RAY Drops a Visually Stunning Meteor of Emotions and Reverb…

It was just mere days ago we were talking about that wonderful footage of RAY performing live in Taiwan, and we took a moment to also mention that the group will also be releasing their first single/EP, entitled “Blue”. The release has lovely cover art and an extremely impressive roster of collaborators. Now we’ve been blessed with another highly anticipated track on the disk, “Meteor”, featuring an instrumental arrangement by Elliot Frazier of the highly regarded Austin band Ringo Deathstarr!

This is one of those times and RAY is one of those groups where I try to remain self-aware of my effusive praise and realize that if I get too over-the-top raving about how much I love this, I run the risk making some of you question if my judgment is clouded by my gushing enthusiasm. Yeah well, I’m raving cause Holy Moses I love this song to the moon and back.

Even if this wasn’t one of my favorite groups currently on the scene, I’d be still incredibly excited and wanting more. The wash of the guitars, the reverb, bubbling bass and the drums are just perfect examples of the musical influences of this group. And the lush, almost buried (Sung in English, no less.) vocals are beautiful indeed! There’s a bit of a half-joking argument in shoegaze circles that in this genre, the vocals need to be barely heard and nearly indecipherable to be truly gazing at shoes, and this certainly does that, adding a delicious air of mystery to the song. (The actual lyrics are in the YouTube description, by the way.) 

As for the MV, it’s just gorgeous, brimming with sensory overload and yet an underlying feeling of melancholia. It intimately captures how a megacity like Tokyo can be at equal turns exciting and bursting with bustling activity, but yet at the same time be the most oppressively lonely place on Earth.  Notice how the MV begins with high-tech consumer-driven dazzle, but by the end, mundane images of street cleaning and trash collection work their way in, as the superficial wonder of the city gives way to garbage bags and emotionally exhausted people hanging their heads low on the late-night streets.

There’s so many amazing shots here, from the wide pans over the busy intersections to the close-ups of pay phones and long treks down vacancies corridors, that tell us a dozen stories at once. And binding everything together is RAY member Marino Kai wandering through it all, trying to simply get through this night and maybe hopefully finding something better tomorrow as she pauses to silently sip a beer.

RAY is delivering on it’s every promise here. A beautiful merging of music, art, and the concepts of idol in complex, fascinating ways, with collaborations by top talent. I hope this upcoming release really puts them on the map, and that people everywhere take notice. I would love to see this group visit Austin and perform at SXSW, showing the real potential of this genre beyond the old idol tropes and stereotypes. Here’s wishing them the best! 

https://twitter.com/_RAY_world/status/1180784780381569024?s=20

 

 

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