The other night, as you know unless you do in fact currently live under a rock or perhaps spend your energies elsewhere, LADYBABY had their final live. Folks have been responding to it and reacting to it and writing about it and doing that whole thing, as is appropriate, but I felt like the whole thing really was best summed up in a few official photos:
It wasn’t enough to just go out with a farewell one-man, though; they gave us one final parting MV, and while it’s usually trite to even think the phrase “saving the best for last,” you’ll be hard-pressed to convince me that it isn’t exactly the case here: Continue reading →
I won’t get into how this MV landing yesterday set off a wild few minutes of me only half-remembering any of the details related to LADYBABY’s upcoming dismantling except to say that it’s funny in retrospect, but also, man, their end-of-life period caught up to us pretty quickly, didn’t it? We still have a month and change until the final live and farewell re-recording album, but yeah, it’s time to start to wind things down. And what an oddly appropriate song to do it with!
If this is the last thing we ever get from Ladybaby*, isn’t it interesting how it’s the least Ladybaby thing they’ve ever done and the most conventionally idol? I kept waiting for something — anything — more in tune with how the group has all but always functioned, and ne’er was there a whiff of a growl or chant or anything. This is not to say that it’s LADYBABY going out with a whimper or anything (it’s a very nice song), just that it was not the foot forward that I expected at this point.
There’s almost no way this is the very last thing from them, though, and I expect that we’ll be treated to one more true-to-form LADYBABY video that more clearly explicates the content of that farewell record, and leaves a more conventional aftertaste.
On Team Homicidols, we’ve been distracted a lot lately by art house groups and hi-concept math-punk units or idols that make you stare at your shoes and weep. But now that we gazed so hard at ・・・・・・・・・ that they vanished back into the ether from whence they came, it might be best to sink back into basics for a little while. Like a nice, simple “you got chocolate in my peanut butter” blend of J-pop and Metal.
I wonder what LADYBABY has been up to?
Screaming, growling, rapping, clean choruses and djenty guitars: that’s some back-to-fundamentals kawaii nu-metal right there, and a perfect illustration of how Team LADYBABY have stayed relevant though all of the unit’s formations and turmoil. They get the basics right and they do it incredibly well. There’s absolutely nothing wrong with that, especially when the output is this ferocious and enjoyable.
I have a feeling that this MV will earn stock-image status for any future profiles of alternative idol. It’s practically iconic.
This new release has especially got to excite everyone heading to Monster of Dolls next month in Italy as this track is going to be an absolute banger live.
LADYBABY – MELONBATAKE A GO GO – JYUJYU – SARI – ERIKO…
Just a few months ago, Homicidols published a profile of fans-turned-promoters bringing alternative idols to the Western World. Looking back now, the article is a bit embarrassingly anglo-centric. Unbeknownst to us at the time, a group of Italian-speaking fans were putting the finishing touches on their own considerable efforts to launch an alt-idol festival in Italy. When the final lineup for the event was revealed in mid-February, it was clear that there was a new and significant player in the business of importing underground Japanese idol to the West.
Seemingly overnight, the hardol diaspora had grown another tendril.
On May 11th in Bologna, Italy, Monster of Dolls will play host to alt-idol A-listers LADYBABY, the Western debut of JyuJyu, and an appearance by the legendary Sari of NECRONOMIDOL fame. The event’s biggest coup, however, is scoring the first ever overseas live for perhaps the hottest chika idol act in Tokyo: Melon Batake a go go.
The appearance of this top-tier alt-idol festival, seemingly out of nowhere, was the most pleasant of surprises. Our curiosity was piqued, not just about the cost of plane tickets to Italy, but also about the festival itself, the brains behind it, and about the Italian-speaking fandom whose presence we had been totally ignorant of until now. So we reached out to our new Italian allies in the quest to bring alt-idol to the West in the hopes that we could learn all we could.
We think this is the beginning of a beautiful friendship.
Did I miss something out there? There’s been a definite feeling that LADYBABY was about to do something significant — and I very Mandela Effectively could have sworn that I’d seen an announcement for a new single in the last few days — what with the ExEx gigs going down and, I don’t know, more chatter than usual on their channels? Something was up.
It turns out that something is a new MV! With a great big contribution, performatively and creatively from Emily and from HAJIMETAL, and Rie’s fingerprints all over the production. And what a trip it is:
Ladybaby is coming back to the ol’ USA. Such was the news that came out yesterday. Management of course tweeted about it, as did the host event, Anime Matsuri. I was like, oh man, you should blog a post for that! And then the messages started. Hoo boy, they were not good messages! People who know about things are displeased about this event and displeased about Ladybaby being at it! I of course am an ignoramus, so you only just now get to enjoy this sizzling take.
First, to recap: Ladybaby will be at Anime Matsuri in Houston in June. Are the members excited?
LADYBABY’s sort of surprise-springing this digital single on us, but I doubt that too many people are going to complain. This is a group that’s pretty much always done what they wanted, and damn the man, like they exist within this idol milieu but also somewhat apart from it. Frankly, more groups should probably operate that way!
I don’t have enough cultural context to make this work in my head, and would therefore appreciate some tutorial about why I’m wrong, but let me preface this by noting just how high my eyebrow arched when I looked at the description stuff and saw “KAWAII-DEATH” and “something something Showa era songs.” Like I don’t get entirely where they’re going with that, but … well, I presume that this is what that means: