Oh hey neat! I expected that Zenbu Kimi no Sei Da’s pre-warned announcement would be some kind of music something, what with the upcoming release of their let’s-re-release-a-ton-of-stuff-with-the-new-lineup album on the way, but did I expect that they’d come shooting out of the gates with one of the greatest, loudest, violentest, Codomomentalest idolcore songs ever put to tape? I did not. Am I absurdly pleased that they did? I am. Feast your ears on the re-recorded “WORLD END CRISIS”, only do it kind of fast because they put the ol’ two-hour limit on it and HAHAHAHAHAHAHAHAHA no, friend, just play along and then if you’re here after the link in the tweet dies, ol’ Uncle Maniac will still see you through:
We’ll do the usual shenanigans because, not because there’s gonna be a whole lot there.
Just take the jump.
Hi, this is where the track lives forever!
Where is Freud, indeed?
What is there to say, really? It’s still friggin’ “WORLD END CRISIS”, which frankly only gets better with time and always leaves me waxing what-could-have-been about Peak Codomomental. And they’re all still good! It’s just, there are apogees out there, and you begin to understand the whole thing with Sisyphus once you’ve reached the top of the hill and let that rock slip just the tiniest bit.
This is a good version, though. The shuffling of roles within the song took me a minute to adjust to, but the real highlights here are always the dual screams, and while I’ll admit that I’m waffling on whether my girl Yotsu is in the same position as before or whether she took on the Shidare role, I still think that this sounds like the gold standard for idols shredding their throats to really expose those emotions. What a song.
The remix album is out at the end of July. I hope they give us more on the long road to that point!
What’s so weird isn’t that YouTube showed me this on time (but that is also weird), or that I felt like I’d not only just seen it like a month ago (referencing), but that I looked at what I had ahead of me for the day and immediately thought OMG I HAVE MINUTES! So hey, let’s blog about it!
Here is the trailer, which is also a very considerate preview for the MV that I’m sure is now going to arrive within the next five calendar days, and probably at the least opportune of moments:
Boxing! Good concept that works with the title track; kind of loses steam when it’s just a loop and the track moves on. But it sounds fun!
Also great to hear* that Yura has apparently learned how to channel Saki directly.
*There’s a really long story here, but tl;dr I suddenly hear a lot of stuff better and the extra clarity kind of blows my mind sometimes, and also everything sounds just a little bit different
Well well well! I was prepared for a really easy, walkaway Saturday morning, but of course the idols who invented Codomocore, who despite their second 40% membership overhaul in … good lord, a long-ass time, Zenkimi’s officially old now! Who despite having just undergone all of that have been surprisingly quiet of late. The whole company has, in fact, but this week started to open things up, from the updated name for KAQRIYOTERROR to yesterday’s announcement of the ssixth single from Yukueshirezutsurezure*. And yeah, now it’s time for Zenbu Kimi no Sei Da with the biggest announcement of all, a new single and a big-ass album’s worth of re-recordings with the updated membership:
You know you’ve been asleep at the wheel for a little while when you see something in your feed and then spend several minutes trying to figure out if it’s new, but if it’s new to you if it’s not new, period, and then if it’s not new to you but you were actually functionally aware of it. That was me as of about four minutes ago, staring at Twitter and trying like hell to remember if BURST GIRL, now into their second year as a self-managed chika idol bomb squad, had made the fact that they have a June album in the works known, and if the meme-producing website that’s endlessly supportive of them had made use of this information, and if so what next.
Well, we did know, thank goodness, but heck go read that and clear out your own personal cobwebs*, too, because RIOT could well wind up being the release that you need to make life go boom in that loud, satisfying kind of way:
Well that’s certainly a fun ride! I’ll admit that, seeing the video still, I had hoped for a full digest or even just a more substantive teaser. That’s okay, though. It’s not like we aren’t all fairly familiar with the material, or one of last year’s favorites at the very least.
And in continuing the quick recent trend of things being announced and/or released on the final day of the Heisei Era, we have QUEENS, who are lots of fun anyway but capable of turning that all the way up to 12 just to spite your grumpiness you big, grumpy bear, who announced at their one-man the release of their first full album for June by dropping an MV that I just very loudly said on Twitter that I’d anticipated, which turned out to be for the wrong reasons by bear with me!
First, the MV that I urge you to take Dramamine before viewing:
Shihatsu-machi Underground has been on absolute fire these last few months. This is relative, of course, given that 2019 will already be remembered for its rash of stunning and terrible graduations and has been short on great releases so far, but let’s not take anything away from this delicious project and the work they’ve put in and one of my favorite pieces ever written for this site being about them.
Anyway, on top of all of the little promo clips that they’ve spent literal months trickling out in an attempt to get you to notice them senpai, today was the drop of an MV that absolutely nobody in my tiny sample size has had anything to say about yet because they’ve been too busy hyperventilating:
And that right there, friends, is one of your early contenders for a whole mess of awards! Continue reading
It’s out already, right? Shihatsu-machi Underground’s album? I feel like that’s right. I tend to base these things off of when MVs are released for a whole host of reasons ranging from laziness to shortcuts. But anyway! All of those previews that they teased out over the early course of the year, they were pretty slick, weren’t they?
Shihatsu-machi P apparently wants you to have a little bit more, so get to it:
I want to meet the people for whom that isn’t super enticing. I want to learn about how much they hate puppies and fun, and I want to show them my pity for them to their faces. There are a lot of things to read into that snip, and every single one of them is capable of inspiring happiness.
Some bonus photos because I’m excited for the members:
From digest to short-version MVs, PassCode’s pulling out the usually promotional rotation for the CLARITY album, which is yes now completely out on all platforms, so stop wasting time and start jamming this stuff into your brain via olfactory orifices:
If this is what passes for a “short version” anymore, what’s even the point of shortening?
Things have been quiet on the BiSH front lately, haven’t they? Sure, sure, they announced a big-ass new tour with an awesome theme, and they have all of the usual tie-ins and promoted merchandise and all that jazz, but … yeah, the thing that put BiSH on the map in the first place (their music) was kind of bereft of attention, and by all parties it seemed. It seemed.
Because what better day to near-guerrilla-drop a new album in a split concept over a 30-day span than April Fools’ Day?
You may have already heard the previous, uh, previews of the upcoming PassCode album, which … well look at who’s advancing to the Final Four in the Corenament! HOW APPROPRIATE. Anyway, new album, coming out Wednesday, and here’s a very full digest of the entire thing: Continue reading