I Struggled to Title This BiSH Post Appropriately Because I Keep Repeating Myself So Let’s Just Acknowledge That First and Get It out of the Way

You know, it’s funny in a way that yesterday boasted significant news from arguably the two most important things in idol to me, and the one that I was most likely to have pre-written off completely won my heart back over while the other — the one that I cling to like the last hope in a disaster — got completely washed out in the excitement. I’m talking about BiSH, obviously, and Babymetal, but in reverse order: If not for catching the download tweets out of the corner of my eye, I’d have had no idea that anything was going on, and if D hadn’t brought up this MV, I’d have completely missed it. And why? Because I was too busy playing the (second half of the) new Babymetal album on repeat and getting those good feelings all over again.

If you know me, and you know BiSH, and you’ve paid any attention to anything I’ve written about them in the past, oh, couple of years, you may be predicting where this is going, but I’ll go ahead and give the lede a little swerve here and say: I like this, I really do, and though the single isn’t out-out until November, it’s going to be a good release.

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The New DAIDAIDAI Sounds Like Exactly What I Want from DAIDAIDAI

That’s right, friends, I’m talking maybe my favorite idol thing from my favorite idol scene, in reverse order the very intense and/or wild collection of misfits in Osaka, and DAIDAIDAI having emerged from that mess all the way back in 2016, carrying on the very unique sonic+idol legacy of Utena Yuki and PSYBOU KANOJO. This I write in dang near ever post about DAIDAIDAI because, damn it all, the history is important and the relationship between excellent ongoing projects must be acknowledged.

Anyway, DAIDAIDAI had, as once might expect after about three years together, a chunk of the membership graduate recently, and with that a simmering down of the old system while things retooled. Or, at least, as I surmise, because if I hadn’t checked in on them this morning, I’d still be unaware of these goings on because that’s what happens when you’re still afraid of the huge info crush of turning your notifications back on! However, yes, the graduation thing, that was known, and so you connect dots when you check in and OH LOOK A NEW THING!

Promising on the art alone!

Well that’s certainly exciting, and terrifying. And we get a preview version via short lyric video! Continue reading

It’s Basically a Crime That This raymay MV Isn’t Twice as Long

I had a happy thought this morning, gang, the kind of happy thought that only a person with a fancy idol website who goes on a short hiatus can really have. I was looking through the music I have saved to my phone and saw uijin’s last album there, and I got sad, for they are soon to leave us; then I went through my YouTube subscriptions and saw that their little sister group, raymay, had done a thing the other day, released a new digital single, and I got happy again. The mad brains behind this whole thing will continue to shower us with stuff!

And then, friends … then I listened, and I watched, and I cannot recommend more to you that you give this a few spins in a row, for it is magnificent:

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The Demise of Candye Syrup Is upon Us

This may not be news for you at this point, but now the second iteration of Candye Syrup will be disbanding next month, their last show at IKU’s birthday party:

Homicidols Dot Com reached out for comment and has, as of press time, received none. For what it’s worth, the members have likewise been all but silent on the issue (safe for RTing the above); the only other topic on any of their channels is the show on Saturday. I won’t speculate as to the reasons why this is happening, but one does wonder if this will be the actual end of the project. It didn’t take long to get this version up and running after the original disbanded immediately after their U.S. appearance last year, so odds are that we’ll know future plans (if any) sooner rather than later.

Update! IKU posted quite a bit on this right around the time that I was scheduling:

Oh, All Right, There’s a New REGiNA KiSS Single

Call me absolutely shocked to see it come across my feed yesterday — I had only recently lamented that not only had I missed the news that they was done, but that I’d missed the whole runup and farewell itself — that REGiNA KiSS, the never-loved-enough idolcore duo of doom who got themselves a band and a seriously good album last year and all kinds of stuff, were in fact not dead, and were releasing a new single, and this is it via MV:

Why yes, of course it’s called “Virus”

Right in the wheelhouse! The single is out next week, in fact, and I encourage you to get it because, for one, REGiNA KiSS is actually good and worth your time, and also because it’s not often that you get to support not-dead idols immediately following their becoming-dead. I guess it was just that they’re full-time back to being a duo and have parted with the band?

I Wasn’t Going to Say Anything about the New PassCode Single Until the MV Was Available Here, But Screw It

It’s been about a week since the first full recordings were available online, right? And then the MV dropped a couple of days later and I made my eager face and watched and waited and waited and watched and … like, PassCode usually has an international version of their videos available after a brief interval, so I’m not crazy to have done this. But maybe because it’s being used in this commercial, we filthy gaijin don’t get the full version?

So okay, no MV for us, but the song exists, so first listen to it if you need to:

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Catching Up: SHINGEKI Is Playing a Different Game From Everybody Else

There’s an editorial choice to be made by the owner for a fancy idol website every time an idol group worth following does a thing. That calculation used to be simple — back when life was simpler and everything idol felt fresh and exciting just by dint of existing, I’d blog a post and all 35 readers would either marvel at it with me or correct me like the heinous scene-crashing joke I was. What’s changed in the past four years is that now I have two other choices — I can also stick the item in the Weekender as a toss-off, or I can elect to ignore it because it’s impossible to gaf about every little thing, as made evident by the fact that now it’s a few orders of magnitude on from those original 35 readers and I can still expect that certain topics register, at best, a couple of dozen views.

So now, while I catch up on a very busy week when I was deliberately out of pocket, I’m already past the point of deciding if something is Weekendery, as that ship sailed yesterday. I can however still opt to just not post about whatever, on the premise that it isn’t so interesting. And that adds a fun twist to what I do hold for a full post, doesn’t it? Yes, every new post is a tacit endorsement, one way or another, of whatever the What is, but that feels amplified now. And, as a result, I feel a certain amount of responsibility. I’m saying that the subject of the post is important and notable!

Therefore I give you without reservation the latest wild-ass ride from SHINGEKI since their last most recent effort to offend the brains of boring people. Continue reading

KAQRIYOTERROR, My Goodness

Well, it’s upon us, people. What I was shocked to realize is the re-christened KAQRIYOTERROR’s first single (or first official single? I dunno), and first release under the new regime, is out in a week’s time, and that means one thing: An MV that almost nobody else in chikadom would even try to pull off!

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Oh Gee, Let’s All Listen to BURST GIRL!

Yeah, I’m late to this party, so what. Hiatuses will do that to a person. But on the off chance that you weren’t yet aware that BURST GIRL — who I post in protest because what worth does this world have left in it anymore — made available a pair of previously unreleased tracks a couple of weeks ago, and I’m personally just now catching up and more than happy to drag you along with me:

I can understand why! These tracks are deliciously random by BURST standards, but also at the same time like peak BURST, a neat trick that only the truest masters of we-do-what-we-feel-like can accomplish, and so this is all okay by me. Continue reading

Art Mirrors Life in Minna no Kodomochan’s Latest Single, “rikaku”

Minna no Kodomochan’s new single, “rikaku” (meaning “separate”) is significant in a number of ways. Stylistically, it is the most slow and measured of all of their songs, practically a lament. It is also their first solo, with Cinnamon providing both the main and backing vocal tracks. The song’s lyrics, which speak of being alone and confused, are also written by Cinnamon who is currently conducting their nationwide tour on her own while her partner (and Kodomochan’s principal lyricist) Honoka recuperates from injury.

https://twitter.com/kodomocafeid/status/1160023226501586944?s=20

Cinnamon has admitted that the song reflects the uneasiness she feels performing without Honoka.  For her part, Honoka has said that “rikaku” has become her favorite Minna no Kodomochan song. Honoka has previously been responsible for all of Kodomochan’s lyrics except for “Song of 15” on Walls, Cinnamon’s only other songwriting credit.

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