And in keeping that stupid narrative thread together (don’t worry, it ends here unless I get bored again), because I’m apparently a chump and did the whole “oh right, Daichi” thing as my Christmas was being ruined by other loud idols, it took no time at all to venture toward for-a-hot-minute former sister group of Guso Drop and never sister group of BURST GIRL but definitely a group that also managed to try to ruin my Christmas except it was actually just their manager HIMEGOTO ZETTAICHI, because that’s how curiosity works, and of course there was something there, that’s how having Christmas ruined works.
What was it? A new song, one that will be Himegoto’s:
Speaking perpetually of acts too good to release so little new/er material that warrants slavish coverage (and/or haven’t become exhausting on principle!), our very own officially unofficial mascot of Homicidols Dot Com, the 14th Generation Hanako-san of the Toilet, performer extraordinaire and maybe Daemon’s new best friend, just kind of threw this one out into the world yesterday without fanfare:
There still isn’t any time, and in fact this is being rapidly thrown together a good while before the time it will publish because there’s no time! But it’s a fun new song from 143, which qualifies as something worth blogging a post about all on its own, and also because there’s more context.
First, the song!
Here are your lyrics, because this is the timeline that we’re in now, it’s all Soundcloud and Twitter lyric sheets:
Now, for what it’s worth, I have no idea why these two songs, given the following context of the simultaneous release of the group’s first two singles, neither of which includes either of these tracks:
I miss time. It’s a nice thing to have! Lack of it keeps me from many things anymore. Thankfully, the gods invented things like YouTube and Soundcloud, so I don’t need all the time to keep up with everything, and can sometimes even do it on the go. Like, for instance, this very nice rock song from NEO JAPONISM, who you will recall do lots of nice rock songs in that inimitable way that only idols can. Let’s listen together!
Nothing is as predictable as a Codomomental act teasing a good series of promo tracks ahead of their releases, and as soon as the “see you at 21:00” tweet happened the other evening, I created a placeholder for this post. Look how smart I am! Then they did a bunch of other announcements first, and boy did I have egg on my face! But you know what? Eggs are delicious.
But also, per the usual manipulation of Codomomental’s good faith and trust, what they’re saying is available for a couple of hours is actually our eternal plaything! If you can, of course click the link here, but know that goodies never really go away here at Homicidols.com.
I’ll be honest, I like when you guys tell me about stuff, largely because there’s a good chance that I missed or bypassed it, and you’re like, no idiot, listen to and enjoy and share this. And then I can!
So Alloy. Martin, bless him, kindly drew my attention to the fact that they’d dropped a lyric video for “Pinball”, one of their earlier tracks (and by earlier, I’m talking 16 months old):
Which they then immediately followed up with another one for “astronaut with this little infinity sign because things need to be complicated”: Continue reading →
This is a really bad one, you guys, and I’m sorry, but in addition to just plain missing the best chance to share this (Sunday, or HAMIDASYSTEM Day in Japan, as the cool kids now it), I almost forgot about it. It’s just a lyric video, but I’ll be gosh-damned if it isn’t just further confirmation that HAMIDASYSTEM is in that rarefied territory of being legitimately better than, oh, 98 percent of other things in idol, and that they’re inversely well-appreciated by the gibbering masses who don’t so much exist as much as I need a handy strawman to make my point so there:
Now, because we enjoy speculations almost as much as we adore idols here at Homicidols, I’d like to piece together the story that links these three songs. In the future, I’d love to cover the timeline from the arrival of Tsuyame and Cococo through Post-Catastrophy, as all videos converge through recurring use of similar motifs, but that will wait, as all the MV have their individual stories, transforming this into a laborious enterprise.