By now, you’ve probably heard the stream of “Starlight”, Babymetal’s first release in (/checks watch) two and a half years, good lord. There’s an MV, too, which we’ll get to in a second. First, though, let’s take these things in meta-chronological order and note: Yuimetal is officially out of the group:
Once upon a time (it was about five months ago!), I was showing ye olde website to a friend. You see, IRL Maniac isn’t always Maniac IRL, and not everybody in the social orbit is aware of this joint’s existence. I don’t exactly hide it — I’ve introduced myself at parties as “owner of North America’s finest J-pop website about punk rock girl groups” on several occasions — but nor do I flaunt it because, well, I know a lot of boring-ass people and choose to not cast my pearls before swine.
In the context of the tale, Friend in Question had heard me talking about a group* and was curious about the description, in response to which I ultimately produced my phone and did a little tour of the Ultimate Homicidol Playlist. As I expected, the original sheen of excitement wore off after a few minutes, but then this particular Kamen Joshi MV popped up and her enthusiasm was suddenly re-piqued.
She wanted to know why the members were dressed the way they were, why the masks, why the song sounded like “something from a Disney Channel movie,” etc. I answered the best that I could, which was interesting because I easily had the least to say about Kamen Joshi than about any of the other groups that I’d showcased. Friend in Question noticed: “You sound like you don’t like this one as much.”
“You know,” I said, “they’re kind of one of those things that you either feel strongly about or not at all.” Continue reading →
I mean it, I have absolutely no idea. I’m very literally asking because I know that some of you guys follow them pretty closely, and while I happily take a professional passing interest in them, I am only one person and all it takes to go from In The Know to Confused As Hell is to miss a few tweets.
All I know is that the membership is all over the place. Graduations! Promotions? Something! It’s apparently all in here:
Fall doesn’t seem to be a good season for Tsurezure; last year in October, our beloved Cococo left the idol world. Her cohortmate, Tsuyame, stuck around as they were looking for a fourth member, seemingly becoming as much of a pillar of the group as the two founding members. And yet, here we are.
Anata Tsuyame, the braided brunette from Yukueshirezutsure has her graduation concert tomorrow night, September 7, at the Shibuya O-Crest. This news took everyone by surprise, and the shock was so great that I planned on writing something at the time, but couldn’t. Denial is a part of the grieving process, isn’t it? But there is no time for that anymore, as Tsurezure embarks on their new tour, titled Eclipse, in a mere 10 days.
THE BANANA MONKEYS are truly one of the most cursed, yet fascinating idol groups happening at the moment.
Let’s get the good news out of the way. A new EP, Good bye, Hello, coming in just a few weeks!
Yes! Label is not bad is already a candidate for Album Of The Year 2018, and I liked their recent digital singles too, so I’m pretty dang excited about this. So much so that I haven’t even watched this trailer so my first reactions upon listening to the whole thing can be genuine (aka so that if I do a sleepy review of this it gets the kind of weirdness that this group deserves).
Wow, it was a busy weekends for the dot-chans! First they had their (possibly)breakthrough moment performing at the Tokyo Idol Festival, basking in a quick brush with the mainstream at what’s the biggest idol event in Japan, but that wasn’t even all!
Not only did they perform at the big “corporate” idol event, they kept a foot firmly planted by their roots by showing up at the “Underground Idol Festival” (UTIF) and performed under that banner too! These girls and their management clearly understand where they come from and aren’t about to burn bridges with the chika circuit, and good for them.
And then, in addition to that, dot-chans then made another appearance, this time at Maker Faire Tokyo, where they rubbed elbows with another breed of artists: The technology-minded DIY creatives who enjoy tinkering with their own devices and inventions scratch built from one’s own hands. It was the perfect match for them, as the Dots utilized the fair to present their own forward-thinking efforts to develop new and innovative ways to connect idols with their fans. You may recall an article published here last here last year that showcased such new marvels as the “Five Senses Cheki” and the usage of heart monitors to enhance the bond between wota and their oshis.
The Dot-chans are still hard at work to raise the idol experience to the next level. Looking around Twitter, I found a few comments from attendees unfamiliar with the group expressing their newfound interest in the girl’s endeavors. Another success at bringing new faces into their fold!
Some photos from Maker Faire Tokyo…
Maker Faire Tokyo 2018@東京ビッグサイト。沢山の物作りの楽しさを感じるユニークな展示の中で繰り広げられた、明らかに異質なドッツのライブ。音量も抑えられ、テクノロジー面での表現も失敗。でも、そのせいかメンバーが絞り出す歌の力はより一層強く感じられガツンと響いた。泣いてしまった。 pic.twitter.com/BWngDRCxxK
And with all that flurry of activity, there was another equally important announcement that was revealed this week, perhaps one a bit more melancholy for some of their fans. Two of the chans are removing their visors and moving onto a new plane of existence, because Dot-chans do not graduate, but rather assume new forms in their own personal evolution. Continue reading →
Go ahead and see if you can accurately tell me the last time that the much-more-easily-said-in-English Kimi to Boku, Tokidoki Melancholic got a singular, personal post on ye olde website. Like, without cheating. Because it’s been a while. Way back when, back when the group was first coming into being under an entirely different regime, I thought for a minute that they were either going to be this vanguard kind of act for really operatic goth metal lite, or some kind of mean joke.
And yet they persisted! I don’t know how many membership iterations they’ve been through, but the number is not one, nor do I believe that it is two. This, however, is the last for this round:
So at last night’s AQBI DIG event, it was announced that Kotejun, Popopo Po Po Jr. and Amari will graduate from MIGMA SHELTER on July 8, the same time that the group’s official hiatus begins.
We all knew that there would be a membership shake-up once the hiatus ended, however, the initial announcement led many of us to believe that the current girls would at least be safe and that this would simply be an update to fill the gaps Yoneko and Seisei left behind, rather than an almost total do-over of the current system. So it looks like the situation might just be far more dire than expected. Right now, it brings to mind two situations: Continue reading →
This is a post that’s taken most of a week to come together, and I have a feeling that it’s still insufficient, so bear with me, don’t get mad if details are left out, and please do enjoy the tracks to follow.
So. Alloy. They’re pretty good! They’ve also dealt with their share of turnover, as one would expect in idol. Par for the course! Also, if you happen to be a fan of Alloy and/or specific members thereof, completely and irrevocably devastating. Why anybody likes idol, I will never understand.
Nonetheless, the whole point of this is that Momoko’s graduating, like imminently, and the group dropped a couple of tracks to commemorate. Last of the current regime: Continue reading →
It’s time to start to say goodbye, apparently. BiS has placed both tracks from their re-major debut and final single with their founder, the grandest dame of them all and likely part of the string-pulling machinery at WACK, Pour Lui, out into the world for completely free listens: