The perfect modern idols have released three PVs in coordination with their announcement of a May, 1 DVD release. THE GATE Live at ZeppDiverCity was filmed at their January 2019 one-man where Yanakoto Sotto Mute performed with the backing of a full live band.
The PVs include two songs from their recent Humoresque EP trilogy as well as and their signature hit, “Lily”, from the now-classic Bubble album. Continue reading
Well, maybe it’s going to be 2016 Week here at Homicidols Dot Com, what with the C-Style yesterday and today the reappearance of an old favorite that I’d all but given up on. Of course I’m talking about Osaka Shunkashuto!
What I’m about to show you is shocking. On the one hand, it’s by-the-gods Osaka Shunkashuto doing their bread and butter, a by-the-gods rock song with a delicious hook; on the other hand, it’s … well, it’s the theme song for an anime called FAIRY TAIL, aka SSFW’s new single, which is itself actually called “NO-LIMIT”:
There are also versions with subs in English and Chinese; also go listen to the whole thing
There’s this subset of idol groups that I don’t so much follow as I do try to maintain a general awareness of, and at that almost entirely just because of deep-set personal loyalties going back to when I was first digging in. Some of them are fairly active; some of them are only active in the sense that they haven’t been officially disbanded yet. And then there are the groups that are actually extremely active but are idols in the very traditional sense, not musically or behaviorally, but in the sense that their activities are localized and/or community-focused, such that putting out records is less the point than being at lots of events and doing tons of gigs and slapping their fans in the face.
Yes, of course then I refer to C-Style! These gumby-spined veterans of the loudol scene are always a joy to come across in so far as a person who isn’t at their many gigs truly can come across them. Every so often, sometimes to promote a release and sometimes just because they had the money and felt like it, they release some video that makes their discography a little bit more accessible, and it’s usually a pretty good time. That’s what they did the other day, and I’m happy to get a chance to share it:
It’s out already, right? Shihatsu-machi Underground’s album? I feel like that’s right. I tend to base these things off of when MVs are released for a whole host of reasons ranging from laziness to shortcuts. But anyway! All of those previews that they teased out over the early course of the year, they were pretty slick, weren’t they?
Shihatsu-machi P apparently wants you to have a little bit more, so get to it:
I want to meet the people for whom that isn’t super enticing. I want to learn about how much they hate puppies and fun, and I want to show them my pity for them to their faces. There are a lot of things to read into that snip, and every single one of them is capable of inspiring happiness.
Some bonus photos because I’m excited for the members:
Pretty sure that I’ve used a version of this title before, so sue me
Man, the first part of this week was absolutely exhausting. Did you know that we set a record, not just for Homicidols Dot Com, but I’m going to go ahead and claim for any Western J-music-oriented bloggy site, period? Yep: In about 12 hours, we issued 10 unique posts, and legitimately only a handful of that was planned April Fools stuff; the rest was because of either awesome pranks that needed to be called out, or just plain awesome stuff that needed to be shared. And we still didn’t get all of it! It was most of the stuff for Tuesday too! Wild as hell. I feel like I’m still digging out.
After all of that, you need a re-charge, and what better serendipity than to connect with something I got a little excited about recently, which is here rendered in all of xoxo EXTREME’s unique live goodness:
Dropping with the delicacy of a pure snowflake carrying all the weight of a blood red brick, Yanamute’s new MV for Stain lands hard and leaves a mark.
Uh, guys? I think Rena needs an ambulance.
All right, I think we got that out of our systems. We really sweated it down! Other fitness allusion! Did it work for you? I enjoyed it.
And on that note, let’s get back to serious business! Business that in reality I’m pretty late on, and almost missed until Andrew reminded me, and even then didn’t have the wherewithal to watch completely until Team was neck-deep in putting the finishing touches on this year’s big gag, so unfortunately the first real big visual presentation by Marionet is going to get some short shrift. It’s good short shrift though!
If you haven’t discovered Bed-In yet, now would be a pretty good time to look into them. I wrote a bit about them last year, but 2018 was a fairly quiet year for the duo, as they spent more time touring and being best friends with First Summer Uika than they did releasing any new material.
Thankfully, next month they’re finally releasing their third album, and what better concept for an 80s-themed idol duo to come out with than a whole album of 80s J-Pop covers!
We haven’t got any full-length music videos yet, but some of the songs have already been made available on digital platforms. And if you’re not sure if you’re ready to open Spotify yet, well, Bed In also uploaded some not-quite-MVs-but-not-quite-commercials (teasers?) for said songs on their YouTube:
I like to write posts backwards sometimes. Start with the product, then react to it, then try to contextualize and/or frame, depending. Yes, I realize that The Craft of Blogging isn’t what you’re here for — I’m bringing it up, you impatient nerd, because this is a really good example of how sometimes the intro defies you, so all you can do is start typing and … there it is! Thanks for joining me.
I was listening to this one and I felt this weir twinge of “man, can you even imagine what the idol world would be like without NEO JAPONISM in it?” Which was really weird unto itself, given that they’re still kind of new, you know? But it made me realize that this surprisingly hard-charging group has been responsible for a surprisingly large amount of my favorite idol stuff over the past year and change, and that I always appreciate getting more of it but never really seem to express just how much I appreciate it.
So here goes: I could not be happier or more thankful to have this new one from NEO JAPONISM, and by new I mean that they’re just dusting it off for this tour that they’re on!
Hot dang! Continue reading
Sorry, my titling muscles appear to be worn out this morning
Welcome back to Monday! So if you’ll recall, HimeKyunFruitCan, the Next Generation, had a fresh EP that got me waxing all kinds of ramblingly nostalgic. Well, that officially dropped the other day, and with it came the requisite MV to promote:
From the little preview, I thought I had the track for this picked out, and boy was I wrong! And that’s okay. I’m not manager-san and therefore not in the least bit privy to what manager-san is thinking about re: the direction of the group’s latest iteration and hence its artistic choices, and I can respect that this is a different group than the one that I treasured in the past. And it’s not a huge departure from that legacy! Just idollier than I’d usually expect.