The last time that Daichi graced us with the developing musical repertoire of CHICKEN BLOW THE IDOL, reviews were a little mixed, mostly because people wondered what was the point of this thing when 2& was still in existence and Daichi and Saki were known to still be working together.* For these two songs (plus lyrics!) dropped yesterday, you may … well, I guess it depends on your perspective.
Without any context, I thought it was a funny thing that would go into the Weekender, and then I’d back off and continue to wonder if Daichi were secretly seething about BURST GIRLS and throwing epic shade or something. OH BUT NO! Continue reading →
I alluded to this one yesterday, team, and I’m still buzzing a little bit from getting a chance to have a real-deal conversation with the man behind Guso Drop, 2&, Hoshina Fumimi, Himegoto Zettaichi, ancillarily Screaming Sixties, formerly Poroporo Baroque, and so on. Folks have been dying to know the score ever since it was announced a few weeks ago that Guso Drop was going to disband, and, while Daichi has been pouring his heart out on Twitter, there have been oh so many questions.
Krv is the real hero here — because he’s friends with Daichi in addition to being a fan, he offered to hook up an interview, and then provided real-time translation over LINE, and at an ungodly hour for his timezone to boot. I have the patrons to thank, too, for providing a really good starting place in terms of questions and topics. I ultimately cut this about in half by combining thoughts and letting Daichi do some of the driving, but I hope that we were able to get to the gist of what you were curious about.
I was just hoping that I wasn’t going to offend anybody.
So! Have you ever wanted to get into the head of an idol manager? What about an idol manager who’s in the midst of ending his flagship project? Or an idol manager who’s always looked at himself as a musician first? Or even just a guy who’d say:
If he throws a dinner party with human flesh on the menu, I’d probably go along!