It’s here! Guso Drop’s first real video in like forever!
Made you look! That’s actually just video from Anna’s birthday live the other day. Pretty decent cover of “Headbanger!!” at any rate. No, it’s the “Gushin” video that you came for, and it’s the “Gushin” video that you’ll get. Continue reading →
Set your calendar for Nov. 26, because. It’ll be good for you.
And if I hear that Yanakoto Sotto Mute has rolled out a new song, you’d better bet your sweet bippy that I’m going to very quietly lose my mind over the fact. Via Viz Major on the Idolmetal group:
With a title like that, one could be led to believe that the post-grungy alt-rock Yanamyu might be covering Pearl Jam (or Willie Nelson covering Pearl Jam), but that’s not the case. Instead, it’s a song that I’d probably have demanded be played at my prom and then sulked when it wasn’t because I was one of those jackass kids. Continue reading →
And then they had their live debut, and BOY were a lot of people confused. Instead of a -core-riddled harsh idol project speckled with yami-kawaii violence, we got what sounded like a safe, contemporary-standard denpa-style pop song. I remember the Twitter chatter that day: Had we been had? Like, of course denpa makes sense because it’s so hot right now, but where’s the rock? Sanity did ultimately prevail and people seemed to reach a consensus agreement to withhold actual judgment until the debut EP, I.S.C.R.E.A.M., was released.
So what does I.S.C.R.E.A.M. sound like? What does ICE CREAM SUICIDE bring to the world? On to the review! Continue reading →
The unofficial disclaimer on this EP is this: From the perspective of this Maniac and this website, the emergence of Yukueshirezutsurezure (along with their sister group Zenbu Kimi no Sei Da) in the past year is one of the most exciting things in idol, period. While new trails are being blazed pretty much week to week, somebody will naturally stand out more than others, and Tsurezure is like this incredible beacon of loss and pain.
As befits an idol group, in just over six months of existence, they’ve already experienced their share of membership turnover, but they haven’t slowed their trajectory one bit, for which kudos to Codomomental management are deserved; to stand out and keep standing out in a ridiculously competitive scene, you must keep moving. No sooner was this CD in stores than the group’s first official single was announced for an August release.
That piece, given recent developments in the membership and something of an emergence of a core sound, will likely be a stepping-off point for the group, their real debut. This EP, on the other hand, very much is a collection from its formative period, and as such includes several different moves in its short length.
So with that being said, what is the verdict on this relative time capsule? Continue reading →
Disclaimer: Necronomidol is making an explicitly international push for this record; this humble little site was included in their press release, which, wow. And because I surf social media all the time for idol news and saw the pre-release stuff hit Facebook the other day, I was out in front of the announcement; hence, this is a little bit of a hybrid. How appropriate!