LADYBABY Love You, but Have to Destroy You

I promise that I will never look away again.

On Team Homicidols, we’ve been distracted a lot lately by art house groups and hi-concept math-punk units or idols that make you stare at your shoes and weep.  But now that we gazed so hard at ・・・・・・・・・ that they vanished back into the ether from whence they came, it might be best to sink back into basics for a little while. Like a nice, simple “you got chocolate in my peanut butter” blend of J-pop and Metal.

I wonder what LADYBABY has been up to?

DAAAAaaaaaammnnn…

Screaming, growling, rapping, clean choruses and djenty guitars: that’s some back-to-fundamentals kawaii nu-metal right there, and a perfect illustration of how Team LADYBABY have stayed relevant though all of the unit’s formations and turmoil.  They get the basics right and they do it incredibly well.  There’s absolutely nothing wrong with that, especially when the output is this ferocious and enjoyable.

I have a feeling that this MV will earn stock-image status for any future profiles of alternative idol.  It’s practically iconic.

This new release has especially got to excite everyone heading to Monster of Dolls next month in Italy as this track is going to be an absolute banger live.

Your Homicidols Weekender #127

Good morning! You’ll have to forgive me, gang, but I am wrapping up this Weekender via cell phone while traipsing about the international capital of hipsterdom. Will you miss the intro? Unlikely!

Week good? Week good. Stressors? Sure. Idols alleviate? That’s how I spell R-O-L-A-I-D-S. Let’s get to it, and you all have a good time!

Thanks?

If you want to read SU-METAL and MOAMETAL’s first interviews in over a year and don’t Japanese, here’s a translation:

PMC vol. 13 BABYMETAL feature translated

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I eye AYEAYE. Aye, I like them verrry much.

All over Japan there are young women doing idol performances for enthusiastic local wota, however we here in the wider world rarely get to hear of the acts outside of the Tokyo and Osaka scenes. Unless they decide to make an MV to show the world what they are all about.

So welcome Sapporo’s AYEAYE (Website | Twitter), a thirteen (or possibly even seventeen?) strong idol group whose Twitter has been around since 2014 but have only just released their first single. It may disappoint some to know that they are not a pirate-themed unit performing sea-shanty influenced metal or something – my guess is that they are named after the perpetually surprised-looking lemur species – but there’s a lot to love about this catchy little tune, driven by dark, brooding guitar with alternately smiling and glowering young ladies chanting over the top of it.

Aye aye aye my life until I die.

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Shihatsu-machi Underground Out Here Raising Stakes and Devouring Human Flesh

Shihatsu-machi Underground has been on absolute fire these last few months. This is relative, of course, given that 2019 will already be remembered for its rash of stunning and terrible graduations and has been short on great releases so far, but let’s not take anything away from this delicious project and the work they’ve put in and one of my favorite pieces ever written for this site being about them.

Anyway, on top of all of the little promo clips that they’ve spent literal months trickling out in an attempt to get you to notice them senpai, today was the drop of an MV that absolutely nobody in my tiny sample size has had anything to say about yet because they’ve been too busy hyperventilating:

And that right there, friends, is one of your early contenders for a whole mess of awards! Continue reading

Almost Everything You’d Like to Know about NECRONOMIDOL’s European Tour

The last time the Inquisition came to Europe, thousands were killed, thousands more forced to convert or driven into exile, nascent nation-states reformed by fire and blood. The aftermath of its quest for infidels and heretics extended far beyond the realm of the spirit and deep into the temporal affairs of emperors and kings. The reverberations of its impact can be felt through the centuries even to today.

And that was even before NECRONOMIDOL showed up!

Yes, the Darkness Girls will be returning once again to terrorize the European continent, bringing with them endless plagues and excellent music. It’s a long-ass tour with big events and extended stops and why am I doing my traveling in the wrong hemisphere this year? The choices we make …

Anyway, the important stuff, like where and when: Continue reading

A Most Inappropriately Impertinent Friday Fun

Last week, I had other problems on my mind, forgot the Fun, then my solution as always, was “Food!”

I still have things on my mind as of writing today’s Fun (hey, at least it’s on time!), specifically, this week’s Indie, Idol and Infamous Tour. Yup, I’m gonna try and inevitably fail to score some dirt on the latest batch of idols visiting my home country, then cry on the way home after I embarrass myself! But, surely, there must be a way I can embarrass myself ever so slightly less? Perhaps even prepare myself for any other idols I might run into in the future? Or maybe you just want to snark about Homicidols being a terrible website. Hey, it’s your call! Continue reading

We Review Things: Screaming Sixties | “Zetsu”

Zetsu is an 18-track epic from two of the greatest warriors in chika idol.  Since forming in 2014, Montero and Kai of Zekkyosuru 60 Do, aka Screaming Sixties, have driven enough miles to circumnavigate the globe twice while performing approximately 300 gigs a year. And that isn’t hyperbole.

The next time you find yourself in Japan you can be certain that, somewhere, Screaming Sixties are performing a show and you need to get to whatever city they’re playing in because that’s why they made Shinkansen.

Before I get into the review itself, I want to make sure I don’t bury the lede: This is an essential album that you need to purchase immediately!

If you have any thoughts of picking up Zetsu (and you should), you need to open the website of your Japanese music retailer of choice and order it today. Most sites are starting to flag this CD as back-ordered and, if history repeats itself, once the first pressing of this CD is sold old, the only place you will be able to find it is at a Zekkyo60 live.  Also note: most retail sites won’t recognize “Screaming Sixties” as the group name so you will need to search on Zekkyosuru 60 Do or 絶叫する60度 . Continue reading

Yanakoto Sotto Mute Drop Three PVs to Devastate Your Mid-Week Productivity

The perfect modern idols have released three PVs in coordination with their announcement of a May, 1 DVD release. THE GATE Live at ZeppDiverCity  was filmed at their January 2019 one-man where Yanakoto Sotto Mute performed with the backing of a full live band.

The PVs include two songs from their recent Humoresque EP trilogy as well as and their signature hit, “Lily”, from the now-classic Bubble album.  Continue reading

Osaka Shunkashuto Can Definitely Still Deliver a Rock Song

Well, maybe it’s going to be 2016 Week here at Homicidols Dot Com, what with the C-Style yesterday and today the reappearance of an old favorite that I’d all but given up on. Of course I’m talking about Osaka Shunkashuto!

What I’m about to show you is shocking. On the one hand, it’s by-the-gods Osaka Shunkashuto doing their bread and butter, a by-the-gods rock song with a delicious hook; on the other hand, it’s … well, it’s the theme song for an anime called FAIRY TAIL, aka SSFW’s new single, which is itself actually called “NO-LIMIT”:

There are also versions with subs in English and Chinese; also go listen to the whole thing

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You Should Get RAY On Your Radar Right Now…

I’ve been kind of tingling with giddy anticipation all day today since this bit of news broke via a retweet from the Dots staff twitter. As you may know, the mysterious mind behind Dots has been quietly planning a successor to the seminal experimental and constantly evolving shoegaze idol project, and at last, it appears that the time is nigh for the next event to break out and dare I suggest, likely shatter expectations with an exciting new unit…

It’s RAY, and their plan as stated, is to bring about “Omnidirectional music development and performance”. The group is determined to achieve a fusion of idol with different fields of interest in ways that have never been done before. They’ve also stated that they fully intend to reach out and collaborate with creators on a global level, and they’ve already made good on that promise: Their first international connection will come in the form of music provided by the amazing Austin, Texas shoegaze band Ringo Deathstarr. (This is the part where I went from excited to really really excited.)

It turns out that Ringo Deathstarr toured Japan earlier this year and crossed paths with Dots while making the highly active shoegaze scene there, and well, good things came of it. This is a pretty high-profile beginning that could potentially introduce RAY with a pretty new audience, with a nice bit of indie-cred attached to it!

So who are these RAY girls? A couple of things: This group will be significantly different  because the members will not be anonyomous entities. And not only will they have names attached to their faces, but each girl will also pursue solo work, and work on individual projects using crowdfunding to help pursue their goals. It’s a very unique and yet still groundbreaking arrangement that’ll be interesting to see unfold. Here they are…

(I’m not sure if anyone looks familiar to you or not, but I’ll offer you this much… One of these girls is somebody whose eyes you’ve never seen before…)

RAY will be making their live debut on May 1st, and it’s a safe bet that they’ll be highly talked about shortly after. You can follow the group’s twitter account here, their official website here, and also click on the members above to follow them too!

Very cool and very wonderful things are unfolding here, and this is your opportunity to not miss the boat.  RAY is gonna show us the way!