It’s finally here, friends. Yes, I refer to the MV to promote the Identity Crisis EP from Kaqriyo Terror Architect, a record that was released in October and somehow feels like it’s still trying to earn the respect it deserves. The title of this post refers to a message that Papermaiden sent to the Team in the wee hours, in which it was suggested that perhaps one view this production not at work, for which it may be neither suitable nor safe, a qualifier that could be extended to public transit, school, where baby Jesus can see and judge you, etc. It also refers to lyrics! So keep this context in mind for a second, as you’re no doubt itching to press play and finally get to dig in.
But don’t let the various stuffs distract you too much, as you should focus on the song, because it’s a pretty good song!
Codomomental love to tie loose ends before the year comes to a close. With Tsuyame’s recent departure, Not Secured, Loose Ends lineup changed again, with fans (okay, me) fearing another hiatus while hoping one of the auditonees will shine enough to be able to step into the group. While it’s impossible or undesirable to literally replace a member, Yukueshirezutsurezure is a very demanding group, taxing on screams for everyone on top of regular vocals.
And it seems a more-than-appropriate, refreshing person has stepped into the light. I have no doubt she’ll be great. The only hiccup? It’s Kotetsu from Kaqriyo Terror Architect.
Announced at Kaqriyo’s latest oneman live by their manager, Kotetsu will effectively transfer to Tsurezure on December 7. As one of the two founding members, it is hard for any fan to imagine what the Enfants Terribles’ vibe of Kaqriyo will change without the tiny bundle of joy and sunshine that is Kotetsu. Continue reading →
It’s time, it’s time! Kaqriyo Terror Architect, befoulers of decency and soon-to-be queens of the underground if there’s an ounce of justice in the world, have previously made it known that their first EP was coming, and that we should prepare. Today, we get our first taste, and I don’t know if anybody could have prepared enough for it.
Thousands of idol fans crowd the streets, chanting MIX to nothing in particular, jubilant in having taken part in such a spectacle as the 2018 Homicidols Corenament final
LOCAL NEWSCASTER: As you can see, it’s absolute pandemonium here outside the Alamodome. People are still having a hard time believing that Minna no Kodomo-chan did what should have been impossible in riding the Loser’s Bracket all the way to back-to-back thrashings of trendy pick Kaqriyo Terror Architect. It’s quite a sight!
VIZ MAJOR stumbles by, DRUNK, waving a CUSTOMIZED PEN BY CFH COSPLAY
VIZ MAJOR: I TOLD YOU PEOPLE! I TOLD YOU! NUMBER ONE!
INT. ALAMODOME – COURT – CONTINUOUS
Fans, staff and parents are gathered around HONO, CINNAMON and PRODUCER-SAN, and surrounding all of them are REPORTERS and PHOTOGRAPHERS. Producer-san is wearing a BASKETBALL NET around his neck
PRODUCER-SAN: The important thing was that we never said never. We believed in ourselves and refused to quit. We never said die out there, and we worked together as a team, and we definitely made sure that we did it for the fans, because our fans are the best fans in the world.
Did you think I was kidding when I said that yesterday’s Final Four action was going to be brutal? Fans of BiSH and Kaqriyo Terror Architect got into some kind of vote war (well over 200 in the span of a few hours), with the Codomomental upstart coming out on top and guaranteeing themselves a place in the final; and, with the very thorough support of management, Minna no Kodomo-chan absolutely wiped the floor with Hanako-san, who frankly didn’t seem all that interested:
Is there meaning by voting? I do not like conflict
Well, Hanako-san, if you don’t want to be part of the game — even though you’re technically still alive! — it certainly makes things easier to have you out. Godspeed Good luck! I’d hate for this to all be some sort of convenient ruse!
That does leave us with one final match to see who needs to be in the final against Kakuriyo, though. Continue reading →
Finally, finally you guys, we are on the precipice of crowning a Corenament champion — the champion of idol in a very narrowly defined way! — after three increasingly stupid weeks and complicated set-ups and challenges and three of our entrants haven’t even taken a loss yet, how is this possible.
Yesterday! The results did manage to come in such that I hopefully don’t need to get extra cute in making this work over the weekend, which I’d just as soon not really do, as I’d like to be crowning a champion and not, you know, coming up with convoluted schemes. In fact, yesterday’s results were an absolute bloodbath: Poor Zekkyou, who’d held on for ever so long, finally took their second L and are out, slain at the hands of a highly vengeful (nice job, Rain!) Hanako-sn; Minna no Kodomo-chan didn’t need the late life that they got from their fans (not-sarcastically nice job, Kodomocafe!) to tear poor Saki to pieces. And because I’d promised that I’d re-award the unused Money in the Bank briefcase to either of 2& or Hanako-san if they lost yesterday — Saki, come claim your prize.*
Now we have a Final Four. Two undefeateds will face off, while the irrepressible Hanako-san will fight for her life against Hono and Cinnamon. Continue reading →
Hey, it’s a not-NECRONOMIDOL review! Yeah, that promise to write up some things in the queue, that didn’t pan out — I’m busy! — but, as soon as I saw that it was coming to Spotify, I knew that I wanted to hit up the latest from Codomomental’s latest. It only took six full listens to get here!
I’m going to preface this with: If you like your idol safe and predictable or on-brand, stay the heck away from Kaqriyo Terror Architect. On to the review! Continue reading →
Gee thanks, Kaqriyo Terror Architect, for revealing in the dead of night, right when I was wrapping up my review of the album that you just released internationally on multiple streaming and download platforms, that (probably) the MV to promote the same was going to be released in the morning. Glad I put in the work!
I finally feel like I get the concept that Kakuriyo as going for in that whole Cultural Mixing thing; how awkward!
I don’t have a ton to say about this because I want to save it for the thing that I already put a butt-ton of time into writing, but: Hey, that’s pretty good, and guess what, it’s not even close to the best thing on the album. You should go listen to it!Continue reading →