A few weeks ago, former PSYBOU KANOJO chaotician-in-chief Utane Yuki released some tracks as what I’m going to insist on calling Nameless even if it’s just a clever thing she’s doing while working on a full-time name, and that was a lot of stupid fun and made me feel good.
Anima Animus PRDX is how Google translates the title, the Latin explaining the dual female/male aspects on the cover (and playing a little bit with “anime,” too, if I may be so bold). That’s Zenkimi, though; bright and shiny on the outside, simmering violence on the in. Their music sounds like id, you know, just unconstrained desire, emotions pouring out from the ancient, reptilian part of your brain. Continue reading →
OH MAN you guys, what feels like months of patience and endless hectoring and no shortage of questioning the very meaning of existence, the satanic circus that is Bokura no Oyugi is finally making an official release.
And then they had their live debut, and BOY were a lot of people confused. Instead of a -core-riddled harsh idol project speckled with yami-kawaii violence, we got what sounded like a safe, contemporary-standard denpa-style pop song. I remember the Twitter chatter that day: Had we been had? Like, of course denpa makes sense because it’s so hot right now, but where’s the rock? Sanity did ultimately prevail and people seemed to reach a consensus agreement to withhold actual judgment until the debut EP, I.S.C.R.E.A.M., was released.
So what does I.S.C.R.E.A.M. sound like? What does ICE CREAM SUICIDE bring to the world? On to the review! Continue reading →
That’s Bokura no Oyugi (web). Please tell me that somebody knows something about them. Like, you know how people will often compare something to a bad trip? This is like a good trip, but one that you have in a bad place. Wow. Continue reading →