And speaking of Soundcloud being where a lot of idol is happening anymore, along comes IVOLVE with a couple of tracks in addition to their fine previous work in that regard. And you know, partly for its regularity and partly for its potential, it’s a notification that I’m glad to see, when they post anew — a lot of the groups that still exist from when this site got started are legacy projects, living on inertia or with essentially a fixed membership, whereas groups like IVOLVE, which are themselves somewhat established and boast membership from that earlier era and still have a bright future ahead, they feel like a bridge between eras. And idol eras, as we’ve learned, aren’t exactly long-term things!
Anyway, you’re here for the stuff, not the Maniac:
Well okay fine, sure it feels like this was posted a couple of hours after the last thing of theirs that I posted about them posting, but it’s Melon Batake a go go, is anybody really going to complain about fun-ass monster movie beach party Frankie & Annette vs. the Wolfman tunes? No? That’s what I thought.
You’re welcome to find me an idol act that’s more consistently fun and creative than Melon. You are! You’re also welcome to be a big dumb failure, which is what you’ll be for looking!
To give heft to this post, here’s rare visual proof that even idols from outer space need to rehearse their choreography:
Ah, mishmash, the kind of pun-ready, merry-marking idol group that I’d have to invent from the innate substance of the universe if they didn’t already exist, so perfectly they fit into their niche as they do. Yes, one of 2018’s top debutantes, and one yet to fail to make good on that reputation with any release. Bully on them, then, to keep clips of tracks flowing onto Soundcloud, which has inexplicably emerged as the best resource for new idol stuff short of an international CD service. The latest entry:
Though Fall is my favorite season, there’s always a hint of trepidation it’s arrival. The sky gets a little gray, the days get colder and shorter, and naturally, we all know the Winter is approaching by the year’s end. And additionally for us idol fans, we find ourselves anticipating the upcoming new year, because we know good-and-well that some of our oshimen and favorite groups won’t be around by this time in the future, cause that’s what we’ve signed up for the when we got into this subculture.
Last Friday, a little precursor to the change of the seasons and the new year in waiting arrived: Kotori Kotao, the other half of the duo-era of Avandoned, announced that she will be graduating in April of 2019. In a statement, she explained that quite simply it’s too difficult to balance the intensity of idol work with her personal focus on art. This is something I find terribly relatable, so I can’t possibly take issue with it. Kotao joined the group in 2016, at which point Avandoned was closing its previous era with the departures of Nayuta and Konomi and rebranding the group as a trio. At that point I knew very little about her, but she certainly won me over very quickly, to the point where it became difficult to imagine Avandoned without her. As I got to know more about her, I found her endlessly fascinating and talented.
Happy Saturday! Does everybody get a chance to have something approaching an actual weekend? I ask because I increasingly don’t anymore, and it’s driving me crazy. Yeah, a change in my personal social prospects contributed, but the fact that I don’t have a prayer of spending a larger part of a blustery day like today working up savory foods and enjoying idol and stuff, not anymore, that sucks. Instead, it’s either a combination of chores and social obligations, or I legitimately just plain have to keep working.
My point is, enjoy this stuff while you have it. The Weekender ain’t all of it. Homicidols Dotcom isn’t all of it. Explore and go on fantastic journeys of discovery. Suck up other media. Let YouTube recommended things to you until you’re blue in the face. Oh, and of course play the Fun.
And wish me luck. I’m about to go fix a car thing that I’ve never had to fix before.
In a fandom where half of us have no idea what our faves are talking about, it’s very easy for them to be misquoted on certain topics. Which means its also easy to make up fake quotes for shits and giggles and possibly confuse a bunch of people! Observe: Continue reading →
Okay, I think REGiNA KiSS is done with the IDOL SHREDDER promos now — it’s been almost a week since the last MV they put out — so let’s round back on the last two, which just so happen to be the best ones, and prove a lot of things but mostly just prove that you should be listening to this project because you’re ostensibly here because you like idols and loud music!
I’m actually sharing these in reverse chronology because that’s the best way to do a crescendo in this case. So first:
This beauty popped up on Soundcloud like it was preordained. If you aren’t ready to smash Friday and go into your weekend like a BAMF, possibly while stroking the six-shooter in your hip holster while striding down a dusty Main Street in search of outlaws to bring to justice, I very literally cannot help you:
Never bring an idol to a gunfight, they said, but who the hell are they, and why wouldn’t I? You clearly need them and their music to set the scene!
Melon’s got a big line of shows next week. Gotta promote that final indie release!
It’s going to be so weird to have this in-every-sense-of-the-word-outstanding unit publishing on a major label. As long as it doesn’t mess with what Soze’s able to do with that incredible brain of hers, I’ll take it with cautious optimism.
That was “Semai Monogatari” from Maison book girl’s upcoming album, Yume.
In a time full of general idol weirdness you can always count on MBG to bring something that’s both a pleasant break from everything else, while also being artsy enough to make you go “Hmmmm”. I’m looking forward to hearing the deeper meanings and interpretations from certain fans because god knows I’m too dense to really think any deeper other than “Ooh, pretty!” Continue reading →
The latest adventure in the USA with NECRONOMIDOL(This time accompanied by Oyasumi Hologram.) has come to a close! It’s always fun to take in the experience through the eyes of other fellow fans as these shows make their way across the tour, and get a new perspective of these events as other people see them. As circumstances would have it, Team Homicidols was unable to represent at this tour, mainly because real life is stupid and piles on it’s own commitments. Perhaps one day, idols will overthrow the wicked forces that run this world, oppressively placing demands upon us that distract from what’s really important, which is going to idol mass and paying proper respects to our deities.
Until that day happens, we thankfully have wonderful friends of Homicidols like Killer Cashew. I’ve had the pleasure of meeting the Cashew and Asto, his partner in crime, and they’re terrific people who deserve great experiences like this tour. I’m glad that they were able to enjoy the show, and I’m indebted to Mr. Cashew for taking time to contribute an account of the evening in his own words. Let’s read about the fine art and dark visions he witnessed!
Hi, Killer Cashew here. Normally I’m a quiet follower of the Homicidol community, but due to circumstances, none of the usual contributors were able to attend the Oyasumi Hologam/NECRONOMIDOL leg of the crowdfunded world tour. I was asked if I wanted to share some details of my experience and so here we are…