I alluded to this one yesterday, team, and I’m still buzzing a little bit from getting a chance to have a real-deal conversation with the man behind Guso Drop, 2&, Hoshina Fumimi, Himegoto Zettaichi, ancillarily Screaming Sixties, formerly Poroporo Baroque, and so on. Folks have been dying to know the score ever since it was announced a few weeks ago that Guso Drop was going to disband, and, while Daichi has been pouring his heart out on Twitter, there have been oh so many questions.
Krv is the real hero here — because he’s friends with Daichi in addition to being a fan, he offered to hook up an interview, and then provided real-time translation over LINE, and at an ungodly hour for his timezone to boot. I have the patrons to thank, too, for providing a really good starting place in terms of questions and topics. I ultimately cut this about in half by combining thoughts and letting Daichi do some of the driving, but I hope that we were able to get to the gist of what you were curious about.
I was just hoping that I wasn’t going to offend anybody.
So! Have you ever wanted to get into the head of an idol manager? What about an idol manager who’s in the midst of ending his flagship project? Or an idol manager who’s always looked at himself as a musician first? Or even just a guy who’d say:
If he throws a dinner party with human flesh on the menu, I’d probably go along!
You know what’s really satisfying about having put together a few thousand posts about a few hundred idols? It feels like there’s always something to talk about, even something new. I started dedicating little content spots over the course of the week to regulate that a bit. Thursday Hurtsday, though, can be a little difficult to meet up with, to the point that I sometimes have to stretch the concept to make it work.
Fortunately, this week has a bunch of really loud stuff!
Hey team! It’s been a mess of a morning, but I didn’t want to let it get away without a proper Thursday Hurtsday entry; and, thanks to a friend, I’m even changing up my original plans.
One of last year’s toughest graduations was Saki from Guso Drop. It was all a positive career move over all, and has so far led to some fairly wild stuff from the new blood among the Heaviest Idol in the World, plus good developments for Saki in her solo guise as 2&.
When it was announced that Saki, the group’s original center, was graduating from Guso Drop at the end of last year, folks were understandably upset — for as much as Boss Rei is the spiritual heart of the group (and, you know, also the boss), Saki was its soul, a true singer who could bring the screams and shouts with the best of them. They even retired her color along with her.
It was also taken with a grain of salt; Saki’s departure from Guso Drop wasn’t an end for her, but a change, as she’d be shifting her career permanently to her other project, 2&. You can even look at her final live with Guso Drop as the end of an era for the group more than for her.
Anyway, now doing 2& full-time, Saki is able to keep doing what she loves, and we get to keep watching her do it. Continue reading →
Guso Drop (and 2&) was scheduled to perform at 11:00 a.m. as the opener-opener of this big ol’ idols-and-stuff event, but somebody involved in that process screwed up, and the fans weren’t being let into the performance area until the very last minute, and the stage wasn’t ready, and …
Fortunately, this is Guso Drop we’re talking about; they just improvised: Continue reading →
Among all of the brutal graduations of 2016, the departure of Guso Drop’s Saki from the group she’d help make into the underground’s heavyweight champions was understandably a sad loss for fans (and poor Boss didn’t seem to be taking it well, either). The final live with the group’s long-time center was, of course, a very fun show, and it also brought out an old friend and the new guns.
Guso Drop just wrapped up a little international tour in Taiwan (which I’d have covered more except I only found out about it as they were finishing it oops), and when Guso Drop does a set, so often too does 2&.
For the uninitiated, 2& is Gudro’s own little red center, Saki, performing solo as the still-going remnant of a project that actually pre-dates Guso Drop; originally a duo, she kept it going under the fun little slogan “Saki+You=2!”.
Pretty cute for a woman who probably likes to pinch children just to hear them cry.
I don’t give enough attention to 2&, arguably because it’s mostly Saki’s side project, but it is a big favorite for people into the scene that Guso Drop kind of leads, so mayhaps we can look to incorporate it more going forward. Whether it’s busking in the streets or doing a 30-minute stage set, 2&’s always a good time.
I always feel badly for not giving enough attention to Oyasumi Hologram, who are as game-changing of idols as its gets but who, like some others that I personally like a whole lot, are really best fits on the Sister Site That Come On You’re Never Actually Going to Do It Shut Up You Jerk.