So I kinda messed this up a couple of weeks ago by being too lazy to check the calendar on my own site (fight me), and what we saw before was THE SPUNKY’s last live on their original home turf in Nagoya. This past weekend, though, they had themselves their actual final live, in Tokyo, and of course it was a tear-jerker because what kind of animal are you if you can’t get a little emotional over an idol’s last live?
My apologies, kiddos, for being a bad Maniac yesterday and not contributing much of anything, but I was dealing with some stuff and it just got to the point where posting anew wasn’t going to better anybody’s lives, so I decided to just shift the relevant stuff ahead a day.
BiSH’s Nirvana-themed tour final was yesterday, and at it they announced the biggest show in their history, and arguably for anybody in the WACK camp — they’re going to Makuhari Messe (Event Hall — see below0. That’s kind of a big deal. Continue reading →
I took a little bit of a shot at PAC IDOL a couple of Weekenders ago, and the main reason for that is Gouhou Lolita Syndrome REBOOT — aka Lolisyn, aka 564 REBOOT — and what always looks to me like a terrible lack of commitment, ideas, attention, etc. for what was always in my experience a group that should have been killing it.
Anyway, a year after the last iteration of the original Lolisyn (Haru and Hiro) was disbanded, its quicky follow-up (REBOOT) was killed off, and the Lolisyn project itself declared closed. In the tradition of the Haru/Hiro version, here’s the final live shared to YouTube:
As you know, THE SPUNKY are going to be wrapping things up in a few months and taking their high-energy pop punk with them. That’s sad! But from now and for a while, you can download their song “Reviving Energy” for free by following these simple instructions:
Content warning: You may be about to hate Phillter’s guts. And who can blame you! All four parts of the Phillterlogue are like a horrible tease. Go look at Part IPart IIPart IIIPart IV if you need to.
December 28, 2016. This was the second show I had been eagerly awaiting. Passcode’s MISS UNLIMITED Tour Final at Studio Coast. As the final show of their major label debut tour, this show was not one for a Passcode fan to miss. Continue reading →
Do you guys remember when Yurumerumo was going to wrap up their WE ARE A ROCK FESTIVAL tour by playing their own instruments at the finale (inadvertently previewed here)? Like, Younapi with the hilarious Moog synthesizer and Chiffon on bass (of course) and you felt pretty confident about Ano on guitar and, sure, Kechon can probably handle drums?
Today’s a light one, gang, because life doesn’t slow down just because you’d like it to (I am listening to Darkthrone, and I’d like for things to be quite slow indeed!). BUT I’d made a point to check up on Q’ulle’s Other Side of HOPE Asian tour finale that happened tonight, seeing as how there was some uncertainty as to just what would happen with Q’ulle at this point, new album aside.
I won’t belabor the “we succeeded, now we’re out” situation that’s led to Tsubasa Fly calling it quits, and that final show happening while this is posting (no kidding, they might be on stage at this very moment). An independent to the end, they ground out a place of respect and, finally, a relative degree of commercial success in an ever-more-competitive scene.
Here are just a few of the songs that they graced us with: