— BILLIE IDLE® (@b_idle_official) October 16, 2019
Goddamn. Continue reading
Ah, Melon Batake a go go. Remember last year, during Best Of season, when asses were shown in earnest by folks who couldn’t understand that a public process to select community favorites that they did not participate in themselves would fail to honor their favorite thing (Melon), and tried to make it as if there were some conspiracy on behalf of Team Homicidols, all of whom are unabashed lovers of Melon and want nothing but the best for them? That was fun.
The point is, we here at Homicidols Dot Com are very big supporters of Melon Batake a go go, and we have all been very happy to see their exposure grow by leaps and bounds ever since Brian first published about them ages ago. That said, we also try to avoid rose-colored glasses when regarding the things we like, so we’ve also been a little less than completely enthusiastic about everything that Melon’s done in more recent times, not because it wasn’t good but because it was getting kind of tired.
And so color me very pleasantly surprised when Melon — two weeks away from a very big one-man and accompanying single release — dropped said single via MV and left me slack-jawed and revising my internal narrative: Continue reading
Man, what is up with us?!? We’ve been gushing so much about how much we all love ELECTRIC HEARTS, (Which is 100% totally justifiable.) that we never really wrote a proper profile of their sister group, scribble scritch! I went back and searched the site, and while Daemon had the good taste and keen insight to include their “DROP” MV in a weekender back in August, there’s still no dedicated article to this damn near perfect punk-pop-idol outfit from Osaka, and that’s kind of unforgivable! (I’m blaming myself in this too.) Well, that ends ends today, buster!
Since we’re on the late bus with this, chances are mighty good that you may know these ladies already, and that’s great! But I also think some you haven’t, because I feel pretty certain you’d be ranting and raving at us for not covering them sooner because Holy Moses are they terrific.
— scribble scritch 10月7日(月)新体制スタート！ (@scsc_info) September 6, 2019
As it stands at this exact moment, the group is a trio made up of Nina, Suzuna, and Erina, hailing from the Osaka area under the Shindentsu Production banner, which as mentioned before is also the agency that represents our favorite idol group with paper bags on their heads. (The agency also has a third group, and duo called HANAMUKE, who we’re also watching out for.)
Musically…well, tell me to shut up and post the MV already!
ELECTRIC HEARTS, the purveyors of “FANTASTIC PUNK IDOL FROM OSAKA” are rapidly finding a place in our hearts with their speedy lo-fi punk rock and cheeky style. Chris first brought them up last month and they instantly earned a place on Team Homicidols’ radar as a group to watch.
It’s an interesting strategy to attempt to pull off another anonymous idol group, because while it’s very fun to see girls singing and dancing with paper bags on their heads, there’s a risk that comes with it due to the limitations it places on fan’s ability to connect and bond with the members. Just ask the Dot-chans about the challenges that come with that. I still wonder if ELECTRIC HEARTS will eventually un-bag themselves as their star rises in the idol world.
But the other side of the task is this: Without the more obvious ways to make to that wota/idol connection, the girls have to rely on good music and charasmatic attitude to reach out for new fans. Maybe that’s been their plan from the get-go, who knows? But to help advance the cult of the paper-bag idols, here’s a bunch of partial songs to check out. And you know what? They’re all great!!
Dig that buzzsaw guitar and the vocals on this track!
And here’s some pure pop goodness served under a layer of punk rock…
Also, I love these super-low budget preview videos! It’s about as DIY as ripping holes in a paper bag!
“Ballads? We got ballads!”
And here we’ve got “SKULL BOWES”, another punk-pop sing-along gem, this time accompanied with some highly sophisticated animation..
Dang, these are all pretty good, huh? I checked in on the group’s twitter account, and currently they’ve only got 153 followers…that’s criminal! Everybody who’s gotta soul should be dropping everything to lend their support (And maybe donate some paper goods!) to ELECTRIC HEARTS and their label mates scribble scritch. (Who have the best name for a group right now.)
You can still support those stuffy pretend-punk corporate idols if you want, that’s fine, but we’ve got the real deal right here, and certainly you can dedicate some time to them too. Paper or plastic?? I know what I prefer!
Will you just look at this! Proper 70s style girl punk idols – with paper bags on their heads?!
I haven’t been following buGG as closely as I probably should*, but I enjoyed them enough out of the gate to keep them in my regular “check up on these girls” queue, and I couldn’t have been happier with how they rewarded that yesterday, especially so in the context of the post immediately preceding this one. But for buGG: They have an EP out next week, and while they’ve been fairly tight-lipped about the contents, here’s some, and if isn’t a straight-up palate cleanser, I don’t know what is:
Cool that they filmed this at the same location as my last camping trip, apparently
Sitting down to a first listen of the fifth BiSH album, CARROTS and STiCKS, the big question is: Which BiSH will predominate? The brazen punks who got kicked out of Tokyo Idol Festival? The potential game changers who released a two-minute thrash punk single as their major label debut? Or the commercial idols who promote cell phones and sing anime theme songs?
We know the punk is still in BiSH as demonstrated every time they let Ling Ling center and she does the emotional equivalent of kicking your teeth down your throat. At the same time, it’s hard to give punk cred to a group that’s signing exclusive deals with Apple to restrict the digital distribution of their own music. I certainly won’t begrudge a person for making a living off their art, especially in the crap ass world of Japanese entertainment where the vast majority of power and profits are concentrated in the hands a few management moguls who are far less benevolent than BiSH’s boss-who-we-love-to-hate, Junnoske Watanabe. And it’s not like those of us who have climbed aboard the BiSH train can cry about genre, aesthetic or ideological purity anyway. Watanabe has never hidden the fact that he is punk in the same way that Malcolm McLaren was punk: thumbing the nose of a conservative society is good fun and all, but only if you can make a buck (pound or yen) doing it.
And thus we add another project’s corpse to the pile created by this brutal year.
You probably saw the recent hubbub around Montero, the half of Screaming Sixties who did not get to perform in the UK last year (though we did chat with Kai), who announced that she was pregnant. While this was remarkable in itself — not because an idol
絶叫する60度は2019年9月2日のZepp nagoyaワンマン公演をもちまして一旦、活動終了とさせていただきます。無我夢中で走ってきた5年間、これからも変わらずその日まで全力で走り抜きます。未来のことなんて誰にも分からない。僕らはいつも通り目の前のライブに死力を尽くすのみ。よろしくお願いします！ pic.twitter.com/5gNM3c9O7N
— 絶叫する60度 (@zekkyo60) June 26, 2019
Here’s Kai’s reaction: Continue reading
Vintage MMM with Ai and Mone and Nao was one of my low-key favorite things in idol (and Ai was one of my favorite people), and they established the formula (beginning around here IIRC); the new members had big personality shoes to fill, but getting right as distinct an identity in a field that’s all about identity? Bigger job. They’ve done it well so far; now does the latest single hold up?
You’re darn tootin’! Continue reading
A quick post before I get dragged back into the day-to-day, and yeah I’m a little bit late on it shut up you should see my Soundcloud stream right now. But! So buGG, who I only just praised and held up as a thing worth getting into, uncorked another song the other day and were so kind as to share it with us:
Here’s the obligatory live clip of the same:
— buGG(バグ) (@buGG_idol) May 26, 2019
I’m yet to dislike a single thing from this company. It’s like they paint in Things That Please Maniac.