record, not just for Homicidols Dot Com, but I’m going to go ahead and claim for any Western J-music-oriented bloggy site, period? Yep: In about 12 hours, we issued 10 unique posts, and legitimately only a handful of that was planned April Fools stuff; the rest was because of either awesome pranks that needed to be called out, or just plain awesome stuff that needed to be shared. And we still didn’t get all of it! It was most of the stuff for Tuesday too! Wild as hell. I feel like I’m still digging out.

After all of that, you need a re-charge, and what better serendipity than to connect with something I got a little excited about recently, which is here rendered in all of xoxo EXTREME’s unique live goodness:

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Welcome Back, PassCode

From digest to short-version MVs, PassCode’s pulling out the usually promotional rotation for the CLARITY album, which is yes now completely out on all platforms, so stop wasting time and start jamming this stuff into your brain via olfactory orifices:

If this is what passes for a “short version” anymore, what’s even the point of shortening?

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Everything Is Right in GANG PARADE’s Latest, Which Is Like an April Fools’ Day Prank Unto Itself

I really didn’t want to bury the lede here, though the lede in any other context would have been “dang, who the hell crossed things up and gave that BiS material to GANG PARADE” and kind of sort of a joke that way, too, but in more of a funny one as opposed to feeling more than a little bit punked by this.

What is it? A dang masterpiece, that’s what:

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In All Seriousness, Here’s Marionet’s First MV

All right, I think we got that out of our systems. We really sweated it down! Other fitness allusion! Did it work for you? I enjoyed it.

And on that note, let’s get back to serious business! Business that in reality I’m pretty late on, and almost missed until Andrew reminded me, and even then didn’t have the wherewithal to watch completely until Team was neck-deep in putting the finishing touches on this year’s big gag, so unfortunately the first real big visual presentation by Marionet is going to get some short shrift. It’s good short shrift though!

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It May Be a Gag, But It Could Also Be My New Favorite Oyaholo Song

April Fool’s Day falls somewhere on the idol holiday ranking spectrum between Halloween and Twin Tails Day, though an argument could be made that more energy and creatively goes into getting a rise out of fans with excellently crafted jokes and spit-takes than into the rest of idol’s annual cycles combined. And as it should be! We here at Homicidols Dot Com clearly enjoy having fun with (and often making fun of) idols and the self-serious loutishness that all too often adheres itself to the scene.

That said, nothing says loving quite like idols embracing the spirit of the day and going all-out in the pursuit of laughs, even at their own expense. And nothing does that better than Oyasumi Hologram absolutely knocking this out of the park:

What’s funny (not in the way that they intend, or maybe!) is that this nods directly at the stripped-down, lilting ethereal work that’s Oyaholo’s calling card at even their rockin’est, but folks who know are well aware of their collaborations with VMO and how frighteningly well August-chan and Kanamil work in a black metal kind of framework. So it’s like a double piss take!

I love this so much, I wish I could frame it.