Well, friends, we may have lost Yukueshirezutsurezure for good over the weekend (I hear that Daemon’s working on a retrospective), but Codomomental has proven over the years to be nothing but extremely flexible no matter the circumstances, and there are a pair of new projects for us all to become irrationally excited about. The first to meaningfully see the light of day was akugi, and now today we get the first (aural) look at the latest piece of the company’s puzzle, Tokyo Tefutefu.
As usual, it’s a two-hour preview; as usual, we here at Homicidols Dot Com love and respect you and will help you listen if you miss the window.
You know the drill. Continue reading
There’s been a lot of Codomomental to work with these past few days, gang, what with Tsurezure previewing their final song the other day and akugi letting us all know that we’re in for a world of trouble when their first MV drops probably any minute now. But the cherry on top (or maybe the whipped cream, I’m bad at this analogy) is that akugi is also gracing us with another new track, a complete change of pace from this one that under ordinary circumstances you’d only have two hours from the origin to view so if it’s still not yet your time zone’s equivalent of 9:00 AM ET then friend you should click in the tweet but otherwise you do realize which website you’re on right now right?
And click through for the usual. Continue reading
After yesterday’s impossibly bad terrible awful soul-eating news, one could be forgiven for wanting to not get too close to Team Codomomental for a little while. So of course it stands to reason almost perfectly that they’d come to us with:
- A new unit
- That is loud
- That has a first song to share
- That features Yamakomaro
This is of course officially available only for the next little while, but you know how we roll around here. Check the source and then click through.
More fun after the jump. Continue reading
Aside from world events, this week has been particularly weird because yours truly has been finding distractions in looking back at previously-known-but-kind-of-obscure idol acts and heretofore unknown idol acts. It’s a good way to burn off energy! But yeah, as mentioned in the earlier post from today, while I do have to get on my butt and try to feature as many debutantes as possible in the next couple of weeks, I’m still drawn to those acts that I connected with once upon a time and then to one degree or another lost track of. Tomorrow’s Weekender includes a great example; 143 here is another.
Oh heck yeah, this is exactly what I was waiting for — it didn’t take long for KAQRIYOTERROR to go from announcing a new album to promoting the sucker. In true Codomomental fashion, the official window is two hours, and we immediately dishonor that.
More on the flip. Continue reading
Well, okay, maybe it’s not quite as over-the-top as all that, but I was brought into all of the update-y stuff for this post by a Soundcloud notification, and the first thing I saw from it was the song title and my mind did all of the requisite stuff from there, actual facts on the ground that were to be subsequently discovered be damned.
PIIIIIIIN, who technically can only exist when they have seven members, have yet another new regime of seven members, and to commemorate the latest changeover dropped this new number that, correct, did scare me on their behalf, but just turns out to be a nice homage rather than what the past 16 months in idol have us so conditioned for: Continue reading
It’s been a while since I did one of these — let’s see if I remember the formula.
I mentioned these upcoming solo songs from the … I was going to say “newbies” in Not Secured, Loose Ends, but it is now quite true that nobody is “new” anymore, per se, and that really only Komachi is truly a group veteran, so I say instead members of Not Secured, Loose Ends, which they’ll be employing in their nationwide one-man tour, and which had better include the recently-mysteriously absent Komachi, but that’s a topic for a post we hope to never have to write, so instead let’s listen to one of those songs, which is now available under the terms of what I like to call the Codomomental Special!
Two hours, yes, and that time is already dwindling, but this is Homicidols Dot Com and making archives accessible is something that I like to do, so: Continue reading
You guys, I swear I was minding my own business this morning, and then along comes ol’ Viz Major to ruin things and inadvertently provide the lede:
What the hell was that! I thought he was making up this whole “poetrycore” business too (I can sympathize!) until I bothered with a minute’s worth of homework, but yes, it’s true, and so is the Yuyoyuppe thing, and while the complete lack of individual identities suggests that the lyrics and not-use of the I word in any of their press does suggest that this may not be an idol thing, they’re published on an idol label (for Spotify, at least) and sound idol, so I’m giving them the benefit of the doubt and also me an opportunity to bring this wonderful injection of beautiful pain into your lives. Continue reading
Another one that’s a couple of days old, but worth it, comes to us from UNDER BEASTY and the near-semiannual post about them and their unique spin on idol rock, and their apparent agelessness now to boot because they’re officially passing into Legacy Idol territory at this point and my girl Yua is showing absolutely no signs of slowing down. This one is not from a recent release or even their last release, but apparently one that they wanted to do a lyric video for!
Maybe it’s their roots in being one of the truest indie idol projects to ever that keeps UB so thoroughly rooted in idol as an operating principle — they embraced a previously unconventional musical style, but their whole presentation, right down to the sporadic release schedule, is eminently idol-typical, and while it clearly works for them, it makes me sad to think about how it’s ultimately a constraint (especially because they maintain that they’re VK-oriented). Like, this song is a rocker, up there with their best if you ask me, and I wish that UB had an avenue to get just a little bit bigger. But hey, what they do, they do really damn well, and they don’t seem to be in any kind of hurry to change, so what do I know? Other than that this is a much more interesting way to do a lyric video than the vast major of lyric videos, I mean.
I’ll tell you, if 2019 is remembered as being as bad as it usually feels in real time, I want to be the person who’s all “yeah but did you hear some of the really awesome music that happened anyway AND ESPECIALLY THE NEO JAPONISM THAT SAVED CHRISTMAS?!” After returning to life just over a week ago in what’s rapidly emerging as my favorite event of this otherwise godsforsaken year, NEO JAPONISM has even more jaw-kicking idolcore for us, and friends, I don’t know where they’re going with this, but I’m officially along for the ride:
God damn. God DAMN. I’m not completely sold on marrying that chorus to the verses, but this is the kind of hook to the face that I used to delight in finding back when idol was so new and exciting and nobody had yet invented the word “Codomocore”. FFS, it has a goddamn breakdown in it, albeit one that fits the material more than the occasional wedged-in instances that are often more laughable than laudable.
A week ago, I was loudly demanding that NEO JAPONISM be worked into the Best Of mechanisms and then waving last week’s post in everybody’s face to make sure I was being heard; today, I feel like I’m ready to give them all of the awards (even the ones that don’t pertain!) just so for vindication’s sake. What an absolutely gorgeous return to life they’re giving us.