#idolvalentines Are in the Air!

Valentine’s Day is a perfect holiday to be an idol fan, isn’t it? What better way to celebrate idol adoration than to reimagine those ultra-innocuous little slips of paper you handed out in school as meme-esque riffs on the ultimate icons of platonic affection. It’s just too good to pass up, which why we’re once again diving into our #idolvalentines celebration!

I think most of you know the drill, but humor me as I explain it anyway. All you need to do is come up with some cute Valentine’s Day card ideas and share them via twitter with the tag included. The only real rule is that you have good, clean fun and enjoy yourself. You may use whatever creative tools you have at your disposal, it’s all good with us!

And just because Team Homicidols are extra good sports, we’ve got few transparent .png file templates (Just save the images) for you use if you so wish … Continue reading

Unleash Your Literary Muse For Today’s Friday Fun…

Helloooo and welcome to Friday, everyone!

“Hey! What gives? You’re not Kerrie!”

Oh gee, sorry peeps, yeah, it’s Brian. Kerrie is off doing cool stuff and we’re doing fun by committee for this week! I know, I know, but I can be fun, I swear. Just gimme a chance, okay?

“This better be good! And we better get Kerrie back soon!” 

Okay, okay! I know I’m not as much fun as Kerrie, but I think I can get a sensible chuckle out of you! Let’s get to it!

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Despair Not for the Dissolution of our Dearest Dots

Before dashing off this article too briskly, I took in the last evening to ponder yesterday’s announcement that the dot-chans have scheduled what will be their final live, do a little research to understand what I could, and also to reflect on where we go in a world without the beloved shoegaze idols we’ve come to know.

I know that most all of you who follow the group are already aware of the impending closure, because I heard from a number of you about it, some in personal messages, and others from reading your reactions online. It speaks to the unique specialness of this group in the way many of you expressed your thoughts with a feeling of personal loss and perhaps a sense of disappointment. Oshi-loss, as Kerrie refers to it, is a very real emotional reaction when you’ve connected to an idol who’s graduating or a group that’s dissolving. And although these dot-chans have largely maintained a sort of aloof anonymity, they still touched a part of each of us fans. It’s also very notable to point out, as this article from Matt Bedford of Muso Japan demonstrates, that the group succeeded in gaining followers outside of idol circles.

I did reach out to Japanese fans, and I also read the group’s blog entry containing the chan’s statements. I can tell you that amongst the fans, the announcement was a surprise, and there is no obvious tangible reason for the dissolution that’s been given. I can also tell you that the dot girls of Tokyo are going to remain just as mysterious as they’ve been right up to the end. Everyone is very much remaining in character, and I not only appreciate that, but I love that that’s how they’re going out. The more I think about it, I’m less interested in finding out the “why”, and more interested in celebrating what we knew. In their blog statements, the members of the group seem to be upbeat and positive to travel into their futures. I get no sense of sadness.

The group’s primary manager/producer/visionary also kept the mythology going, explaining that the ethereal manifestations that took the shape of girls will inhabit those forms for only a limited amount of remaining time, and then the end of that time on Earth is here. The dot-chans were always meant to be impermanent, and so they move on to new planes of existence.

If you really want my non-mythology theory, I believe the dots are disbanding for the very best of reasons: Because they’ve largely achieved what they set out to do. Now they can go explore new things in their lives which may or may not include obsessive fans and metaphysical concepts. (There’s also the matter of this being a nearly no-profit industry, but I think that’s a given with most art-driven projects.) Some time ago, it was hinted that there was a new project underway that I thought was going to be a sister-group to the Dot-chans. That project is still happening. So far, almost nothing has been revealed about it except that it’s continuing the innovative high art concepts that Dots have broken ground with. I believe a torch is being passed, and it’ll be exciting to see what’s coming as this new project takes a tangible shape.

I want to tell you dear people reading this: Do not anticipate this event with despair, but rather look forward to the new things to come. Don’t miss the Dots with sadness, but remember them fondly with affection. This is the way of things, and like a passing satellite in the sky, it’s something you should cherish for simply having seen it.

The dot-chans will have their final live on March 24. They will also have additional activities building up to the last show. And since they still have unreleased recorded material and more songs, including another great tune written by Azusa Suga of For Tracy Hyde, (The video posted above!) I also suspect that they’ll have some more musical output to be consumed as well. I know the fans will support the group to the fullest and send them off in celebratory style, because they deserve it.

Now let’s thank Dots for what they gave us and wish them the very best.

NaNoMoRaL Grace Us With an MV, a New Song, & Lots of Feeling…

The power duo NaNoMoRaL have been charming us with some really terrific music since last year, with their debut EP “Nisan ka Tanso” being one of my personal favorite releases of 2018. When you combine Amamiya Miku‘s raw, emotional vocals, and terrific stage presence with Kajiwara Paseli‘s tech wizardry and secondary vocals, you have a group that’s proven themselves to be a unit worth watching.

I feel like 2019 could be a highly eventful year for these two, so it’s welcome news to see their first true “MV” finally released, and it’s for a new song at that!

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Meet avandoned…

The idol world doesn’t slow down for a second, does it?  And especially so if you’re one of the busiest bees in this bustling business, that is Beni Usakura. In a relatively short span, (especially in idol years), she’s gone from an abandoned audition candidate to group member to group leader, organizer, producer, marketer, and all-around DIY master of a hearty never-say-die group that is a breathing manifestation of her creative energy.

During the entire taxing process of preparing for Kotao’s departure, she’s been holding auditions for new members to keep her beloved group’s legacy going. Beni decided to tease us a bit for a couple of days, but at last, we’ve been introduced to her first officially inducted member… Continue reading

There She Goes: Beni and The Childish Tones!

Hey, I know we’re dealing with the impending graduation of Kotao from Avandoned and of course, it’s a monumental upheaval for a very special group, but if there’s one thing I know, Beni is never ever going to slow down for a single minute. She’s gotta be hands-down one of the hardest working people on the scene, and her latest endeavor is one to really be excited over, a 45″ single collaboration with her friends and frequent stage partners, The Childish Tones!

I’ve been looking forward to this since it was announced, but waited to see if maybe we’d get an MV or something to go along with the details, and now here we are! The record consists of Usabeni and The Childish Tones on two tracks, one being a cover of the classic Nick Lowe power-pop number “Cruel to be Kind”, accompanied with a cover of The La’s “There She Goes” for the b-side!

Yesterday an MV was shared for the La’s cover, and it’s a delightful trip to twee-town once again with Beni: Continue reading

You’ll Melt More Want You To Know: “Where There’s Life, There’s Hope”…

True to form, You’ll Melt More! have continued their prolific effort to create an MV for every single song they record, which is a custom I totally endorse and encourage. And so here’s the third and final chapter of their “Never Give Up Drunk Monkeys” EP release, a lovely and positive set of sound vibrations and rhythmic vocalizations that they’ve provided with the translated title “Where There’s Life, There’s Hope”….

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Melon Batake a go go Are Still SICK IDOLS And Thank Goodness…

Everyone’s favorite psychobilly melon idols from outer space have returned with another MV! This time it’s “SICK IDOLS” which is the lead-off track to their album IKASUZE IDOL, which technically is already floating around in a live-show only CD form, but next month will see major-label distribution (with more tracks and and a “1.2.3!!” added onto the title.) via Columbia Japan Records. Go get yer popcorn and dig in…

It’s a terrific song! But y’know what’s great about this video? It’s a perfect example of what you can do without spending a ton of money and relying on a lot of heart to make fun things. Just like the b-movies that the Melon girls wink at, there’s a spirit here that big bucks and CGI just can’t match. Continue reading

Akko Gorilla Celebrates Personal Freedom With GRRRLISM…

“Akko Gorilla? C’mon man, that ain’t idol.”

Yeah well, hear me out here… while maybe not really an idol in the narrow sense, Akko Gorilla did perform on the “Smile Garden” stage at the Tokyo Idol Festival this year, plus she’s tight with lots of cool people we like on this blog, and most importantly, makes fantastic next-level music with a skies-the-limit crossover potential. It’s crossed my mind several times that I thought she deserved some “Friends of Homicidols” coverage, because what’s she’s doing is amazing and really deserves to be heard and appreciated. Earlier this month, Akko made her major-label album debut with “GRRRLISM”, which I’ve been listening to a lot over the last week and decided this is the window to finally induct her into this website. If you like nontraditional rappers like Charisma.com and KOM-I of Wednesday Campanella, then you should definitely dig into this. So c’mon ya’ll, let’s talk about Akko Gorilla…

The first time I heard Akko Gorilla was in 2016 when she released her debut, “Tokyo Banana”. (She had been building up a name for herself with MC battles at the same time.) Her first album’s got this lo-fi and organic vibe that is perfect for Akko’s hyper-speed flow of words: Lot’s of live drums and natural bass with a cool vibe that one doesn’t usually get from a lot of over-produced, glossy hip-hop. If you haven’t listened to Akko Gorilla, I might suggest you go ahead and start there so you can trace her growth over the last few years.

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Do Maison book girls Dream Of Electric Sheep?

It’s just like me to offer to write a quick-take on a topic that really has a lot more going on than just a simplified quick-take!

The MV for Maison book girl‘s recent album’s closing track “Yumea” (Dream) entered public consciousness over the weekend, and it’s a beautiful piece of visual art. If you watched it on a pure surface level with no backstory about it’s intent, it’s still a gorgeous experience in the arena of sound and vision. I’m thinking it’s reasonably safe that the highly loyal Bukuga fans out there have already seen it, but I recommend a rewatch anyway, and if you haven’t, please take a moment. There won’t be a quiz or anything, but it’s important to understand what we’re discussing, and also, it’s a great song and you just really should…

The opening scenes are a questionnaire session leading into a sleep test in a medical facility. It’s then followed with a series of dreamy visuals of girls in headphones looking all introspective. Okay fine, so girls in headphones looking introspective on bus rides isn’t terribly groundbreaking, I’ll cede you that point, but those surreal images that pulsate in time with the odd flickering sound in the song, what’s that about? Well, the end of the video is kind enough to help explain that, and that’s where one realizes the true beauty of this MV. Continue reading