Yes, friends, I can apparently keep up with new idols, as was my new year’s resolution on repeat. Such a promise was made in the hopes that 2020 will bring the same kind of greatness that 2018 did, and we’ll all forget that 2019 even happened. Fingers crossed, we’ll at worst feel good about it.
Which brings me to Lesson Number Umpteen on why you should make friends with people in idol! My pal with the old connection to Candye Syrup tipped me off a few days ago that there was a new group debuting soon, with an obvious connection to said defunct group, and then followed up this morning with the first best debut so far this year.
Meet FaM (Twitter), which yes relates to “family.” This was a relief, because upon seeing that I worried that it didn’t have any particular meaning, not even as a clever way of capitalizing a common shorthand greeting/pronoun kind of thing among the youngs in my country. What do they sound like? Continue reading
So remember back in 2017 Year in Review in Review*, when I said that I was making it a new year’s resolution to do more for idol debuts in 2018? And then I did and 2018 was like the best debut year since … 2014? 2012? It was amazing. So much good stuff, though not all of it panned out. Well, I’m making something of the same commitment for this year; I have a tough time keeping up with news these days, but maybe I can keep up with cool debuts as they happen? Sure.
Which brings us to Night Owl (Twitter)! Who … did not debut anytime near now, but in fact back in August, during the period that we shall always refer to in hushed tones as “Maniac’s Interregnum.” And then I had them on my official radar since, golly, at least November if my tab history is to be believed. But more on that. This is what they got:
Oh that’s interesting! What are they about? Continue reading
Aside from being one of the all-time great free agent pickups in idol blogging history, I’ve always been able to rely on one Chris Winsall, Mr. Toxic Breakfast himself, for adroit plucking of otherwise obscure excellence from the idol heap and shaking it in my face until I embrace it with all the enthusiasm required. And now that he’s on Team, it even happens quietly! The note the other day was one of the weirdest shots out of the dark that I’ve had in a while, and I’m completely here for it.
Friends. You guys. AND CRAZY is back.
The waning days of 2019 and opening week of 2020 have been a special time. Some of the greatest legacy acts and personalities of our time hang ’em up at last — the literal goddess of earth and sky herself even revealing that she’s been secretly married all this time — and with that saw the retirement from idol and return to solo work by the grand dame herself, Pour Lui, twice founder of BiS, mature member of BILLIE IDLE, from whose fecund mind sprang the cultural movement that created not just modern chika idol but about 95% of what we like to cover here. That Lui was going back to her roots as a solo musician (though still connected to the Watanabe/Matsukuma machine) felt like a nice coda, something natural. She was done with idol, and idol — graciously — was done with her.
Or so we thought!
New group with a familiar-sounding name. New auditions. New music. “It’s complicated” with WACK. Somebody stage an intervention for this woman! Continue reading
You guys, I swear I was minding my own business this morning, and then along comes ol’ Viz Major to ruin things and inadvertently provide the lede:
What the hell was that! I thought he was making up this whole “poetrycore” business too (I can sympathize!) until I bothered with a minute’s worth of homework, but yes, it’s true, and so is the Yuyoyuppe thing, and while the complete lack of individual identities suggests that the lyrics and not-use of the I word in any of their press does suggest that this may not be an idol thing, they’re published on an idol label (for Spotify, at least) and sound idol, so I’m giving them the benefit of the doubt and also me an opportunity to bring this wonderful injection of beautiful pain into your lives. Continue reading
So the last couple of weeks have seen teasers for a new group, and that culminated in member reveals and then finally a digital debut that really brought it all to life. It’s a familiar script! I know that Team started talking about this new project last week, when we realized that the former Zenkimi idol then known as Togaren was back in the game. We got pretty stoked! And then we had ourselves a good ol’ fashioned grimace-fest at the group name, but we got over it.
In case you hadn’t figured it out, that group is PEDIOPHOBIA, and that all started right about when this happened:
And then we finally got their first MV today! Continue reading
We here at Homicidols Dot Com are pleased to continue our tradition of supporting excellent Twitter handles by welcoming another new voice to the Team; say hello to Cal!
Today’s been an interesting day for idol survival shows hasn’t it? The mainstream Produce series has been given the axe and the “also mainstream but the music has guitars” show MONSTER IDOL finally ended, birthing a new breed of WACK girls.
Please welcome to the world’s stage: MAMESHiBA NO TAiGUN!
I love the mood that Best Of season puts me in — everything has just a little bit more shine to it because it’s all a contender months and months from now, when if it really holds up it’ll be seriously special, and if it doesn’t, well, it’s probably because either it never really deserved it, or it’s still special to me and damn you all for not liking it as much as me.
So here we are then a little while post the re-emergence of ex-969er Chirimen and the revelation that her solo career is imminent, with flair. In fact, there are a couple of examples and I was just sleeping on the first one because, you see, things are kind of busy around the Homicidols Dot Com offices these days. But! She dropped this one this morning, and with it I found more:
And this one is actually from last week, oops:
I like the first one more
Her first “self-destruction” is still a few weeks off, but Chirimen’s shaping things nicely to formally launch her solo career with nice momentum and a solid body of work. Really well and truly good for her — and maybe we’ll be adding her debut as a 2020 Best Of next year!
Everybody’s done the heartbreak thing this year, it seems. Groups and individual idols have dropped like flies, literal icons of the business and the tiniest of unknown chika acts as well closing up shop or undergoing massive changes almost as if they all know something we don’t. I’ve personally had my share of blank-eyed staring into the distance at one bit of news or another, and one that I definitely didn’t make enough hay about when it happened was NEO JAPONISM.
For about a year, they were arguably my favorite thing in the business, this hard-rocking, all-out unit that didn’t pull any punches and seemed to make a mark every time they released something into the world. They were just a really fun group to follow, although harder in a lot of ways to love right because there was so much else going on. But did I miss a chance to lavish praise on them? Absolutely not. And so earlier this year when the ~original~ group disbanded in the kind of mass graduation that has been so typical of 2019, I was kind of floored. Unlike all of the other instances, though, manager-san immediately set the record straight and announced that NEO JAPONISM as a thing wasn’t going anywhere, and there would be a reboot on the near horizon. That gives one hope, which gives one optimism, and when little bits of info started to trickle out, it started to become real.
And that’s where we land now! Here are the members: Continue reading
Once upon a time, I made an editorial decision that this site wouldn’t cover solo idols. The reasoning behind it, while not necessarily sound, did actually have a sensible motivation: I actually used to think that I needed to put definite rails around what was and wasn’t idol in addition to the poorly defined musical boundaries, and I considered solo artists as being too much in a grey area. But then Hanako-san and PSYBOU KANOJO broke that down, and past my own pretenses I could see plenty of unsung solo artists (mikicco, Ophelia 20mg, fucking Lein) doing cool and interesting work and idoling at the same time.
That’s a very long way of saying that I still sometimes get surprised by how much I like certain solo idols even though all logic says that I shouldn’t. And with plenty of solo idols coming out of fairly well-known groups as their relative point of origin, it only stands to reason that good would beget good, etc.
Which is a slightly less long way of saying that Chirimen, formerly of long-term Homicidols Dot Com not-secret crush 969, has in fact made good on that solid background and her own talents to strike out as a solo performer, and this is her first piece and I’m very excited about this: Continue reading