In case it hasn’t been obvious, I’ve become a little bit of a BiSH skeptic over the past year or so — even my original support for the last single waned in retrospect. It grieves me, actually; my all-time idol top 10, regardless of whether it’s song-album-video-person-whatever, has BiSH all over it, and I remain an ardent supporter of the idea of BiSH and the incredible barrier-breaking potential that I think they have. This is why, even almost two years into a long run of mostly being disappointed by them, I get the giddies when they spin off new stuff, especially new stuff that appeals directly to my own biases!
“We haven’t done anything yet, but we apologize in advance?”
Well, that’s ominous. Granted, I can thinkof manythingsWACK shouldapologize for, but this is now. Well, the future. Eyebrows were raised. Questions were asked. Just what exactly is this future scandal WACK have had to apologize in advance for? It got even worse when Watanabe tweeted out the words many a WACK fan dread; “Announcement at 24:00.” There was panic, theorizing (mostly from me) when eventually, the fateful moment came. Continue reading →
That is the lukewarmest of takes, amigos, and it’s just about all the GAF that I can muster; and speaking of muster, when the most exorcised about “HiDE the BLUE” that I could get for the Weekender was to acknowledge that, yes, they’re just making “Orchestra” on loop until people make them stop, you know that I’m pretty much out of GAF.
Also case in point: This happened yesterday, and seeing it filled me with zero urgency.
Well that’s nice. It is! It’s a very nice, easy ballad, with a heartwarming MV. It’s also disappointing and — sadly, I know this because I tried to get through it plural times to convince myself that this was worth the time, and gave up in the middle of the second attempt — boring! Continue reading →
I sometimes wonder about what really goes on in Watanabe’s head. The person he portrays is a callous, free-wheeling imp who functions largely through a Hegelian series of resolutions of superego and id, but I think it’s pretty clear that the Watanabe who traps girls on islands and makes people go on morning fun runs just to prove their mettle, who forces idol icons to sleep in a car and eat nothing but rice, is in many ways an idol himself; Watanabe (just like Homicidol Maniac!) is a persona more than a person, and so the very essence of what he puts on is not in fact the rotten-egg target posing as manager of BiS and BiSH and EMPiRE and GANG PARADE, but at the very least a calculating, deliberate mind*. Anybody who’s ever read or seen Hamlet knows that playing the fool frees one to expose so many more truths, after all.
Now, I don’t think that Watanabe is quite up to Shakespearean standards, but he is a performance artist in his own right, with human emotion and maybe even an entire industry** as his media. The thing about artists, though, is that they still need to get paid, and getting paid can get complicated, so you wind up with situations like BiSH’s song to promote something called KIRIN LEMON:
There of course can be discussion around whether the SCRAMBLES sound, or the WACK approach in general, has in fact entered freely into the mainstream, and how it obviates the very notion of the “alt” edifice that they largely created, but that’s not this moment. No, right now it’s about the various things that BiSH in particular is doing to make some lucre. Continue reading →
“Yes it is” said the mirror back to me when I, a-readying for slumber, saw the Thing Happening Then warning tweet and asked aloud, “It’s another dang MV, isn’t it?” not even to myself, but really just the universe, which apparently does not like me very much.
How very prescient of you, Mirror Maniac!
Note: I really wanted to be cute and meme-tastic and just write “Pour Lui didn’t die for this” and walk away, but I didn’t, mostly because that would’ve been a pointlessly hot and misguided and vapid take! Continue reading →
Did you think I was kidding when I said that yesterday’s Final Four action was going to be brutal? Fans of BiSH and Kaqriyo Terror Architect got into some kind of vote war (well over 200 in the span of a few hours), with the Codomomental upstart coming out on top and guaranteeing themselves a place in the final; and, with the very thorough support of management, Minna no Kodomo-chan absolutely wiped the floor with Hanako-san, who frankly didn’t seem all that interested:
Is there meaning by voting? I do not like conflict
Well, Hanako-san, if you don’t want to be part of the game — even though you’re technically still alive! — it certainly makes things easier to have you out. Godspeed Good luck! I’d hate for this to all be some sort of convenient ruse!
That does leave us with one final match to see who needs to be in the final against Kakuriyo, though. Continue reading →
Finally, finally you guys, we are on the precipice of crowning a Corenament champion — the champion of idol in a very narrowly defined way! — after three increasingly stupid weeks and complicated set-ups and challenges and three of our entrants haven’t even taken a loss yet, how is this possible.
Yesterday! The results did manage to come in such that I hopefully don’t need to get extra cute in making this work over the weekend, which I’d just as soon not really do, as I’d like to be crowning a champion and not, you know, coming up with convoluted schemes. In fact, yesterday’s results were an absolute bloodbath: Poor Zekkyou, who’d held on for ever so long, finally took their second L and are out, slain at the hands of a highly vengeful (nice job, Rain!) Hanako-sn; Minna no Kodomo-chan didn’t need the late life that they got from their fans (not-sarcastically nice job, Kodomocafe!) to tear poor Saki to pieces. And because I’d promised that I’d re-award the unused Money in the Bank briefcase to either of 2& or Hanako-san if they lost yesterday — Saki, come claim your prize.*
Now we have a Final Four. Two undefeateds will face off, while the irrepressible Hanako-san will fight for her life against Hono and Cinnamon. Continue reading →
By now, friends, I’m sure that you’ve seen (or at least know that you need to see) the MV for BiSH’s new single “PAiNT IT BLACK”, so yes, while you can in fact look at it right down there before these words, I got all Maniac about it after the jump. Depending on how much you like or hate column inches being sacrificed to the gods of the Hot Take, you may or may not want to take that jump!
First, song and MV. I’ve still been holding out hope that this song was going to be a cover of the Rolling Stones classic (or at least throw it a bone), maybe do some visual callbacks like staging the MV at a funeral, etc., but it’s not to be the case: