Though “new” is kind of a misnomer, I guess, given that the former POP has been on such a great roll for months and months now, but this companion piece to “GANG 2” still makes the grittier take feel fresh:
I didn’t get a chance to share this one yesterday, but my oh my have I been listening to it.
Like, I just warned you all about Toricago the other day, all but beating you over the head with my very hot take that this is a group that’s got it, and here they are with just the latest exhibit:
This started off as a Weekender joint, but I had one of those moments where you realize that you’ve been forgetting about idols that you really like simply because there’s too much dang idol and other stuff, and they’ve been a little off to the side of the radar, and whose fault is that but your own? Exactly.
Under Beasty, The Super-Indie Idols Who Could, one of those groups that I’ve pretty much always and pretty much always will champion if for no greater reason than their ability to prove that even the totally self-produced can make this wild game work, have had a pretty good ride of things over the years. They’re not even super-indie anymore, having hooked up with actual management along the way and gotten a strong enough budget to release stuff like this and put on decently sized one-mans.
So consider this a celebration of them, in a way, because this right here is what I wanted to Weekender:
— 公式⭐︎アンダービースティー (@underbeasty) May 22, 2018
— 公式⭐︎アンダービースティー (@underbeasty) May 22, 2018
But there’s more going on, and they deserve a fuller post. Continue reading
Good lord, what a thing to step into first thing on a Wednesday.
Minna no Kodomo-chan, winners of the Corenament, owners of some of my very favorite idol-related music to date, a teen chika power duo if there ever was one, an entity that manages to loom immensely despite the cumulative height of its members being about 8′ (it’s the backboards, I’m sure), have an album that’s out today. You have no doubt endured my barely contained hype, as I have been all kinds of excited since the day that it was announced, and I was practically giddy yesterday when they made it clear that an MV was going to happen this morning.
Friends, did it ever:
If you’re wondering why it took me well over an hour to get this out, it’s because I wasn’t in a place to heart react immediately, and I just spent most of that time struggling to get to where I needed to be to finish this post. And, sometimes, time is gift — you can think things through and mull them over and force-listen to a piece a few more times. What a gift, man. Continue reading
I don’t know, did I miss something? It did seem like the queens of all media were making more noise than usual, what with “PAiNT it BLACK” and the Aina butt video still fairly fresh in mind; if they were to announce a new record, it would be for a little while away, right?
Try next week:
— BiSHオフィシャル (@BiSHidol) May 22, 2018
A good while back, I speculated that PassCode would not just join the Idol Invasion, but might be a prominent player in it. After all, between VIRTUAL and the “MISS UNLIMITED” single (and the signing with Universal), they were riding as high as anybody through 2016, including on gaijin shores. The ever-necessary English-language videos followed. It wasn’t a leap to expect them to arrive, maybe even in 2017, and possibly even put together a mini-tour.
The next year wasn’t so kind. “bite the bullet” didn’t seem to excite people the way that previous materials had, and ZENITH, despite being pretty good, seemed to be missing something. The shine had worn off, maybe, or PassCode’s fairly narrow musical range was catching up to them. Regardless, just when momentum seemed to be at its lowest ebb since 2014’s epic re-launch, it was announced that Yuna was going on hiatus for real-deal health issues.
Was PassCode going to recover? I questioned it, I’ll admit. Human beings are natural front-runners — maybe because we understand mortality in an abstract way, or maybe because we just suck, we follow the brightest and shiniest of things even if we don’t like them simply because they’re bright and shining, and that bright shininess can rub off on us one way or another. To lose shine, though, is to basically forfeit it, because we definitely do suck and will simply, as a species, move on to the next shiny bright thing.
You can be surprised that 2018 has been a pretty nice rebound for ol’ PassCode, then, especially since it seems like they’re finally getting to test those international waters. Continue reading
It has been so goshdarned long, you guys, since Avandoned last appropriately graced these pages that I had this little twinge of hesitance when, finally finally finally, their post-hiatus return single finally landed, and we got the kind of MV that only Beni, Kotao and a small handful of like-minded creative weirdos would dream of putting together. One, as perhaps the twee-est of all twee alt-rock art idols, Avandoned only aligns well with the mission of Homicidols.com at about 80 percent of the same frequency as, say, You’ll Melt More!; two, this is usually Brian’s gig.
I can only imagine that my dude will forgive, though, as he’s probably still recovering:
That’s great, but please do “Explosive romance” next, please and thanks
Yeah, the video is quirky and off-beat and fun as all hell, and maybe that’s what Beni and Kotao want you to be paying attention to, but let us please consider this absurdly catchy, fun, jam-tastic little song all on its own merits for a minute: That opening beat had me wondering if Avandoned wasn’t taking a very obvious and deliberate cue from the Jackson Motherhubbard 5, but then the chords went all haywire and on a trippy Very Brady adventure we went. The Partridge Family would’ve struggled to keep up that kind of positivity. Continue reading
It’s a slower day in idol, folks, and I neglected to work the Soundcloud clips into the Weekender, so let’s all gawk at PassCode’s splice of the tracks available on “Ray”:
I previously called the title track itself maybe my favorite piece of new music of theirs since the release of “MISS UNLIMITED”, and this frankly backs that up well. It’s even structured a lot like that (pretty legendary-like, honestly) release, with the catchy Radio PassCode lead, and the Heavy PassCode and Heavy Dance PassCode B-sides. “TRICKSTER”, just in short form, is menacingly shaking its fist at many of my past favorite Heavy PassCode tracks, and I can’t wait to hear it in full. Continue reading
I thought it might be a good idea to check in on the Path to Oblivion that PLIC PROCK has been on, and I see that the final live has been scheduled:
— PLIC PROCK 5/29ラストライブ (@PLICPROCK) May 21, 2018
That’ll be nice. But man, what a letdown, and what a bizarrely poetic way for them to go out. Continue reading