“Naw,” I said, thinking of money spent and unspent and obligations looming, “I’ll have to pass.”
That right there was me a few weeks ago when offered a chance to score a copy of Saki’s latest 2& single. I like Saki’s work, quite a bit in fact, but the truth is that I make so few actual purchases of idol CDs, and “lately” has been a really long time of not wanting to splurge on things that didn’t necessarily need to be splurged on. I talk myself through these moments by focusing on what’s right in front, by ignoring the Fear Of Missing Out that led Young Maniac to make all kinds of terrible, impulsive decisions, and I look for (almost always legal and morally sound!) ways to access new music. Hell, ask the poor guy who thought he was going to sell me a whole mess of sure-to-be-difficult-to-acquire-in-the-future Yanamyu stuff recently; I don’t have a polite, family-friendly metaphor for how hard I pulled out of that discussion once the dollar amounts started to get kicked around.
5:00 a.m. Outside, snow. Not only did I have to drag myself to work , I then somehow had to get myself from there to Meguro with very little time to spare. Luckily, through some fortuitous turn of events, the snow melted faster than it fell and so my road home was relatively clear. And then the road to the station was even more so. So clear, in fact, that every traffic light I reached turned green upon me reaching it.
I ended up being early on every train I had planned to be on, and so rather than going straight to Meguro, I headed to Ikebukuro with Dean to get the best karaage in the world. It’s also the shop that does weirdcollaborations with Alice Project, though their normal karaage is far better than those could ever be. Amusingly the shop’s history with Alice Project caught up with us, as Maipuu (to me she’ll forever be “minefield”) turned up as we were waiting, recognised Dean (who used to visit PARMS far too frequently) and then hid behind a corner until we disappeared. I guess she was there to stick her feet in the batter or something. Continue reading →
Okay, I’ve been complaining a lot. Imagine being the podcast guys! I can horse around in WordPress for 15 minutes and make a thing happen — they have to plan out a whole show and then do all the graphics and video and stuff, so lulls in idol season must be an extra level of hell, or at the very least annoying.
I’m done complaining for a minute because 2& dropped this wonderful gem on the world yesterday, and it’s all that I need right now:
Punk rock as hell? She made the entire thing herself with the camera on her cell phone; you tell me. Continue reading →
I alluded to this one yesterday, team, and I’m still buzzing a little bit from getting a chance to have a real-deal conversation with the man behind Guso Drop, 2&, Hoshina Fumimi, Himegoto Zettaichi, ancillarily Screaming Sixties, formerly Poroporo Baroque, and so on. Folks have been dying to know the score ever since it was announced a few weeks ago that Guso Drop was going to disband, and, while Daichi has been pouring his heart out on Twitter, there have been oh so many questions.
Krv is the real hero here — because he’s friends with Daichi in addition to being a fan, he offered to hook up an interview, and then provided real-time translation over LINE, and at an ungodly hour for his timezone to boot. I have the patrons to thank, too, for providing a really good starting place in terms of questions and topics. I ultimately cut this about in half by combining thoughts and letting Daichi do some of the driving, but I hope that we were able to get to the gist of what you were curious about.
I was just hoping that I wasn’t going to offend anybody.
So! Have you ever wanted to get into the head of an idol manager? What about an idol manager who’s in the midst of ending his flagship project? Or an idol manager who’s always looked at himself as a musician first? Or even just a guy who’d say:
If he throws a dinner party with human flesh on the menu, I’d probably go along!
You know what’s really satisfying about having put together a few thousand posts about a few hundred idols? It feels like there’s always something to talk about, even something new. I started dedicating little content spots over the course of the week to regulate that a bit. Thursday Hurtsday, though, can be a little difficult to meet up with, to the point that I sometimes have to stretch the concept to make it work.
Fortunately, this week has a bunch of really loud stuff!
Hey team! It’s been a mess of a morning, but I didn’t want to let it get away without a proper Thursday Hurtsday entry; and, thanks to a friend, I’m even changing up my original plans.
One of last year’s toughest graduations was Saki from Guso Drop. It was all a positive career move over all, and has so far led to some fairly wild stuff from the new blood among the Heaviest Idol in the World, plus good developments for Saki in her solo guise as 2&.
When it was announced that Saki, the group’s original center, was graduating from Guso Drop at the end of last year, folks were understandably upset — for as much as Boss Rei is the spiritual heart of the group (and, you know, also the boss), Saki was its soul, a true singer who could bring the screams and shouts with the best of them. They even retired her color along with her.
It was also taken with a grain of salt; Saki’s departure from Guso Drop wasn’t an end for her, but a change, as she’d be shifting her career permanently to her other project, 2&. You can even look at her final live with Guso Drop as the end of an era for the group more than for her.
Anyway, now doing 2& full-time, Saki is able to keep doing what she loves, and we get to keep watching her do it. Continue reading →
Guso Drop (and 2&) was scheduled to perform at 11:00 a.m. as the opener-opener of this big ol’ idols-and-stuff event, but somebody involved in that process screwed up, and the fans weren’t being let into the performance area until the very last minute, and the stage wasn’t ready, and …
Fortunately, this is Guso Drop we’re talking about; they just improvised: Continue reading →