You know, I’m a pretty big fan of the defunct-but-also-DAIDAIDAI-inspirational PSYBOU KANOJO, if you hadn’t noticed, and I’ve been spending some time over the past week or so doing a bit of retrospective. Not everything was pure gold, but there was enough creativity and heaviness and power and heaviness and beats and heaviness that I can still throw on some of Yuki’s live videos, or go through the old Soundcloud account, and have enough godDAMN moments that I go right back to being really sad that Yuki called it quits basically out of nowhere.
But we still have her music! And because of that, we can play with it forever.
Last week’s Monday Match Game gave Osaka Shunkashuto a slim win over Q’ulle in a true idol dance-off; this week, we’re going heavy, but we’re going heavy in a completely different way than usual.
PSYBOU KANOJO had some great original music, but also some great covers, and it’s those personal versions of others’ compositions that we usher into Homicidol Arena. The thing is, the referee (e.g. the polling widget) doesn’t like Soundcloud, so what you’re going to use to vote are the originals … but you’re going to be voting FOR the PSYBOU KANOJO versions. Make sense? Continue reading →
Now that I’ve loosened you up for the weekend, I wanted to make good on a request from a person who swears that they’re big fans (yeah, right) but didn’t want to reveal their name (WHAT KIND OF DISHONEST LUNATIC HIDES BEHIND A PSEUDONYM?).
This nameless friend had a question/request: It is known that plenty of us can sing, play instruments, etc. What if, just for fun, we (read: you) did regular musical collaborations, covering the kinds of songs that are big hits ’round these parts?
I find this intriguing. Considering that nobody’s probably aiming to be the next REO Speedwagon around here, and there’s plenty of technology for swapping files and meeting in virtual space, I think it’s perfectly feasible to do community covers on a monthly-or-so basis. Continue reading →
Just one week left until Halloween! At least once per day, I’m going to do my damnedest* to make sure that something on par with the spirit of the season makes its way onto Homicidols.com. I mean, yeah, that tends to be the case around here, anyway, and I’ve been pointing out all the spooky/violent/scary/mind-blowing stuff for a good long while, but whatever.
The potential for commentary on a song with that title being involved with idols notwithstanding
None of them quite has the solo voice to match up with the original, but they did pretty well in ensemble, and I’m particularly impressed with Riko. I’d love to know if that cover was management’s idea (and therefore possible as a B-side) or if notorious rock connoisseur Mashilo (or any member, honestly) was like “I please want to do this song.”
In discussing this performance on Twitter, it came to light that perhaps Paramore’s breakout hit wasn’t well-known outside of North America, so I’ll just add that Hayley Williams is sort of like her generation’s Joan Jett, only a better singer and probably musician and with way more across-the-board mainstream success. This song was a big deal not quite 10 years ago, and while her band has pretty much completely turned over, Hayley herself is a pretty serious star.
At Guso Drop’s show the other night, the members spent a bunch of time covering classics from all over the spectrum. Given the, uh, amount of energy that Gudro puts into their dance routines, it should come as no surprise that these are not the most faithful of renditions.