BiSH Have Become the Queens of All Media

I sometimes wonder about what really goes on in Watanabe’s head. The person he portrays is a callous, free-wheeling imp who functions largely through a Hegelian series of resolutions of superego and id, but I think it’s pretty clear that the Watanabe who traps girls on islands and makes people go on morning fun runs just to prove their mettle, who forces idol icons to sleep in a car and eat nothing but rice, is in many ways an idol himself; Watanabe (just like Homicidol Maniac!) is a persona more than a person, and so the very essence of what he puts on is not in fact the rotten-egg target posing as manager of BiS and BiSH and EMPiRE and GANG PARADE, but at the very least a calculating, deliberate mind*. Anybody who’s ever read or seen Hamlet knows that playing the fool frees one to expose so many more truths, after all.

Now, I don’t think that Watanabe is quite up to Shakespearean standards, but he is a performance artist in his own right, with human emotion and maybe even an entire industry** as his media. The thing about artists, though, is that they still need to get paid, and getting paid can get complicated, so you wind up with situations like BiSH’s song to promote something called KIRIN LEMON:

There of course can be discussion around whether the SCRAMBLES sound, or the WACK approach in general, has in fact entered freely into the mainstream, and how it obviates the very notion of the “alt” edifice that they largely created, but that’s not this moment. No, right now it’s about the various things that BiSH in particular is doing to make some lucre. Continue reading

Somebody Please Explain What I Just Watched

So:

Go ahead. I’ll wait

Okay. Continue reading

It’s Monday, So of Course There’s Something From petit pas!

After the longest tease in human history, petit pas! finally got around to releasing their debut album, Refrain, last week. More on that to come, but right now their official YouTube channel has available-one-day-only video from their release performance:

That title track is a good one, but “Yozora” is up there, too; good enough to be featured in this commercial for non-alcoholic sparkling wine:

That commercial will live forever, but the live video will be gone by this time tomorrow, so enjoy and share.