This is the motto of Owaranaide, Yoru, the new project Sha-Yan asked us to look out for as she was winding up activities with Candye Syrup.
The concept of the group is to convey the conflicting feelings of young women who come to Tokyo and struggle in pursuit of their dreams: the loneliness, excitement, and nostalgia for their hometown while surrounded by the chaos of the city.
They have released the instrumental to their first song on Soundcloud:
Well I’ll be a monkey’s uncle. Idol is gearing up for a hell of a 2018 with a bunch of teasers in the waning moments of 2017 that should do no less than to whet your appetite for an incredible year in music. In this case? Just one of Maniac’s very favorite things, Tokyo’s Dots, who have their first full-length album coming out in January — but you can get a full preview of the whole dang thing beginning right now if you know what’s good for you:
When you’re basically living media figures* the way that You’ll Melt More! is, you don’t let the usual pre-during-post-release schedule for your albums and whatnot dictate what you’re going to do to promote the thing — you do what you want, because you can, and it’s going to work.
What a treat! In addition to my nigh-week-long sojourn in the perpetual throes of Day Job nearing its merciful end, there are two great idol projects with completely free(!) new(ish!!) downloads(!!!) to snag and enjoy like the absurd indulgences that they are.
First up! Yanakoto Sotto Mute, whose one-man the other day was probably a completely epochal occurrence that I, of course, did not attend on account of being tied not just to the United States, but the National Capital Region because boring reasons. Nonetheless, the echoes show … you know? I think it’d be keen if one of you guys scored a bunch of holographic technology, and also really high-end streaming equipment, and just streamed my favorite lives to the comfort of my living room, a life-sized Nadeshiko in among the detritus of a life spent doing little of what it’d like to be doing.
The eminently crackable enigma that is Dots has been one of the best stories in idol from the very second that they debuted last year, and every new event and release seems like an even more ambitious project of art and performance than the last. Oh, and their music is exquisite, too.
My only regret about this upcoming album(!) is that it’s not out until January:
Remember when I gave EMPiRE the brush-off? I’m completely sympathetic toward anybody who wants to go their own way, but what the original preview tracks had laid out was … well, a slightly off-beat electro bop kind of thing not unlike a lot of what POP had done, basically the chipotle mayo of the idol world. I thought, if this is how WAVEX is going to handle their joint project, good for them (much money will likely be made), but I’ll kayfabe pass.
And then their actual debut MV carries a tune that I want to swim around in like a lake of warm butter:
Prepare yourself for the least subtle hints and outright idol worship that you’ll ever get from me — and that’s really saying something!
I obviously love every single thing about Yanakoto Sotto Mute. Their music is tops, and the visuals from the combination of their attire and choreography are almost peerless. I do, however, keep wondering when the well is going to run dry, when the necessities of business and keeping your fans happy and making important next steps up the brutal entertainment ladder start to constrict the creative vision and limit the choices and turn one of my very favorite things into a very timid that powered as much by nostalgia as talent.
And then they add another new song to their already impossibly dynamic catalogue and I turn into a slavering fanboy: Continue reading →
I stand in complete solidarity with Yellow on the issue of those poofy hair things
Things got a little heated online the other day when Hissatsu Emomomomo — bizarrely, not even close to the most ridiculously named thing in idol to debut just this year — started to get out some new, important things. For instance, there’s a new (venue-only) single on the way:
Man, do you guys remember that hot minute about a year ago when WiLL was one of the darling acts of the alt set based entirely on the fact that they sometimes do cool rock and electronic sounds? I do. That was a good time. I’d even link to an example, but, you know, the word “will” doesn’t search very well in an archive, and “world ill” just throws the dang directory into a tizzy.