There’s this subset of idol groups that I don’t so much follow as I do try to maintain a general awareness of, and at that almost entirely just because of deep-set personal loyalties going back to when I was first digging in. Some of them are fairly active; some of them are only active in the sense that they haven’t been officially disbanded yet. And then there are the groups that are actually extremely active but are idols in the very traditional sense, not musically or behaviorally, but in the sense that their activities are localized and/or community-focused, such that putting out records is less the point than being at lots of events and doing tons of gigs and slapping their fans in the face.
Yes, of course then I refer to C-Style! These gumby-spined veterans of the loudol scene are always a joy to come across in so far as a person who isn’t at their many gigs truly can come across them. Every so often, sometimes to promote a release and sometimes just because they had the money and felt like it, they release some video that makes their discography a little bit more accessible, and it’s usually a pretty good time. That’s what they did the other day, and I’m happy to get a chance to share it:
I like to write posts backwards sometimes. Start with the product, then react to it, then try to contextualize and/or frame, depending. Yes, I realize that The Craft of Blogging isn’t what you’re here for — I’m bringing it up, you impatient nerd, because this is a really good example of how sometimes the intro defies you, so all you can do is start typing and … there it is! Thanks for joining me.
I was listening to this one and I felt this weir twinge of “man, can you even imagine what the idol world would be like without NEO JAPONISM in it?” Which was really weird unto itself, given that they’re still kind of new, you know? But it made me realize that this surprisingly hard-charging group has been responsible for a surprisingly large amount of my favorite idol stuff over the past year and change, and that I always appreciate getting more of it but never really seem to express just how much I appreciate it.
So here goes: I could not be happier or more thankful to have this new one from NEO JAPONISM, and by new I mean that they’re just dusting it off for this tour that they’re on!
Hot dang! Continue reading
Hey, it’s only been a few days since Not Secured, Loose Ends treated us to the B-side of their upcoming single “Odd eye”, and today we get the title track because somebody at Codomomental HQ must still be seething over last year’s Corenament upset and aiming to set things right. The only logical explanation, in fact! So like click through, understanding that the official link is only good for slightly less than two hours from the second that this publishes:
But you know that things live forever after the flip! Continue reading
I don’t get a ton of time to casually scroll through Twitter anymore, but when I do, I tend to stumble over some good stuff. It’s good luck, I guess. Usually, following half of all idols makes for a bloated, disjointed mess of a feed, but maybe my eyes got used to it or something. The point is, there I was, doop-dee-doop, minding my own business when … hello, what’s this?
Why, that’s two songs! And right in reply to its own message, there’s BLACK NAZARENE with links to each and lyrics! What’s happening! Continue reading
Misanthropic post-pop nightstalkers Owaranaide, Yoru are very much on the move, gang, and I feel like a group that’s been teasing a ton of potential since their debut last fall in the aftermath of the original Candye Syrup is reaching that point where their pot bubbleth over. Today is a smorgasbord of good things.
First, and frankly quite importantly for getting a better feel for their total aesthetic, their first real-deal MV:
This isn’t exactly new news, but to hell with it, there are bound to be some people in the next little while who are like, aw jeez, what’s this Broken By The Scream thing all about, and then they’ll look up some stuff on YouTube and have their faces melted off; subsequent to their faces being un-melted by time, they might venture out to learn more stuff, including translated lyrics (in English!) of Broken By The Scream’s total opus, and I’d be remiss to not have that available.
Yes! An intrepid soul on Twitter did the dirty work to break BBTS’s songs down into stuff that we all can read and understand, and is therefore a hero unto the ages. What say you, friend?
I sometimes envy the new idol explorer. New things are exciting, and everything’s new for the new person! One of my most enduring memories was in, several years ago now, finally tracking down this PSYBOU KANOJO that I’d seen referenced here and there and having my mind blown straight out the back of my skull. For a couple of months, I finally had the thing that I liked (then, which is amazing) more than Babymetal, more than anything else. If only there were more of her stuff online!
See, that was before I realized that chika idol can simultaneously be the most enjoyable and also stupidest thing in existence. And not that long after I told anybody who would listen about this bonkers project with enough beats to slay a dragon, Utane Yuki (the IRL person) announced that she was done with this thing. But for a well-extended farewell and then this, PSYBOU KANOJO was gone.
Not Yuki though! She shifted gears but slightly, updated her look and got to work, and before long NEMLESSS was before us. I … I may have taken that name too literally at first. But big deal! Her work there is really dang good, and her bestiedom with Sari led to the release of the split single with NECRONOMIDOL that was likely many a newer gaijin wota’s first exposure to the name, let alone the music.
Well, in the spirit of NOTICE ME, Yuki’s given us a lyric video to celebrate the startup of her new YouTube channel: Continue reading
I was almost unbelievably excited when Party Rockets GT, who at this point must be nearing some kind of idol record for general continuity and/or still has Haruka around because manager-san has her heart in an egg like in that old fairy tale, announced their series of monthly releases and then made good on the first delivery by cranking out one of their nastier tunes in a while. Oh man did that feel good. And it was only like a week ago!
Well, it’s time for the second installment, and hold on to your butts. This is the PRGT that makes the world go ’round:
Sorry, after listening to this, a solitary tear fell down my cheek. It’s so beautiful! was my body’s proclamation; my soul rejoiced. Please, gods dark and terrible, please keep this streak going. Please give me Party Rockets like this forever, like they’re meant to be. May they go full supernova and purge weak-ass loudol from this earth.
And in keeping that stupid narrative thread together (don’t worry, it ends here unless I get bored again), because I’m apparently a chump and did the whole “oh right, Daichi” thing as my Christmas was being ruined by other loud idols, it took no time at all to venture toward for-a-hot-minute former sister group of Guso Drop and never sister group of BURST GIRL but definitely a group that also managed to try to ruin my Christmas except it was actually just their manager HIMEGOTO ZETTAICHI, because that’s how curiosity works, and of course there was something there, that’s how having Christmas ruined works.
What was it? A new song, one that will be Himegoto’s:
Speaking perpetually of acts too good to release so little new/er material that warrants slavish coverage (and/or haven’t become exhausting on principle!), our very own officially unofficial mascot of Homicidols Dot Com, the 14th Generation Hanako-san of the Toilet, performer extraordinaire and maybe Daemon’s new best friend, just kind of threw this one out into the world yesterday without fanfare:
What I’m guessing are the lyrics: Continue reading