Let us clear ourselves, emotionally and spiritually, after the horrific purge that was yesterday; those who’ve taken to referring to it as Black Monday certainly have the right of it.
Good thing for us that there are still plenty of idols out there, many of whom do good and cool things that are worthy of being held up as whatever you need to recover, even for a bit. For instance, what of last year’s Corenament winner, Minna no Kodomo-chan, who managed to make a ton of Best Of 2018 noise without taking home any awards? Honoka and Cinnamon are still kicking out there, and they’re still the front of loud and chaotic music, and their performances are still, well, kind of inexplicable:
Fully recognizing that the back panels make choreography even on a big, open stage a challenge, can you imagine trying to do much more than what they already do on a space that large, with a band around to boot? Hence it really is all about the sound — well, the sound and the inexplicable image of those two girls with those things on their backs kind of turning and twirling and tilting and stuff — and letting their one-of-a-kind music win out when you need it.
We took some hits yesterday, friends. Old favorites are gone, and there’s chaos surrounding what we once felt so certain about. As you can see, there are in fact ways left to us to move on.
While we await the announcement of whether or not our living rooms will be blessed by the presence of Honoka, Cinnamon and their hyper math-punk and doom metal drops, the objectives of their second crowdfunding campaign have now been announced.
This time, if they meet their goal, Everyone’s Children will release one new song per month for five months starting in April 2018. Then, after the release of the fifth song in August, they will embark on a nation-wide tour (“Japan” being the nation; since Oyasumi Hologram crowdfunded their U.S. tour, I guess we need to be specific).Continue reading →
Just last night, I was getting a meal with a younger friend, and the barely audible radio took up a familiar melody. I needed a second to place it, but only a second, and was soon bouncing along and enthusiastically adding my own “Mmmbop, ba duba dop” along with the iconic tween band. The response was an eyeroll, which led to a discussion in which I copped to always loving the crap out of stupid Hanson despite “being a proper young edgelord and always pretending like I was too cool for that.” This in turn spawned a conversation about what constitutes and edgelord, and at what age it officially becomes not okay to pose as one, and whether edgelords or scene kids or hipsters are worse, and anyway this anecdote is taking on a life of its own.
The point is, what I wanted to drive home to my friend is that edgelords, for good or ill, can easily be spotted by their complete and utter refusal to operate under any speed other than full, and their expectation that others do the same. It can, frankly, be refreshingly honest and committed behavior, with candid dialogue between trusted peers provided means by which we grow and change as necessary. It can also be completely obnoxious!
Now, see: title, and come back to me and ask aloud whether you think that I’m attempting to call out Minna no Kodomo-chan, winners of the Corenament and big 2018 breakouts. Go ahead! I don’t bite. Okay, great question, and no, not really. The principle, I think, does apply, because while I could not possibly be more excited about a new single coming out in less time than it’s going to take me to overreact to the news, let’s regard the whole thing and then see where it takes us. Continue reading →
This started off as a Weekender thing until I had that sudden sinking feeling that I hadn’t brought up 2018 Corenament champion and all-around great pair of people Minna no Kodomo-chan, and even then it was just going to be a throwaway post until — gasp! — I went back to read up on what the real hook should be and remembered that not only had Everybody’s Children promised to go full-idols-plus-band-entity, but that this might be the first time that was put to video, like, officially.
In overall context, that’s a big deal! I certainly thought so, a take apparently so hot that it’s still burning its way toward the earth’s molten core (where it belongs). Which is profoundly stupid, because a) everybody likes when idols play with bands and b) there’s nothing about the permanent inclusion of live musicians on a stage or in the studio that in any way obscures the experience of idols doing idol things, and certainly not so for the audience, and c) if you’re ostensibly a music fan, having more music in a performance is probably a good thing.
Like, this is important, you guys. You ask for takes, you get takes, and you know that my takes are never short takes and often are in fact quite long takes that the more cynical among us could construe as attempts to pad out the post length and insert extra keywords and stuff. HOW DARE YOU.
But the point is, as the title suggests, that Corenament winners and all-around solid kids doing dangerous music Minna no Kodomo-chan are no longer simply going to be an idol duo, but an idol duo fronting a band:
All right, let’s not do that time-wasting thing when it comes to reviews anymore; when new stuff, especially new stuff from particular featured idols and honorary community favorites of Homicidols.com. Minna no Kodomo-chan gave us Kabe no Nai Sekai (A World Without Walls) to listen to, to embrace, to punish ourselves for sins more imagined than real by driving kawaiicore grotesqueries directly into our dreams. If all we ever had to go on was the other day’s MV, one might think that this is a one-way trip to video game hell, but we also know that Everybody’s Children can get down in lots of different, weird, wonderfully loud ways. What would their first album deliver on?
Good lord, what a thing to step into first thing on a Wednesday.
Minna no Kodomo-chan, winners of the Corenament, owners of some of my very favorite idol-related music to date, a teen chika power duo if there ever was one, an entity that manages to loom immensely despite the cumulative height of its members being about 8′ (it’s the backboards, I’m sure), have an album that’s out today. You have no doubt endured my barely contained hype, as I have been all kinds of excited since the day that it was announced, and I was practically giddy yesterday when they made it clear that an MV was going to happen this morning.
Friends, did it ever:
If you’re wondering why it took me well over an hour to get this out, it’s because I wasn’t in a place to heart react immediately, and I just spent most of that time struggling to get to where I needed to be to finish this post. And, sometimes, time is gift — you can think things through and mull them over and force-listen to a piece a few more times. What a gift, man. Continue reading →
Underdog Corenament victors Minna no Kodomo-chan seem hell-bent on becoming more than just another cool project littering the Shibuya scene. Their first full-length album, World Without Walls (Kabe no nai sekai), is coming in May. There’s nothing to hold on to just yet, but oh man, the cover art alone is filling me with dreadticipation:
Thousands of idol fans crowd the streets, chanting MIX to nothing in particular, jubilant in having taken part in such a spectacle as the 2018 Homicidols Corenament final
LOCAL NEWSCASTER: As you can see, it’s absolute pandemonium here outside the Alamodome. People are still having a hard time believing that Minna no Kodomo-chan did what should have been impossible in riding the Loser’s Bracket all the way to back-to-back thrashings of trendy pick Kaqriyo Terror Architect. It’s quite a sight!
VIZ MAJOR stumbles by, DRUNK, waving a CUSTOMIZED PEN BY CFH COSPLAY
VIZ MAJOR: I TOLD YOU PEOPLE! I TOLD YOU! NUMBER ONE!
INT. ALAMODOME – COURT – CONTINUOUS
Fans, staff and parents are gathered around HONO, CINNAMON and PRODUCER-SAN, and surrounding all of them are REPORTERS and PHOTOGRAPHERS. Producer-san is wearing a BASKETBALL NET around his neck
PRODUCER-SAN: The important thing was that we never said never. We believed in ourselves and refused to quit. We never said die out there, and we worked together as a team, and we definitely made sure that we did it for the fans, because our fans are the best fans in the world.