Well, okay, maybe it’s not quite as over-the-top as all that, but I was brought into all of the update-y stuff for this post by a Soundcloud notification, and the first thing I saw from it was the song title and my mind did all of the requisite stuff from there, actual facts on the ground that were to be subsequently discovered be damned.
PIIIIIIIN, who technically can only exist when they have seven members, have yet another new regime of seven members, and to commemorate the latest changeover dropped this new number that, correct, did scare me on their behalf, but just turns out to be a nice homage rather than what the past 16 months in idol have us so conditioned for: Continue reading
It’s been a while since I did one of these — let’s see if I remember the formula.
I mentioned these upcoming solo songs from the … I was going to say “newbies” in Not Secured, Loose Ends, but it is now quite true that nobody is “new” anymore, per se, and that really only Komachi is truly a group veteran, so I say instead members of Not Secured, Loose Ends, which they’ll be employing in their nationwide one-man tour, and which had better include the recently-mysteriously absent Komachi, but that’s a topic for a post we hope to never have to write, so instead let’s listen to one of those songs, which is now available under the terms of what I like to call the Codomomental Special!
Two hours, yes, and that time is already dwindling, but this is Homicidols Dot Com and making archives accessible is something that I like to do, so: Continue reading
You guys, I swear I was minding my own business this morning, and then along comes ol’ Viz Major to ruin things and inadvertently provide the lede:
What the hell was that! I thought he was making up this whole “poetrycore” business too (I can sympathize!) until I bothered with a minute’s worth of homework, but yes, it’s true, and so is the Yuyoyuppe thing, and while the complete lack of individual identities suggests that the lyrics and not-use of the I word in any of their press does suggest that this may not be an idol thing, they’re published on an idol label (for Spotify, at least) and sound idol, so I’m giving them the benefit of the doubt and also me an opportunity to bring this wonderful injection of beautiful pain into your lives. Continue reading
Another one that’s a couple of days old, but worth it, comes to us from UNDER BEASTY and the near-semiannual post about them and their unique spin on idol rock, and their apparent agelessness now to boot because they’re officially passing into Legacy Idol territory at this point and my girl Yua is showing absolutely no signs of slowing down. This one is not from a recent release or even their last release, but apparently one that they wanted to do a lyric video for!
Maybe it’s their roots in being one of the truest indie idol projects to ever that keeps UB so thoroughly rooted in idol as an operating principle — they embraced a previously unconventional musical style, but their whole presentation, right down to the sporadic release schedule, is eminently idol-typical, and while it clearly works for them, it makes me sad to think about how it’s ultimately a constraint (especially because they maintain that they’re VK-oriented). Like, this song is a rocker, up there with their best if you ask me, and I wish that UB had an avenue to get just a little bit bigger. But hey, what they do, they do really damn well, and they don’t seem to be in any kind of hurry to change, so what do I know? Other than that this is a much more interesting way to do a lyric video than the vast major of lyric videos, I mean.
I’ll tell you, if 2019 is remembered as being as bad as it usually feels in real time, I want to be the person who’s all “yeah but did you hear some of the really awesome music that happened anyway AND ESPECIALLY THE NEO JAPONISM THAT SAVED CHRISTMAS?!” After returning to life just over a week ago in what’s rapidly emerging as my favorite event of this otherwise godsforsaken year, NEO JAPONISM has even more jaw-kicking idolcore for us, and friends, I don’t know where they’re going with this, but I’m officially along for the ride:
God damn. God DAMN. I’m not completely sold on marrying that chorus to the verses, but this is the kind of hook to the face that I used to delight in finding back when idol was so new and exciting and nobody had yet invented the word “Codomocore”. FFS, it has a goddamn breakdown in it, albeit one that fits the material more than the occasional wedged-in instances that are often more laughable than laudable.
A week ago, I was loudly demanding that NEO JAPONISM be worked into the Best Of mechanisms and then waving last week’s post in everybody’s face to make sure I was being heard; today, I feel like I’m ready to give them all of the awards (even the ones that don’t pertain!) just so for vindication’s sake. What an absolutely gorgeous return to life they’re giving us.
Everybody’s done the heartbreak thing this year, it seems. Groups and individual idols have dropped like flies, literal icons of the business and the tiniest of unknown chika acts as well closing up shop or undergoing massive changes almost as if they all know something we don’t. I’ve personally had my share of blank-eyed staring into the distance at one bit of news or another, and one that I definitely didn’t make enough hay about when it happened was NEO JAPONISM.
For about a year, they were arguably my favorite thing in the business, this hard-rocking, all-out unit that didn’t pull any punches and seemed to make a mark every time they released something into the world. They were just a really fun group to follow, although harder in a lot of ways to love right because there was so much else going on. But did I miss a chance to lavish praise on them? Absolutely not. And so earlier this year when the ~original~ group disbanded in the kind of mass graduation that has been so typical of 2019, I was kind of floored. Unlike all of the other instances, though, manager-san immediately set the record straight and announced that NEO JAPONISM as a thing wasn’t going anywhere, and there would be a reboot on the near horizon. That gives one hope, which gives one optimism, and when little bits of info started to trickle out, it started to become real.
And that’s where we land now! Here are the members: Continue reading
Hey, here’s a quick post! You guys all dig on buGG, the PIIIIIIIN and Queens little sister group that’s fun as hell, right? Of course you do! So as luck would have it, they had their first anniversary the other day, and to commemorate released a new song:
Lyrics! Continue reading
You know, it’s funny in a way that yesterday boasted significant news from arguably the two most important things in idol to me, and the one that I was most likely to have pre-written off completely won my heart back over while the other — the one that I cling to like the last hope in a disaster — got completely washed out in the excitement. I’m talking about BiSH, obviously, and Babymetal, but in reverse order: If not for catching the download tweets out of the corner of my eye, I’d have had no idea that anything was going on, and if D hadn’t brought up this MV, I’d have completely missed it. And why? Because I was too busy playing the (second half of the) new Babymetal album on repeat and getting those good feelings all over again.
If you know me, and you know BiSH, and you’ve paid any attention to anything I’ve written about them in the past, oh, couple of years, you may be predicting where this is going, but I’ll go ahead and give the lede a little swerve here and say: I like this, I really do, and though the single isn’t out-out until November, it’s going to be a good release.
This will be one of the longest short posts I’ve ever done because it’s just plain chock full of things that I’m not going to try to overly contextualize, so: Hey, remember 143! The cool chika rock group whose name I have entirely too much fun with? They’re still out there not just doing their fun-and-often-good thing, but advancing the way that idols are meant to. It’s good to see!
A new track of theirs popped up in my Soundcloud feed the other day, and I want you all to get the same kick out of it that I did:
You want lyrics? Continue reading
So with time a-wastin’ for the physical release of their latest album (their third) (because you could have been streaming it for weeks!), Toricago went the route of prepping us metaphysically by releasing … well, it’s a lyric video. But rather than the industry-standard I-cranked-this-out-on-my-Mac-in-a-couple-of-hours approach, this one does at least have some style to it, and the song’s lovely in its way and yeah I know that there’s going to be more postable stuff from one of the best things about last year’s class of debuts, and soon, but it’s been too long and also this is at least named for one of my favorite personal years, so: