Oh, happy Friday to me! We just kind of recently got a nice chunk of live video out of Living Dead I Dolls, and now they’re ready to really put themselves before the world with their first MV. I don’t think I need to say for what, given that you’re clearly a literate person:
I’m kind of rooting harder for LDID than most because they’re one of the very first idol projects that I’ve gotten to experience from their literal very beginning, and it’s been educational to see them develop (positively) and get to the point where they’re publicly releasing material (positively) and other than looking like they could maybe stand to have a sandwich or something, everybody seems fine. So far! It’s idol; the members could be kept chained in a basement for all we know.
It is the Official Policy of Homicidols.com that many voices can and should contribute to the discovery of idols and their music. Among those voices whose contributions are good and cool is Garry MacKenzie, owner and operator of the very good Idol Is Shit. This review is his.
You all may recall the twoposts covering Q’ulle‘s most recent music videos. You may also recall that Q’ulle, who are good, are good, and you therefore like them and appreciate their music and want to buy it. And as if you needed any more convincing, Garry believes that their just-released single, “Alive,” is more than up to par. Get started here, then visit his site for the rest. Continue reading →
It’s from the more electropop side of their work, which is fine. It’s also a great example of the things that I like to tell people about when they make that face and say “J-pop?” like I just said that I like to listen to Nazi marching songs: “Alive” might be the closest Q’ulle has ever gotten to aping the styles more typical to Korea and Europe (and, probably still, the United States), but it still sounds distinctly Japanese, especially the chorus.