Zetsu is an 18-track epic from two of the greatest warriors in chika idol. Since forming in 2014, Montero and Kai of Zekkyosuru 60 Do, aka Screaming Sixties, have driven enough miles to circumnavigate the globe twice while performing approximately 300 gigs a year. And that isn’t hyperbole.
If you ever find yourself in Japan you can be certain that, somewhere, Screaming Sixties are performing a show and you need to get to whatever city they’re playing in because that’s why they made Shinkansen.
Before I get into the review itself, I want to make sure I don’t bury the lede: This is an essential album that you need to purchase immediately!
If you have any thoughts of picking up Zetsu (and you should), you need to open the website of your Japanese music retailer of choice and order it today. Most sites are starting to flag this CD as back-ordered and, if history repeats itself, once the first pressing of this CD is sold old, the only place you will be able to find it is at a Zekkyo60 live. Also note: most retail sites won’t recognize “Screaming Sixties” as the group name so you will need to search on Zekkyosuru 60 Do or 絶叫する60度 .Continue reading →
The perfect modern idols have released three PVs in coordination with their announcement of a May, 1 DVD release. THE GATE Live at ZeppDiverCity was filmed at their January 2019 one-man where Yanakoto Sotto Mute performed with the backing of a full live band.
【新ライブ動画公開！】 1/12(土)Zepp Divercityで行った、ヤなことそっとミュート 3rd oneman live ”THE GATE”の中から3曲公開！全編収録のDVDは5/1(水)全国発売！
Hands up who wants to see a new video of a pair of idols getting chased around by a pink hippo and playing cardboard instruments to an upbeat thrashy punk tune which then segues into something like listening to nursery rhymes on flu medication? Well, put your hands down again because this isn’t a “new video”, it came out six weeks ago and if you’re cooler than me, perhaps you may have already seen it.
I’m actually a little disappointed in most-genuinely-disturbing-solo-performer-in-idol Lein here; the day before Halloween, and she releases maybe her best composition so far, and one with, like, only slightly discomfiting visuals?
This girl is what happens when vaporwave becomes sentient and starts to make music about people.
This is the motto of Owaranaide, Yoru, the new project Sha-Yan asked us to look out for as she was winding up activities with Candye Syrup.
The concept of the group is to convey the conflicting feelings of young women who come to Tokyo and struggle in pursuit of their dreams: the loneliness, excitement, and nostalgia for their hometown while surrounded by the chaos of the city.
They have released the instrumental to their first song on Soundcloud:
Well I’ll be a monkey’s uncle. Idol is gearing up for a hell of a 2018 with a bunch of teasers in the waning moments of 2017 that should do no less than to whet your appetite for an incredible year in music. In this case? Just one of Maniac’s very favorite things, Tokyo’s Dots, who have their first full-length album coming out in January — but you can get a full preview of the whole dang thing beginning right now if you know what’s good for you:
When you’re basically living media figures* the way that You’ll Melt More! is, you don’t let the usual pre-during-post-release schedule for your albums and whatnot dictate what you’re going to do to promote the thing — you do what you want, because you can, and it’s going to work.
What a treat! In addition to my nigh-week-long sojourn in the perpetual throes of Day Job nearing its merciful end, there are two great idol projects with completely free(!) new(ish!!) downloads(!!!) to snag and enjoy like the absurd indulgences that they are.
First up! Yanakoto Sotto Mute, whose one-man the other day was probably a completely epochal occurrence that I, of course, did not attend on account of being tied not just to the United States, but the National Capital Region because boring reasons. Nonetheless, the echoes show … you know? I think it’d be keen if one of you guys scored a bunch of holographic technology, and also really high-end streaming equipment, and just streamed my favorite lives to the comfort of my living room, a life-sized Nadeshiko in among the detritus of a life spent doing little of what it’d like to be doing.
The eminently crackable enigma that is Dots has been one of the best stories in idol from the very second that they debuted last year, and every new event and release seems like an even more ambitious project of art and performance than the last. Oh, and their music is exquisite, too.
My only regret about this upcoming album(!) is that it’s not out until January: