It was inevitable following the official re-re-launch of BiS that there would be quick next steps. No, I don’t mean the greatest post in the history of idol blogging; I mean a demo of some sort, something that sticks with the WACK playbook to give a taste of what’s to come without actually revealing anything of substance — the members are all still ghosted-out, after all. And that inevitability bore fruit today! This is apparently what we can expect to hear from the re-renewed Brand-new Idol Society:
Chika idol has a lot of room for a lot of things, and it’s possible that no project has grasped that flexibility quite as well as DAIDAIDAI, the DEMON TAPES-generated Osaka (of course) underground electro-pain merchants who’ve built out, built up and built strong the sonic legacy founded by PSYBOU KANOJO. Now approaching their third anniversary, the group has been incredibly steady — more on the music front than membership, but this is idol — while reaching for all manner of sounds and influences and visuals to keep every person who’d encounter them on their toes.
Speaking of membership, there is that (future) mass departure to acknowledge, but also a new single that we are now, friends, so lucky as to have it appear in our lives. I think this is what happens when a composer and producer get together to brain up a summer single for an idolcore group. Soak it in! Continue reading
Happy Saturday! This post comes to you, friends, at a time of fun and merriment. Yeah, it was another slower week, but big-time stuff took up the bulk of the activity, and we’re in that spring/summer crossover point where a lot of new groups start to emerge into the consciousness while the up-and-coming very excitedly promote to death their appearances at TIF and other festivals. It’s neat.
Not that most of that made it in here, of course, because I was asleep at the wheel for the most part, but that’s fine. My own personal end-of-tunnel light is shining a little bit, so I can hopefully get back into the swing a little bit and actually, you know, live up to my dumb name. I did decide, though, for want of time and availability and to keep things interesting, that Queen of the Scene is going to be a different kind of contest this year. No more tiaras, no more Official Oshis (sorry Saki, I did you wrong), no more wrestling — this time, we aim higher, and we choose for ourselves a different sporting event to emulate. Something … more international.
But that’s not now! That’s in a few weeks! Right now it’s time to not do more hard work, time to relax and retool and enjoy. For instance, the Fun, which should be tickling your brain right now. Also, the Weekender as a replacement for your morning coffee!
Nothing Replaces Coffee
The newest one from EMPiRE is such a good jam, you guys:
Malcolm Mask McLaren doing everything right here:
【次回のMalcolm Mask McLaren②】
Malcolm Mask McLaren6/19リリース「The Idiot’s Song 」発売記念イベント
会場：カレッタ汐留 B2F カレッタプラザ
— Malcolm Mask McLaren (@MMM_core) June 10, 2019
Inexplicable rabbit-themed multimedia project that often works through idol RABBITS Lab has something afoot:
【 拡散希望 】
— RABBITS★Lab.🐰“&“プロジェクト (@Rabbits_Lab) June 12, 2019
You got it, Yuki:
If I become a Zombie,do not hesitate to kill me🧟♀️💥🔫
— うてなゆき (@ute_nyan_) June 12, 2019
We got a new single coming from 969:
NEW SINGLE RELEASE
— 969 [クロック] 9/20新宿LOFTワンマン (@969official) June 9, 2019
Go get that new raymay single while you can!
【配信シングル「reset summer / jokers」配信開始！】
1. reset summer
— raymay (@raymay_official) June 11, 2019
And prepare yourself for new MIGMA SHELTER!
元THERE THERE THERES・レーレを迎えて初のリリース
— MUSIC NOTE (@MUSICNOTE_label) June 13, 2019
The gig looks amazing, but stick for the from track:
6月15日(土) OSAKA RUIDO
メルトミュージック – neo party
marble≠marble – トワイライト
from – humming pic.twitter.com/1jHEcge3lO
— from (@from_frominfo) June 14, 2019
Reminder: Maina is one of the unique vocal talents in this business
and is wasting her time in SSFW:
Idol in Focus
This week’s Idol in Focus is Ladybaby, who appeared at Anime Matsuri in Houston in what was sort of suddenly one of the quietest notable-idol appearances on foreign shores that I’ve ever seen. I guess that campaign against AM went pretty well! Anyway, a story told in pictures:
— LADYBABY (@ladybaby2015) June 14, 2019
— LADYBABY (@ladybaby2015) June 14, 2019
Mayor Turner had a great time cutting the ribbon, presenting a proclamation & touring the 2019 @AnimeMatsuri, an anime, Japanese culture & arts convention. Attendees will explore panels, workshops, Live Concerts and more. This year, he dressed as Goku from Dragon Ball Z. pic.twitter.com/OLIUUenAEw
— City of Houston (@HoustonTX) June 14, 2019
— LADYBABY (@ladybaby2015) June 14, 2019
If you’d like to be in the second generation of NEO JAPONISM:
— NEO JAPONISM (@NEOJAPONISMinfo) June 9, 2019
Similarly, the question of “what is happening with Lolisyn?” has been answered:
— 合法幼女症候群†刹那 (@lolisyn) June 14, 2019
I effectively canned the Oshi Digest because whether I could keep up with it got to be merely speculative, but it’s good to see the OG still being the damn OG:
— 瑳里 (@sari_mdr) June 14, 2019
Part of why I’ve been saying for literal years that idols coming West need to be doing gigs with reasonably established “local” bands is the kind of marketing reach that gaijin-senpai can give:
As announced at our FB live a few mins ago, Season of Ghosts will appear alongside dark idol band @NECRONOMIDOL ,16th of July, at @TheUnderworld, #London! Tickets: https://t.co/RtU9e6eCfD #necronomidol #idol #altidol #heavymetal #femalefronted #Jrock #concert #metal #ネクロ魔 pic.twitter.com/SYqzwHEGX1
— Season of Ghosts (@sophia_sog) June 10, 2019
Remember when BiSH was a plucky chika group that played gigs in all the Shibuya and Shinjuku clubs and hung out with other idols?
【6/25 OPEN MiND brokker HERE ARE BiSH 特典会決定！】
— BiSHオフィシャル (@BiSHidol) June 11, 2019
Our girl Kotao staying busy out there:
— trashup_records (@TrashupRecords) June 10, 2019
It’s official, GRATIA-ALA two-steps better than anybody else in idol:
— GRATIA-ALA 公式 (@Gratia_ala1218) June 2, 2019
Have a great weekend!
What’s so weird isn’t that YouTube showed me this on time (but that is also weird), or that I felt like I’d not only just seen it like a month ago (referencing), but that I looked at what I had ahead of me for the day and immediately thought OMG I HAVE MINUTES! So hey, let’s blog about it!
Here is the trailer, which is also a very considerate preview for the MV that I’m sure is now going to arrive within the next five calendar days, and probably at the least opportune of moments:
Boxing! Good concept that works with the title track; kind of loses steam when it’s just a loop and the track moves on. But it sounds fun!
Also great to hear* that Yura has apparently learned how to channel Saki directly.
*There’s a really long story here, but tl;dr I suddenly hear a lot of stuff better and the extra clarity kind of blows my mind sometimes, and also everything sounds just a little bit different
Vintage MMM with Ai and Mone and Nao was one of my low-key favorite things in idol (and Ai was one of my favorite people), and they established the formula (beginning around here IIRC); the new members had big personality shoes to fill, but getting right as distinct an identity in a field that’s all about identity? Bigger job. They’ve done it well so far; now does the latest single hold up?
You’re darn tootin’! Continue reading
Last week… Last week… what was last week? I just woke up.
— Zoozoosean (@BTposting) June 7, 2019
— ASUKA EMPiRE (@ASUKA_EMPiRE) June 8, 2019
— Christian Winsall (@toxicbreakfast) June 7, 2019
Did you read Daemon’s excellent review of NECRONOMIDOL’s newest output this week? You should! Go do it! Now! I’ll wait.
What’s that? You don’t have the time for long album reviews any more? Tut tut. Look, I don’t know what you do, but that’s really not on. There has to be a way to condense all the opinions and little details spotted of an idol release in a small, easy to read format, right? Continue reading
It seems like only last month that BiS split up. Again. And now they’re coming back. Again.
「Brand-new idol Society」のリリース決定!!
「Brand-new idol Society」
— BiS−新生アイドル研究会-オフィシャル (@BiSidol) June 11, 2019
This time we didn’t have to wait first for Pour Lui to get bored of being in an unpopular band; no it will not be long at all until Mr. Watanabe welcomes us back to enjoy BiS and their wonderful world of marathons, audition dramas, similar-sounding songs and marathons.
But while we celebrate their return, let’s also take a chance to look back fondly at the previous incarnations of BiS. Here are 12 facts you never knew about this legendary idol group.
I have entirely too much to say about the new BiSH song-and-video move while at the same time saying very little about it at all, so bear with me a minute. It’s like I saved all the words that I didn’t write over the past couple of weeks just for this one post!
Necessary intro: New BiSH MV. New album coming in under a month. Me? A mix of eager anticipation and total trepidation. Like most everything BiSH has done going back to 2017, one gets the feeling from the available evidence (or: they skipped ahead and bought the EPs) that Their latest is going to have the same uniformly good collection of music as always with one’s own levels of satisfaction thereof determined largely by whether they preferred the first or second promo single release.
Yesterday was time for the full, amalgamated album to get its turn in the marketing chute, and thus to use was born “DiSTANCE”:
Ah, a powerful ballad that doesn’t sound entirely like the other ones! Continue reading
NECRONOMIDOL release their highly anticipated five-song EP, scions of the blasted heath, this Wednesday, June 16. It is their first studio recording since the graduation of beloved and iconic idols Hina and Sari, and the addition of new members back in January.
Being the first studio offering by the new line-up of Kunogi, Michelle, Rei-chan, Okaki, Himari and her omniscient hair makes this EP one of the most eagerly awaited releases of the year. Team Homicidols were lucky enough to be blessed with a preview copy (all it cost was my soul but I wasn’t using it much anyway). It’s a diverse set of tracks by fan-favorite songwriters exploring themes of trauma, entropy and conquest alongside the omnipresent influence of Lovecraftian terror. Here’s a sneak peak:
Holy shit, it’s Saturday. Thank fucking CHRIST that I don’t have to go into an office today, and definitely didn’t have to do it at the ass crack of dawn, and definitely won’t be there until after happy hour ends and listen there’s no reason to ever go out in DC on a weeknight unless it’s for happy hour unless you also happen to be under the age of 24 because don’t ever let anyone fool you the only thing in DC more overrated than the food scene is the nightlife and, my goodness, did I need the benefit of a few drinks and the company of people who weren’t my co-workers this week. Good time for travel schedules to mean that I’d be the sole resident of Maniac Mansion!
Yeah, I’m gassed. I did manage to pay enough attention to do a halfway decent Weekender, if I do say so myself. It’s weird, though, not doing any posting at all for that length of time — it felt like I was leaving a part of myself aside. Fortunately, not a whole lot of particular interest was going on, so my weird feels only went so far!
Enjoy this thing, then, and do go play the Fun, and then, it being Pride Month and all, do something cool and supportive with your friends or family or scenemates — to say nothing of the many idols themselves — for whom the month exists. It’s good and fun!
Unless You Aren’t Here for Fun
I don’t know how familiar you are with MAPLEZ-affiliated project NEMURIORCA, but here’s easily the most enjoyable thing they’ve done so far: