When the Idol Known in English as Not Secured, Loose Ends But Still at Home as Yukueshirezutsurezure Yeah I Can Still Type It teased out a noontime Sunday something yesterday, one could have been forgiven for thinking the worst. In a year’s time, two of the group’s most stalwart members had departed, a ton of previous momentum lost, and while fans have embraced the new order no matter how bitter their tears, I think disappointment is something that we’ve just come to expect from this powerfully underrated outfit.
And instead, thank heavens, it was the MV for their latest “Odd eye” single and not only is that a huge relief, but what a showing out of the new lineup:
Unless you’re a regular Weekender-er, folks, chances are that you haven’t heard of melt music or their previous incarnation as JoanJoan. After having debuted I guess round about a year and a half ago, coming out of the excellent Osaka chika scene, they’ve had ups and downs and through it all they’ve been a projected that I personally held in very high esteem and supported as much as one can support a barely-there creative venture from a bazillion miles away.
And now maybe you can get into them too! They just dropped a couple of tracks onto Soundcloud yesterday. This is good:
This is better: Continue reading
From digest to short-version MVs, PassCode’s pulling out the usually promotional rotation for the CLARITY album, which is yes now completely out on all platforms, so stop wasting time and start jamming this stuff into your brain via olfactory orifices:
If this is what passes for a “short version” anymore, what’s even the point of shortening?
Things have been quiet on the BiSH front lately, haven’t they? Sure, sure, they announced a big-ass new tour with an awesome theme, and they have all of the usual tie-ins and promoted merchandise and all that jazz, but … yeah, the thing that put BiSH on the map in the first place (their music) was kind of bereft of attention, and by all parties it seemed. It seemed.
Because what better day to near-guerrilla-drop a new album in a split concept over a 30-day span than April Fools’ Day?
You may have already heard the previous, uh, previews of the upcoming PassCode album, which … well look at who’s advancing to the Final Four in the Corenament! HOW APPROPRIATE. Anyway, new album, coming out Wednesday, and here’s a very full digest of the entire thing: Continue reading
I really didn’t want to bury the lede here, though the lede in any other context would have been “dang, who the hell crossed things up and gave that BiS material to GANG PARADE” and kind of sort of a joke that way, too, but in more of a funny one as opposed to feeling more than a little bit punked by this.
What is it? A dang masterpiece, that’s what:
Well if I didn’t pick a great day to commute in early! It’s been a while since the original MV release to support Zenbu Kimi no Sei Da’s double A-side single, when they gave us the very good “Romance Sect”, and in the intervening time there’s been an absolute rash of photography from what was obviously MV-related but at no point indicated when or even if such a thing would be delivered. I honestly started to wonder if it would be a DVD feature instead.
It’s not! Finally, today, they give us “Natural Born Independent” in all its glory:
What year is it? 2019? Holy heck. It feels like half of forever since I’ve been talking about big steps forward for PassCode, going back probably all the way to the beginning of the site but realistically zeroing in on their first major-label releases, when the world seemed to be their oyster and they were very happy to tease Western appearances.
They keep doing it, too, but the last couple of years have actually been kind of rough on the group, Yuna’s illness being the most obvious difficulty but there no doubt being other complications that have kept them on a relative holding pattern. There’s been a hollow element to all of that promise of late, and one could be forgiven for thinking that maybe this time is when PassCode finally packs it in. What a shame that would be! They’re arguably as good as they’ve ever been, they should be trying to maximize that potential!
Well heck, now that we know more about the new album, this is it:
Hype level? Hype. Continue reading
Being a Fancy Idol Blogger in the year 10 AB* means keeping up with the latest technologies to follow an ever-moving industry. This is fine. Notifications via various media are the only way to keep it all together. Where this becomes a problem is when you’re clearing up said notifications in a hurry and see certain phrases and OMG WHAT’S THAT! happens.
Such was the case on Sunday morning, as I cleared out a round of various performance schedules and RTs of fans’ effusive praise and the like and saw “Starting Over” dead center on a new tweet from Wagamama Rakia. I of course panicked (who wouldn’t?) and assumed the worst (the only rational reaction) and wondered aloud which of the current three members would be part of the new regime and all.
Then I bothered to actually look up the message in question and saw that, Oh, that was actually just the name of their one-man with the kind-of-new lineup, and it’s like their new theme: Continue reading
EMPiRE runs kind of hot and cold around these parts, as befits a group that was born to a major label and rarely settles on just one style (preferably loud) for its music, with that often settling for safe avenues toward record sales. It’s the moments when they try something different (or are willing to battle an anthropomorphic butt) that EMPiRE stands out. We’d like more of them, please and thanks.
Yesterday/today/whatever they embarked on their 24 HOUR PEOPLE PARTY performance, a member’s farewell and an opportunity to spin off some other new announcements. And, among them, seeing as how it’s one of the only truly fitting ways to close something like a 24 HOUR PEOPLE PARTY, they’re offering up a new track for free download … for 24 hours. Go get it while the getting’s good!
Dang, whoever broke EMPiRE, thanks