The other night, as you know unless you do in fact currently live under a rock or perhaps spend your energies elsewhere, LADYBABY had their final live. Folks have been responding to it and reacting to it and writing about it and doing that whole thing, as is appropriate, but I felt like the whole thing really was best summed up in a few official photos:
It wasn’t enough to just go out with a farewell one-man, though; they gave us one final parting MV, and while it’s usually trite to even think the phrase “saving the best for last,” you’ll be hard-pressed to convince me that it isn’t exactly the case here: Continue reading →
If the last year or so has taught us anything, friends, it’s that anything in idol is possible, a spirit that you firmly embraced for our #2020IdolPredictions:
Heart stickers begin mysteriously appearing on the houses of wota across the world. After some investigation, we learn that all of these households contain copies of Himari's photobook… #2020IdolPredictions
An idol will announce her graduation out of nowhere, without showing any signs beforehand that she was planning to leave, and some smartypants in the fandom will still say "I saw this coming" #2020idolpredictions
Now, for today, if you’re following the news at all, you no doubt have noticed that the world seems to be going to hell in a handbasket with stunning alacrity. It’s almost like we don’t want there to be a 2021! And at fraught times like these, it’s normal to want to turn to something as relentlessly positive as idol to cope. But here we are, three days into the new decade, and we find out that one of the most important personalities in our end of the Idolverse is hanging up her color-coordinated outfits in May:
I’ll spare you both panegyric and elegy — and definitely eulogy — but I think I speak for an enormous chunk of the fandom when I say that Saki is a person who has mattered in a way that few get to. She got her dream job as an idol with her absolute favorite (even got to do it twice!), then parlayed that into, really, five-plus years of a plaPOPGANG continuum that contributed greatly to the creativity in idol music and the individuality in the scene. Hell of a run. Continue reading →
Even in the idol group with the chainsmoking badgirl yankii model Katy and the ex-convict (juvenile hall counts!) Kanano, the law still applies. If you’re underage you can’t smoke or drink, so 19 year old Unagi Sayaka will be graduating from ZOC effective immediately. Both her personal account and the group’s Twitter issued the following statement explaining the situation:
Sayaka’s actions were exposed by Shukan Shincho, one of the biggest newspapers in Tokyo. See that blurry picture? That’s totally ZOC’s Sayaka and not a snap of Bigfoot wearing a lacefront wig in the forests of Midwestern America.
With a total of 6 hours between the exposé and Sayaka announcing she has to leave, despite the group’s bad girl image it’s clear that Ekoms and the literal law don’t play when it comes to underage drinking. This is ZOC’s second graduation, with the first being Kitoki Fin who left in October 2018 after alleged reports of bullying from the other members. With both underage members gone, the members of ZOC are comprised entirely of adults which thankfully leaves zero room for anymore drinking scandals.
So what happens next? Sayaka will obviously not appear at the group’s next show and the intern they underpay for their graphic design will have to very quickly edit the former idol out of the poster for their 2020 “FINAL INNOCENT ZOC” tour.
Their recent music video for b-side “A INNOCENCE” is the last depiction of the now-former lineup of ZOC, and last chance to see Sayaka on stage with her groupmates.
And thus we add another project’s corpse to the pile created by this brutal year.
You probably saw the recent hubbub around Montero, the half of Screaming Sixties who did not get to perform in the UK last year (though we did chat with Kai), who announced that she was pregnant. While this was remarkable in itself — not because an idol clearly had a sex life, but because it was received mostly positively by fans of all stripes — and I was halfway to writing up a thing in relation to that, yesterday brought forth what’s probably the logical conclusion to the whole affair; Zekkyou’s putting an end to things after a one-man at the beginning of September:
The initial announcement of their disbandment back in March wasn’t really given much coverage on Homicidols, since it also happened to collide with a gazillion other things both in idol and our personal lives, but I think the general reaction of the announcement was certainly one of anger, confusion, and betrayal. It came straight off the heels of the annual shitstorm that is the WACK audition, in which multiple members (and Trivago, back for more) were fired on the spot for what was ultimately a frustrating sideshow. The remaining members had finally had enough and called it quits, with Watanabe immediately holding casting calls for a third incarnation of BiS mere minutes after the previous audition had even ended. Looking back, it was probably a good thing that none of us were able to write about WACK EXHiBiTiON in the end as the resulting article would probably have just been a mess of all-caps angrish and thinly-veiled threats of revenge towards Watanabe. Continue reading →
The Cyclone is a small black box theater in a Shibuya basement which, according to the posters it uses for wallpaper, has played host to gigs by just about everyone over the past 20 years, including Cthonic, Crossfaith, Abigail Williams and every chika idol unit you’ve ever cared about. This past Saturday, it also hosted Yukueshirezutsurezure’s Emergency One Man Live, the emergency being Futamaruya Shidare’s sudden exit from the group.
The Cyclone’s capacity is 300, which seems to have been determined not by some safety conscious fire marshal, but in response to a challenge to see how many people one could stuff into the space, shoulder-to-shoulder, wall-to-wall.
I don’t usually like to do bias* too hard around here, you guys. It’s not fair to the huge population of idols idoling away in idoldom to be too terrible discriminate in who gets shared and to what extent and with how many words in the intro to make the post longer. But when it comes to Tsurezure, and when it comes to Shidare, and when it comes to the chance to witness a farewell live from an official source, well, I’ll go ahead and endorse those fan club dues all day.