Man, catching up on stuff has been hard! We’re now fully into idol’s busy season, in case you couldn’t tell, so every time that I think I’m going to be be able to catch up on several older items at once, nope, not happening, too much else going on. I’m not going to complain — in fact, I’m embracing it, because it makes things that I do try to catch up on either faster or in-geological-terms immediately that much more special.
One area for catch-up? New units. There are a lot of them! Many of them pretty good in fact! I must have a couple of dozen that I could be posting up and don’t just because there isn’t time for it all. In some cases, though, I’m making exceptions. Like, for instance, Marionet, who actually haven’t debuted yet, but for whom I’ll make an exception to the usual semi-rule because they’ve at least had the good sense to preview some of their music:
The storm clouds settled, bringing a sense of spring to the fair isle of Honshu. The salarymen, as is their wont, who wend their way to work whilst watching wacky comedy shows on their portable telecommunications devices, went away. In their stead, the legions of undead sheep that comprise the vast majority in Japan decided to overcrowd the trains because of some flower blooming. You can’t even get stoned from it, so I don’t see the appeal.
On such a day, Hoshina Fumimi’s birthday one-man live was being held. In Marz. My least favourite venue on Earth. Continue reading →
I alluded to this one yesterday, team, and I’m still buzzing a little bit from getting a chance to have a real-deal conversation with the man behind Guso Drop, 2&, Hoshina Fumimi, Himegoto Zettaichi, ancillarily Screaming Sixties, formerly Poroporo Baroque, and so on. Folks have been dying to know the score ever since it was announced a few weeks ago that Guso Drop was going to disband, and, while Daichi has been pouring his heart out on Twitter, there have been oh so many questions.
Krv is the real hero here — because he’s friends with Daichi in addition to being a fan, he offered to hook up an interview, and then provided real-time translation over LINE, and at an ungodly hour for his timezone to boot. I have the patrons to thank, too, for providing a really good starting place in terms of questions and topics. I ultimately cut this about in half by combining thoughts and letting Daichi do some of the driving, but I hope that we were able to get to the gist of what you were curious about.
I was just hoping that I wasn’t going to offend anybody.
So! Have you ever wanted to get into the head of an idol manager? What about an idol manager who’s in the midst of ending his flagship project? Or an idol manager who’s always looked at himself as a musician first? Or even just a guy who’d say:
If he throws a dinner party with human flesh on the menu, I’d probably go along!
You know what’s really satisfying about having put together a few thousand posts about a few hundred idols? It feels like there’s always something to talk about, even something new. I started dedicating little content spots over the course of the week to regulate that a bit. Thursday Hurtsday, though, can be a little difficult to meet up with, to the point that I sometimes have to stretch the concept to make it work.
Fortunately, this week has a bunch of really loud stuff!
Quick note on this post: I love when you guys tell me about stuff! Sometimes it’s a bit of news, or sometimes it’s a performance to share; whatever it is, if it’s cool and good, I’m going to want to amplify it so more people can see more idol stuff.
Take for example Hoshina Fumimi, a member of Daichi’s A-minor crew and the kind of solo idol that I can personally really get behind — she’s doing it for the love, and she’s doing it because she’s good, and people should support that.
Pukovnik Krv is probably as big a fan as anybody in the West of Daichi’s merry band of misfits, and you know that he contributes a lot of material and insights around Guso Drop and family. In this case, it’s Fumimi’s birthday live, which has some story to it.
If you’re currently hungry, or currently trying not to impulse-eat, or have a weird thing about other people eating, or if you’re Pour Lui, definitely do not take the next several minutes to watch Hoshina Fumimi stuff her face from a very close angle; if that’s the case, hit play here and then switch to another window and just listen.
However, if you have no such limits, you may suddenly find yourself with a hankering for donuts:
It wasn’t all that long ago that we first had a chance to look into Fumimi, part of the A-minor family that’s going through a bit of stuff these days, but all for the best in the end, I’m sure. Yesterday, she announced a pair of new songs that she’ll be unveiling live in October.
In true Daichi fashion, they’re up on Soundcloud with cool lyrics art:
You may have noticed me complaining about things in the queue lately, and here’s a great example: Until Idol 2.0 shared earlier today that Hoshina Fumimi (Twitter) had added a new track to Soundcloud, I’d almost forgotten to round back to her.
But here’s that track!
It has no vocals yet, but lyrics (in Japanese) — joke’s on you!