And then yesterday, tootling as I was after some other thing that got buried in my YouTube notifications, I found MVs! New ones! Brand new ones! And with them news of a dang EP that they’re calling a single because that’s the world we live in! Did I give those puppies a spin and immediately feel like I was in some dank torture dungeon? You bet!
True to form, You’ll Melt More! have continued their prolific effort to create an MV for every single song they record, which is a custom I totally endorse and encourage. And so here’s the third and final chapter of their “Never Give Up Drunk Monkeys” EP release, a lovely and positive set of sound vibrations and rhythmic vocalizations that they’ve provided with the translated title “Where There’s Life, There’s Hope”….
It’s finally here, friends. Yes, I refer to the MV to promote the Identity Crisis EP from Kaqriyo Terror Architect, a record that was released in October and somehow feels like it’s still trying to earn the respect it deserves. The title of this post refers to a message that Papermaiden sent to the Team in the wee hours, in which it was suggested that perhaps one view this production not at work, for which it may be neither suitable nor safe, a qualifier that could be extended to public transit, school, where baby Jesus can see and judge you, etc. It also refers to lyrics! So keep this context in mind for a second, as you’re no doubt itching to press play and finally get to dig in.
But don’t let the various stuffs distract you too much, as you should focus on the song, because it’s a pretty good song!
I love a lot of things about You’ll Melt More!, and one of those things is their sheer prolificness. While other groups take months to release a single with two songs on it, YLMM! release singles and EPs like a 24-hour factory of goodness, hardly even slowing down to catch a breath. But what’s important to mention here, is that this continuing flow of output is consistently high-quality and always a sure-fire crowd pleaser.
And then there’s the music videos! The group has gone through the effort to make MVs for practically every song on their recent EP releases. I like the way they’ll produce a couple of videos that show off a somewhat considerable (but still fairly modest) budget, and then knock out some quick ones with hardly any money spent at all, relying strictly on lo-fi charm and hooks to get the point across. The videos often present themselves as labors of love by a group of girls who are clearly enjoying what they do, and that’s far more valuable than a lavish budget shot at some fancy location.
So right now we’re basking in the hangover left behind after the rollicking fun of “Never Give Up Drunk Monkeys”with a follow-up video for their song “Dahlia”. The song itself is a nice, upbeat number giving off a positive glow, accompanied by a kinda dark, but also kinda hopeful MV with idol-zombies, existential late-night wandering, gardening, and Younapi behind the wheel of an early model Ford T-Bird: Continue reading →
Dang, do you guys remember BIЯTH? I had to go back to Memory Lane quite a bit to follow up on that one, and I’ve been sitting on this dang post for a few weeks. But, neat project, idol+guy with guitar+obviously other instruments (but it’s really just Ricka and Yuma making up the group), doing good work. I have this weird tendency to have Ricka’s tweets right at the top of my feed when I randomly look in, so I fortunately hadn’t forgotten the name when some fresh buzz started up a little while back, and paying attention pays off!
They released their latest maxi single/EP/four-track record that defies easy labels on Sunday, so it’s now officially weird that I haven’t shared the trailer with you guys:
Dear idols: When you take on the massive lift that is going from the Tokyo underground to international touring, you get the benefit of the doubt when it comes to the ol’ Homicidols editorial calendar, and things that I’d ordinarily Weekender become features. If I can goose interest in your gigs when they’re going to happen right here in my country, I’m going to do it, you know?
In this case, with Oyasumi Hologram now only a couple of weeks away from their first (and hopefully not last!) run of U.S. tour dates, I wanted to highlight some live video from their gig over the weekend. If you’re new to them or just plain on the fence about whether to get to the Bay Area or New York or Philadelphia, maybe these little tastes of what’s in store can sway you. Or you’re like me and will just plain enjoy seeing OYSM doing their thing!
Guys, I’m a dum-dum. Now, if you’ve been following this website for any period of time you’ll already know that, but seriously, I’m a dum-dum. Over an entire month since I announced this release (among other things) and still I waited, impatiently. “Aagh, when will they hurry up and start selling this EP somewhere other than their live shows? It’s not even on their website!”. Then reader and Friday Fun regular Chris dropped a bombshell on me:
“Why don’t you just get it on Ototoy you cretin?”
Ototoy. Of course.
Surprise surprise, there it was. Right there. The “September 10th” release date almost taunting me.
Well, whatever, this isn’t the first sleepy review I’ve written long after the actual release date. Actually, I don’t think any of my reviews so far have been on time. Kind of a downside of being sleepy, you see. Tiredness slows you down. And, on two days without sleep, I think now’s a better time than any to get this month-old draft out of the way. Continue reading →
It’s time for another Kaqiryo Terror Architect song preview! The last one had me so hype that I wanted to break — they already had one stupid-good album release on the year, and an EP on the same level had the potential to shatter reality as we know it. These tweets from the boss are always so good-way ominous:
It’s time, it’s time! Kaqriyo Terror Architect, befoulers of decency and soon-to-be queens of the underground if there’s an ounce of justice in the world, have previously made it known that their first EP was coming, and that we should prepare. Today, we get our first taste, and I don’t know if anybody could have prepared enough for it.
Did I know that former gas station attendant Ayuni D was being hooked up with a solo project? And, unlike Chitti and Aina, it’s a standalone EP? (/checks notes) I did not! It’s a total surprise! And yet, here we are, and the dang record drops tomorrow and oh my goodness where the hell has this song been?
Also, I didn’t know that she could play the bass better than me
You know, I spent all this time thinking that Aina’s various solo projects, and then Chitti’s getting one of the most legitimately nice songs that I’ve heard in a while, that these were harbingers of big changes. Hell, when Ayuni D joined BiSH two years ago, I said in some conversation elsewhere that those two were probably going to be the next to go, to seek greener pastures than idol stages, and that BiSH would be “Atsuko and Ayuni D’s group in a couple of years.” (Yeah, I remember that but I can’t remember … Anyway.) Continue reading →