Yukueshirezutsurezure, may all of the gods bless you. You knew that we needed some satisfaction after finally announcing your long-delayed fourth single, and that we might like to hear the as-yet-unrevealed fourth member, so you only made us wait until the most inconvenient time of the week for people west of the Urals. Good thing for me, possibly you and definitely posterity that I managed to pay attention with two minutes to spare in the ol’ traditional two-hour window:
Once upon a time, when I’d scour YouTube for just about anything idol+metal-related, I stumbled across a significantly strange MV. The song was like something out of a Tim Burton film, and the visuals were like the same, only live-action and with a double dose of PG-13 eroticism. It was Lyric Holic (or Lyric Holic Revue, if you want to be a jerk about it). Eventually, they’d release one of the most incredibly loud songs with one of the lowest-budget MVs one could conceive, and then somehow manage to double down on that several months later. They had some member turnover, as idol will, but in Tama they had a great lead, and they were just always working-working-working.
Thank you to Jul for the note on this one: yandoll, who you may recall struggled to fulfill their CD-selling challenge just last year despite being sort of uniquely good in the yanderu space (also uniquely in the yanderu space), and also are yanderu idols who often practically define what it means to be chika, are nonetheless making a major debut in the summer under Universal:
To do so, three members are getting the axe (or self-delivering the axe, it’s impossible to tell), and auditions for the replacements are beginning promptly. Farewell live forthcoming. Continue reading →
In our return to the world of idols who can and should earn a spot in your hearts, for reasons known only to you because frankly I don’t want to know what the hell is going on in other people’s heads all that much, we have a new track from Attain Music:
Though they’ve been featured in these hallowed pagesa few times over the past long time, poor Attain Music is probably still best known as the former home of one Peri Ubu of BiS. She even took photos with them once backstage, possibly at mistfes, and I’m not going to try to find it now so take it from the most trustworthy Maniac you’ve ever met!
Or, I mean, it would be cool if they could a) continue to rock and b) become a little bit of a big deal, you know? This is a doubly loud and sweet song. I’m not saying it’s great, but friggin’ Machinehead is killing it on metal radio right now with one of the laziest songs I’ve ever heard, and I’ve heard a lot of songs.
Eventually, the full version of this sucker, which may or may not contain a full-on digital harpsichord break (DO IT), will become available, as will a full MV, and then we may judge. In the meantime, please hold Attain Music a little higher in your heart and praise that riff in the beginning of the song, and also the very earnest idols working hard to entertain you.
Color me somewhat surprised — after Rei unceremoniously split and Rie started up on her solo project, I was among those who thought that Ladybaby, of whatever iteration, was as good as dead. Yes, this is idol, and humans are interchangeable parts, and Ladybaby management has been pretty cutthroat about personnel in the past, but still.
So then imagine how hard the coffee shot out of my face when I read this:
I’d go ahead and blame Kerrie here, but the poor child has been so inundated with graduations lately that I don’t want to pile on and, in fact, this is the kind of development that does in fact suck but at least has the right reasons behind it. And we get to see if the greatest conspiracy of all is more true than we ever could have reckoned!
Natalie.mu has the in-depth goods, too. The very short version: With the major label release of “WHOLE LOTTA LOVE” (yes), she realized that she doesn’t need BiS and BiS doesn’t need her, and it’s time to move on. And so, at the tour final (March 4), when Saki and Aya’s trade was set to be reversed anyway, Lui will graduate. Continue reading →
Tanaka-san really has a penchant for the dramatic, doesn’t he? A year ago, 2016 closed with the death of Bellring Girls Heart and announced yet-to-be-detailed future projects for a number of the numbers; as 2017 had its too-well-earned death rattle, of course it was time for the Aqbi family to drop a few more surprises on us.
Last week, Karin announced that she was graduating, basically effective immediately. Fans did weep. Today/tonight, she graduated/s:
PLIC PROCK’s long-awaited farewell one-man for Asumi happened the other day, but it took the media some minutes to work their way out of the Internet woodwork. I didn’t know that the Idols Formerly Known as Parallel Japan could draw so well, but this is a nice crowd:
It’s the vocals! Which .. hey, placeholder synths can do a good job of illustrating what’s up, right?
This of course comes at a tremendously bittersweet time for ol’ PLIC PROCK, with Asumi on her way out the door and exactly what’s next for the group in doubt; the former Parallel Japan’s star-crossed existence getting yet another kick in the junk for no reason other than the universe being a cruel, meaningless place where joy itself has no greater worth than the synapses firing to create it. Continue reading →
Every now and again, it’s worth following up on idols you particularly enjoyed. Sometimes, the hint you get is about as subtle as an explosion; other times, it’s just a little blip on the Twittersphere that says that maybe there’s something worth looking into.
Yesterday, a little bit of us kicked off following Lyric Holic official’s announcement that the group is inexplicably rebooting after dying: