So remember back in 2017 Year in Review in Review*, when I said that I was making it a new year’s resolution to do more for idol debuts in 2018? And then I did and 2018 was like the best debut year since … 2014? 2012? It was amazing. So much good stuff, though not all of it panned out. Well, I’m making something of the same commitment for this year; I have a tough time keeping up with news these days, but maybe I can keep up with cool debuts as they happen? Sure.
Which brings us to Night Owl (Twitter)! Who … did not debut anytime near now, but in fact back in August, during the period that we shall always refer to in hushed tones as “Maniac’s Interregnum.” And then I had them on my official radar since, golly, at least November if my tab history is to be believed. But more on that. This is what they got:
We very literally don’t hear enough about DEVIL NO ID, Okinawa’s loudest answer to the modern idol equation, and it’s quite a shame because, as what you’re about to experience will attest, they’re … well, they’re really good. Combined with the kind of backing that makes big-time collaborations possible, they’re an act that should be making more noise, figuratively as well as literally, than they do.
All of that to preface:
That disarmingly put-together number is spiritually right in line with how DEVIL NO ID does their business, which is to say lovingly striking nasty beats like hammer blows into otherwise highly danceable music that much better aligns with their idol-plus-EDM presentation. It also just so happens to be delivered on a silver platter by the same Ueda Takeshi who penned “STUPiG” and “Gimme Chocolate!!” and is/was the driving force behind the sublime AA=, among other projects that find cool ways to be loud. Continue reading →
The best idol discoveries are the ones that happen because somebody you’ve been following for a while happens to suddenly appear in another project that they tweet about like it’s going out of style (and also are probably obligated so to do). I refer in this case to this young lady, who was out of nowhere tweeting about something called 99%LOVER (Twitter) about a month back, which led to a follow, which led to … well, like, you know how most of the time the big lure in idol music is either the music itself or the ability of said idols to actually sing said music? What about the times when it’s that, plus really cool and intense dance routines?
I see that I’m not the only person to be celebrating the new MV release from MAPLEZ sister group Woltanative, which is fantastic, because while this isn’t a group that I’m normally going out of my way to celebrate, a few recent disappointments have me feeling more expansive about idols to feature and good stuff to talk up.
And this is pretty good! Or, more appropriately, Woltanative is pretty good, and this is a double-plus-good track with a really cool MV:
Man, I think DEMON TAPES must have heard me saying nice things about the ex PSYBOU KANOJO, because I felt like I’d been waiting almost forever for the best-named idols in the business to give us something fresh.
I think this lyric video for “SOTTO MO ZUTTO JI” qualifies.
Jeez Louise, you guys, you’re supposed to tell me when Hiroshima’s own loudols (I love that word) release something new. This is their seventh(!) single, due for release on Tuesday.
Honestly, I’d love to know who wrote this, because it sounds so much like a heavied-up version of a down-catalog Sakura Gakuin song that I’m surprised that it isn’t a down-catalog Sakura Gakuin song. Continue reading →
In a coincidence that Alanis Morissette would almost certainly misidentify, yesterday, I used DAIDAIDAI’s teaser video to sum up my personal feelings about the onrushing end of election season; today, it’s the video of their debut that, front to back, might encapsulate your experience.
I wanted this to be about three minutes longer, but I’ll take it!