Feeling really unmotivated, folks, but sometimes the best therapy to facing the idoling loss of two of the most important in it to you as one of your favorite groups disbands is to force-listen to and then share via your fancy idol website an ongoing mess of new material from a successor of the group one of those favorites founded almost a decade ago and then the other favorite joined a few years later. You know?
Yeah, I thought that the huge-ass Weekender Idol in Focus entry was timed well enough to sufficiently put a cap on this smorgasbord of individual track releases from CARRY LOOSE, but boy is my face red now! So let’s cope together with this new MV of theirs and listen to it all and download. Continue reading
Official Homicidols Dot Com WACK Correspondent and Dank Meme Strategist Kerrie is temporarily out of action due to technical difficulties, so, in the interests of making sure that somebody said something (crucial!) about the new GANG PARADE MV — from their first truly major-label album — I have stepped into the breach.
Hey neat! A GANG PARADE MV! From their first truly major-label album! Surely there’s no way that WACK’s most consistently unpredictable group would lean into the kind of easy-out balladry that was too often at the heart of their prior iteration just because they’re now on a truly major label!
Also this is a hell of a look:
You may have noticed yesterday that Babymetal — the literal reason for the season, the thing that brought me here, still capable of being the most powerful entity in the universe — dropped another video in the run-up to the impending release of the extremely-anticipated Metal Galaxy album next month. I thought about just tossing a post into the ether in response, but no, friends, the Official Policy of Homicidols Dot Com is that Babymetal is supreme for a reason, and when a thing is supreme and also one of the only reliable cornerstones of the Legends category that sorts our content, that thing deserves more than a hastily scribbled ZOMG reaction. Let’s do whole paragraphs instead!
So the song is “Shanti Shanti Shanti”, which by the title alone would give away a certain touchpoint with the subcontinent; if you’re still unfamiliar, though, and you’re either personally South Asian or as personally adjacent as yours truly, you may find yourself surprised at how few non-Babymetal tropes are actually employed.
Such philosophical quandaries are not for the faint of heart, nor for the enterprising fancy idol blogger to contemplate too dang hard because these Codomomental previews blink back out of existence just as soon as they appear. We can deal with existential questions later!
For now, this morning brings us a preview track from Yukueshirezutsurezure’s upcoming album of remixes and re-recordings and all that jazz. Which I think I didn’t know about! That’ll happen when you disappear for a couple of weeks. But fun, I’m glad that’s happening. Take a good cue from a good Zenkimi thing. Anyway, your song:
Two hours are fake, yada yada. Continue reading
Idol supergroup APOKALIPPPS have been active for a while now, but unfortunately a bit out of reach for us Western fans. The group is still very much an indie thing and their previous singles haven’t been terribly assessable due to their limited distribution, so supporting the group has mostly consisted of cheering the group on from afar…
Well, cheer up peeps, because the APOKALIPPPS is finally reaching worldwide!
The wonder group has self-released an EP, “APOKALIPPPS ONGEN”, and it’s also seeing a digital release via the major streaming networks, so you have no excuse to sleep on it! I eagerly decided to give a listen…
Hey! I only have a minute so forgive the blow-through, but check it: The everlasting joy that is Zenbu Kimi no Sei Da, who are in the midst of releasing a remixed, re-recorded album of past hits with the updated membership, just keep sending out previews, as you could probably have inferred from the title of this post. Well, there’s another one today, and this is right under the wire!
“Oh noes!” you cry out, “I may be too late!” And to that, mis amigos, I say, have you not been paying attention to Homicidols Dot Com and our wink-and-nudge relationship with Codomomental all these years? Just look after the jump! Continue reading
So with time a-wastin’ for the physical release of their latest album (their third) (because you could have been streaming it for weeks!), Toricago went the route of prepping us metaphysically by releasing … well, it’s a lyric video. But rather than the industry-standard I-cranked-this-out-on-my-Mac-in-a-couple-of-hours approach, this one does at least have some style to it, and the song’s lovely in its way and yeah I know that there’s going to be more postable stuff from one of the best things about last year’s class of debuts, and soon, but it’s been too long and also this is at least named for one of my favorite personal years, so:
So Wagamama Rakia, who were low-key one of the big breakout success stories in chika idol last year along with temporarily fluid membership situation and goodness knows what all else, I lost track, have an album on the way. Like, imminently. And, as is smart and good and hale and all that, they dropped a trailer for it yesterday. It is, however, one of the more unique trailers that I’ve ever encountered.
The run time is 4:02. In your own personal realm of experience — which of course can vary based on a whole mess of factors — and assuming that all songs on the album are given approximately equivalent feature time in the trailer, how many tracks do you think it contains? tHe AnSwEr MaY sHoCk YoU! Continue reading
I really appreciate how Codomomental groups telegraph their moves so well — it means that I sat here with my finger on the trigger, just waiting for what I assumed would be the next preview track from their upcoming album of remixes and re-recordings (new members and all). A couple of weeks ago, it was “World End Crisis” and wew lad was that potent; today, it’s a trip further back down Memory Lane to some of the most OG of OG Zenbu Kimi no Sei Da material, but with an update!
Two hours, but you know the drill. Continue reading
Oh hey neat! I expected that Zenbu Kimi no Sei Da’s pre-warned announcement would be some kind of music something, what with the upcoming release of their let’s-re-release-a-ton-of-stuff-with-the-new-lineup album on the way, but did I expect that they’d come shooting out of the gates with one of the greatest, loudest, violentest, Codomomentalest idolcore songs ever put to tape? I did not. Am I absurdly pleased that they did? I am. Feast your ears on the re-recorded “WORLD END CRISIS”, only do it kind of fast because they put the ol’ two-hour limit on it and HAHAHAHAHAHAHAHAHA no, friend, just play along and then if you’re here after the link in the tweet dies, ol’ Uncle Maniac will still see you through:
We’ll do the usual shenanigans because, not because there’s gonna be a whole lot there.
Just take the jump.
Hi, this is where the track lives forever!
Where is Freud, indeed?
What is there to say, really? It’s still friggin’ “WORLD END CRISIS”, which frankly only gets better with time and always leaves me waxing what-could-have-been about Peak Codomomental. And they’re all still good! It’s just, there are apogees out there, and you begin to understand the whole thing with Sisyphus once you’ve reached the top of the hill and let that rock slip just the tiniest bit.
This is a good version, though. The shuffling of roles within the song took me a minute to adjust to, but the real highlights here are always the dual screams, and while I’ll admit that I’m waffling on whether my girl Yotsu is in the same position as before or whether she took on the Shidare role, I still think that this sounds like the gold standard for idols shredding their throats to really expose those emotions. What a song.
The remix album is out at the end of July. I hope they give us more on the long road to that point!