I never know how many of you guys dig on DISDOL, but they’re among my personal guilty pleasures, and I’ve always enjoyed the big heavy sounds in their music and the fact that they have like 73 members* and the slightly badass way they present themselves.
I wasn’t wild about this news, sharing it, posting it, whatever, but it does build on this earlier business about ANFORT, the company behind ICE CREAM SUICIDE and DEVIL GUN, neither of which has amounted to a hill of beans so far, and I’m chalking that up to This Is Not How It’s Done on the part of management.
Basically, the fate of each member in the post-Anna era (remember, she was lawyering up to get out of her contract) was/is going to have her fate decided separately (or has/will decide her fate, I can’t tell), and then the future of the project will come to pass. Continue reading →
Variously updated became I’m an idiot and can’t check info on my own stupid website
Good morning, lovely people! The Corenament rages on, now down to the Final Four (coming in a bit), and the timing has its own bittersweet element; THE SPUNKY sort of rocketed into this guy’s consciousness, and no doubt that of many others, during their surprising-but-deserved eventual third-place finish in the 2016 version.
This final live in Nagoya, their old home base, we’ve known about, but it finally came yesterday:
I was chatting with Phillter yesterday about odds and ends, idols and life, things like that, and he mentioned that Yamaguchi Kassei Gakuen, who I believe are literally the biggest idols in the history of Yamaguchi Prefecture, were having some graduations themselves.
Now, YKG does what they do, and they probably do it as well as anybody. They’re not a huge deal, but they’re a big enough deal, and they’ve been going for years. From everything that I’ve seen, they seem like they’re well-managed and treated relatively respectfully (often as good as you can hope for!), and they seem like they have fun with it out there.
I usually prefer to have non-catastrophic graduations in the Weekender, but Phillter felt like doing a little translation job, and I thought that it might be nice to look at what can be the case when idols are ready to leave their group, under normal and acceptable and non-terrible terms. Continue reading →
Pretty much as soon as you start to follow idols, you start to make friends with other people who follow idols. I think of you guys as friends, for instance! I’ve also been fortunate to connect with the man behind Pure Idol Heart, and he’s kind enough to throw new songs and videos and idols my way. The trouble is, I do get busy with things besides Homicidols.com, and I’m sometimes not able to follow up all that quickly, and sometimes things get lost in the wash.
For instance, this news from yesterday about Phantom Voice that I skipped right over twice:
I missed Indie Idol Wednesday yesterday, shame on me, but Twitter & Friends provided even more bad news from the world of idol, and of course that happened on the day that Caesar was stabbed to death by a combination of trusted friends and bitter enemies. History!
And that’s what a pair of idol projects are now, unfortunately. No, I’m not referring to the soon-to-die Hauptharmonie (my soul will never recover), but to one group that I used to think had a real chance to do something, and another that seemed like they were right on the cusp and in fact had been active and stuff lately. They’re dead/dying.
First up, Koisuru Beat. I really only got to look at them once, and almost a year ago at that, but had recently learned that they’d had some management/membership issues of their own and were operating as a solo effort. Well, they won’t be operating as anything anymore:
And this literally three days after calling for auditions. Rough one, and it’s a shame how these things shake out, but getting any real longevity in idol is basically a miracle, anyway, so hopefully the past unpleasantness doesn’t leave the ex-members without positive experiences and a chance to keep idoling if they want to.
A little deliberately under the radar ’round these parts over the last few days (dofphoto tossed it into a comment on the Weekender, and I left it otherwise alone) was Anna ex of Bellheart and very recently with ICE CREAM SUICIDE leaving the group under some pretty intense circumstances. I didn’t give it much thought — Anna also didn’t last with BRGH; some people just aren’t cut out for what goes into idol –but then our anonymous translator+ friend hit me up with some additional insights.
This is the kind of thing that winds up in the Weekender normally, but grad-plus-new and oh also it’s Payrin’s, who are cool and I’m glad to have a chance to actually acknowledge them again; John smashed all of the info together, so here we are!
Payrin’s is a group that I don’t listen to very much, but they have been on my radar. I do enjoy their music, but with so much out there you have to pick and choose. It seems they will be changing a bit, maybe for better, maybe for worse. A couple of announcements were made […]
I’ve taken to sticking graduation announcements into the Weekender, the exception being cases where either I personally really like somebody, the group is fairly prominent, I am being paid etc. In this case, this is a very sad announcement!
In short: Coming up on March 20 will be a final one-man live for one of the PiGU old guard; it isn’t the end of PiGU, fortunately, but it’s still a farewell for a girl who stuck with her group through thick and thin. Continue reading →