Well that’s a hell of a name. I wonder– Continue reading
So it figures that, right after declaring Utane Yuki’s Nemlesss EP BOSSSRUSH to be my favorite of that type of release of 2017, she’d go ahead and put out a follow-up, right? Well, it also figures that I completely missed that Chris very enthusiastically shared that news with me, but I was paying zero attention and had no idea until, well, just the other day.
But here’s the trailer!
It’s so weird and chaotic!
In case you couldn’t tell, gang, ol’ Maniac’s been taking it easy this week on account of it being not just a slow one, but the holidays and all of that. I didn’t feel like putting too much time and/or energy into anything other than household projects, travel and other people’s
horrified grimaces polite smiles upon seeing me for the first time in a while. It’s been fun!
One thing did drag me out of the woodwork for a minute, though, and it’s this little bit that you may have seen going around yesterday:
【🍭to fans in the overseas🍭】
Our debut single is available now, check it out. https://t.co/h2dWycmTId
It is also available on iTunes worldwide!
— iDOL Candye♡Syrup (@CandyeSyrup_) December 28, 2017
Candye Syrup, who I will remind you have been in existence for a matter of months, have real-deal international distribution. And not just iTunes, either! Continue reading
Well, today’s been a fairly heavy one (though I think I’m going to stay on the DEADLIFT LOLITA thing for a while yet), but some of the best and simultaneously most unsung work in idol is still happening, and now would be a great time to crank it up to 11 and rock out.
I speak, of course, of DAIDAIDAI:
A lot of excitement has been built up by PassCode sister group NEVE SLIDE DOWN since they released MVs for two very cool songs, “Let me out” and “City Lights” in the span of a week. But they weren’t done messing with our heads, apparently:
— NEVE SLIDE DOWN (@NSD_Staff) September 8, 2016
Like the most fun possible combination of EDM and pop punk, plus screams. Or is dance club deathcore more your thing?
It took me a few tries to go from appreciating PassCode to genuinely liking PassCode. I’m glad I was patient.
One of the most genuinely cool things about the broader development of idolcore is its raw diversity — not everybody succeeds, necessarily, but chances are taken and sounds are developed and sometimes standing out is as simple as doing a simple formula better than anybody else.
Of course, the notion that PassCode’s sound is easy is kind of weird, but they hit a lot of unique notes on the way to making a song theirs, so much so that there really isn’t mistaking one of their songs.
They’re pretty good at this, is what I’m saying.
Musically, it’s a pretty clean 1:1 blend of pop punk and digital hardcore. On HTML, that doesn’t sound particularly attractive, but think of the unifying elements being the tempo and beats, with heavy synths and bouncy vocals. Also breakdowns. And chiptune. And screams and growls.
Yep. PassCode is one of the idol groups that has a screaming member (Yuna). She’s tiny and she’s terrifying.
I’ll admit that PassCode probably isn’t for everybody, but they also have a little bit of something for everybody and a nice, big catalog at this point, so take the time to explore their music a little bit and find the sweet spot that works for you.
What they sound like
The music you wish would play when your SO drags you out to the club for a night of dancing; synth-driven digital popcore with breakdowns.
You’ll like them if
“Iine” is your favorite Babymetal song, or you’ve ever wished that Perfume would do a collab with Skrillex.
Entries on the Ultimate Homicidol Playlist:
|May I just say that PassCode’s current black outfits are boss as hell, but the pink hoodies were one of those perfect confluences of look and sound? I may? Thanks!|
ALL is VANITY (album)
“Now I Know” (single)
“Never Sleep Again” (single)