First, apologies that it’s a little short. Translation difficulties I alluded to elsewhere meant that the chat was not as free-flowing as I had hoped. But hey, isn’t this the first post-Necronomidol interview with Sari?I’m pretty sure it’s the first one in English, so let’s claim that. Friends, Romans, countrymen: Homicidols.com presents…
Our story starts on the morning of the concert. I had been doing a spot of sightseeing in Bologna…
All over Japan there are young women doing idol performances for enthusiastic local wota, however we here in the wider world rarely get to hear of the acts outside of the Tokyo and Osaka scenes. Unless they decide to make an MV to show the world what they are all about.
So welcome Sapporo’s AYEAYE (Website | Twitter), a thirteen (or possibly even seventeen?) strong idol group whose Twitter has been around since 2014 but have only just released their first single. It may disappoint some to know that they are not a pirate-themed unit performing sea-shanty influenced metal or something – my guess is that they are named after the perpetually surprised-looking lemur species – but there’s a lot to love about this catchy little tune, driven by dark, brooding guitar with alternately smiling and glowering young ladies chanting over the top of it.
Aye aye aye my life until I die.
When we heard Merry Merli were coming back, there wasn’t a lot to go on, just a short clip saying they would restart on March 13. So what happened with that, I hear no-one asking? Their Twitter got reactivated, a website appeared, and the members of the rebooted Merry Merli were introduced. But I missed all that, until a new MV dropped yesterday.
That’s “Drink me, Eat me” and isn’t it pretty? I spent my first play through trying to work out why one of the girls looked so familiar and trying to work out what group I might have seen her in before. Turns out I’m stupid and that group was…Merry Merli, as Maria Otonashi was in the group the first time around and is now the centre — and the producer! Together with her new cohorts Yumeka and Elise they bring you a group with the theme “Alice in the bright and the dark side” and doesn’t that sound delightful?
Sorry metalheads, if this is all a bit soft and girly. They can do dark and spooky too, let me find you an old example …
Hands up who wants to see a new video of a pair of idols getting chased around by a pink hippo and playing cardboard instruments to an upbeat thrashy punk tune which then segues into something like listening to nursery rhymes on flu medication? Well, put your hands down again because this isn’t a “new video”, it came out six weeks ago and if you’re cooler than me, perhaps you may have already seen it.
*Your definition of fabulous may differ from that of homicidols dot com.
EDIT – We have a winner! Congratulations hrspp! To everyone else, better luck next time. If you’d like to have a go for fun, the solution is in the comments.
Hey YOU! Would YOU like to win some fantast…well some tangible prizes, just for doing a puzzle. Have a go at our enthralling and fun Idol Sudoku Chess Crossword puzzle!
Far too often, an idol act comes along, releases some stuff, tries to get the world’s attention, and fails, and melts away and is forgotten, sometimes in merely a matter of months. Usually this is because there was nothing particularly remarkable about them but, frustratingly, sometimes it’s because, despite being objectively sublime, there is seemingly something about them which causes the world to fold its arms and look the other way and say “No! No, I shall not listen!”, no matter how much you point and shout and whoop and holler . And then they’re gone, never to return. Except sometimes, just sometimes – if you’ve been a good little wota and the idol gods notice you – they do!